5 Oscar Could Have Beens: 2011

Two perfectly pleasant and accomplished movies, with a taste of France and the movies, went head to head in the end. Hugo and The Artist. But I am not going to talk about either of them today. Two gorgeously shot movies, that had opinions stretched either end of a see-saw also made the Best Picture list. I won’t be talking about The Tree of Life or War Horse either.

Let’s not forget that there were also movies many people loved, like The Girl with the Dragon Tattoo, A Separation, Bridesmaids, Harry Potter and the Deathly Hallows Part 2, Drive, Tinker Tailor Soldier Spy, The Ides Of March, Shame, My Week with Marilyn – not one Best Picture nominee between them though. The rather flat and detached Extremely Loud and Incredibly Close got in instead. Nine films made the cut, and that got in.

There were some bold and surprising inclusions though (good or bad depends on which side of the fence you sit on). Demian Bichir (A Better Life), Gary Oldman (Tinker Tailor Soldier Spy), and Rooney Mara (The Girl with the Dragon Tattoo) were all nominated for their Lead acting. And Jonah Hill (Moneyball), Max von Sydow (Extremely Loud and Incredibly Close), and Melissa McCarthy (Bridesmaids) made the Supporting list. Margin Call (J.C. Chandor) and A Separation (Asghar Farhadi) also landed Original Screenplay nominations – which was great.

In other also ran news, George Clooney and Viola Davis didn’t win Actor and Actress respectively. In probably the best shot movie of not just this year, Emmanuel Lubezki did not win Cinematography. And Rise of the Planet of the Apes did not win Visual Effects. On the bright side (well, the very dark side actually) The Girl with the Dragon Tattoo won Editing, and anybody who knows anything about this bonkers horse race will tell you, that is a huge award to win considering the movie was shut out in many other categories.

So what else was missed?

Best Director – Nicolas Winding Refn (Drive)

There was a lot of credit due to director Nicolas Winding Refn (winner of the Best Director Prize at Cannes that year), as every frame, and transitions to those frames, seems paced to perfection. There is very little dialogue, and the electronic (and totally addictive) music gives this the feel of a perfectly executed music video with a compelling narrative. It gets into your bloodstream, while taking you on a bumpy ride. The violence is startling, but not necessarily because of the brutality, rather that we just know it is coming and Refn makes us wait. There’s a moment at the climax were you really do fear the worst. And what does the director do? Lingers. Brilliant.

Best Picture – The Girl with the Dragon Tattoo

 I remember when there were some wide-eyes and gasps when Rooney Mara’s name was read out in the Best Actress list. Few will believe me now, but she was in my predicted five. I gasped louder, and had wider eyes, when The Girl With The Dragon Tattoo failed to be nominated for either Picture or Director (David Fincher, who made the DGA cut). Now what you have to appreciate is that the movie obviously got some love with five nominations – that is more than four of the actual Picture nominees.

Best Actor – Michael Fassbender (Shame)

So with 12 Years A Slave winning Best Picture two years later, Steve McQueen can perhaps look back at the Shame disappearing act Oscar-wise and know they like him. I think the same sort of discussions were being had about whether or not the subject matter would repel the Academy (only swap race and slavery for pure sex addiction). The main topic on people’s lips (other than his penis) was the Best Actor race with Michael Fassbender very much in contention. You get sick and tired of talking (or thinking) about how a character who is perhaps not likable, or is behaving inappropriately, or is just someone the Oscar people don’t want to vote for. Well, they should be voting for their best actor, and Fassbender acts with every muscle and nerve here, in every single scene. A real shame indeed. Or sham.

Best Director – Bennett Miller (Moneyball)

It can be forgiven for assuming Moneyball is your standard sports movie, but it really is not. It is about baseball, sure, but it is also about giving those a chance who were perhaps previously dismissed, it is about the underdog, the moments of glory – not to mention the dynamics of a growing relationship between a father urging for success and a daughter with a talent for music. Bennett Miller cooks the story out in an engaging way without any of the fat. But, as Moneyball implies, how can you not be romantic about baseball? Miller hands those notions to you on a plate, he has a real awareness of his craft, and balances the drama and the more whimsical moments between the characters with such ease.

Best Supporting Actress – Shailene Woodley (The Descendants)

What a brat. What a typical, badly behaved teenager. Yet it turns out Alexandra (Shailene Woodley), in Alexander Payne’s delightful The Descendants, is the real, true adult in the movie. Her own redemption, or whatever you might call her journey, is the most subtle, but perhaps the most influential. Touted for an Oscar nod, Woodley was getting high praise all over the place, mentioned in the same honorable way as her co-star – you know, George Clooney. Her most exceptional moment, and possibly the scene of the entire year, is when she receives the bad news while in the pool, ducking herself under the water so she can privately, for the moment, truly express the pain she feels. And what a nomination clip that would have made.

Originally posted 9th December 2014.

Advertisements

7 thoughts on “5 Oscar Could Have Beens: 2011

  1. It's a shame and a sham how Michael Fassbender was snubbed for an Oscar nomination. What pisses me off more is that Rooney Mara, in the same god damn year, was nominated for Best Actress in that 'didn't need to be remade' 'Dragon Tattoo' film. She was naked in a very violent film, she had sex, was raped, etc. But yet, what she did and the craziness of that film won nominations left and right. But because Michael Fassbender has the nerve to be a man, a male in fine form and actually performed exceptional in his role in Shame, he was penalized by the most immature and disrespectful way. It was embarrassing how AMPAS snubbed him, it was a travesty. And when I recall the actor who made the fifth slot, I knew it was a fucking joke. No matter how many nominations or hopeful wins Michael Fassbender receives from AMPAS in the future, they will never redeem themselves from that outrageous snub in 2011. Whatever credibility they had left after the Crash vs Brokeback Mountain crap, it was completely destroyed in January 2011.

    Like

  2. I have nothing against Rooney Mara, but there was something very schizophrenic about how they embraced yet ignored TGWTDT. But I totally see your point, exactly. It was embarrassing how AMPAS snubbed him, I totally agree. I assume you are talking about Gary Oldman taking that fifth slot, though Demian Bichir was still a surprise even with the SAG nod. In my view, and I am not just saying this because it is you, but Fassbender was better than all five nominated. I saw the movie again recently and it blew me away again.

    Like

  3. Our picks on what got screwed are mostly in line. I would love to talk about what did get in which had no business being in in the first place, starting w/Best Picture. Take out War Horse and Extremely Loud and Incredibly Trite, open up a 10th spot, and in their place, put in Drive, Dragon Tattoo and Deathly Hallows – Part II. As much as I despise Tree of Life, at the end, it's inclusion is a good thing because it still highlight's Oscar's willingness since the leap from 5-10, and then anywhere between 5 or 10 (which is complete bullshit, IMO) to off the beaten path and congratulate ambitious and controversial works that challenge the audience's perception of story and narrative.

    Like

  4. For what was snubbed, by biggest gripe is Drive. That was my favorite movie in 2011. I've seen it multiple-multiple times, and I have been enamored with it since the first time. I agree that Winding Refn should have been nominated for Best Director, and I think Drive should have been nominated for Best Picture. The whole movie is just so fucking mezmerizing. It's like being in a dream.
    I also agree though that The Girl with the Dragon Tattoo should have been nominated for Best Picture. I was shocked when it wasn't. That had been my #1 to see that whole year.
    Shailene Woodley was terrific in The Descendants. It's like that role was made for her.
    I didn't care for Tinker Tailor Soldier Spy. In fact, I couldn't even finish it. I was SO VERY confused . I had no idea who was who, and what was what.

    What I'd nominated as my 5 for Best Picture of 2011:
    The Descendants
    Drive
    The Girl with the Dragon Tattoo
    Hugo
    Warrior

    Like

  5. I agree “Mr. Brown” (He he). But I've still only seen War Horse once. Even Lincoln I've seen 3 times. I don't dislike Extremely Loud, but my favorite time I watched it was the first time. You know how much I despise the Tree of Life as well, but I can't even get myself to apreciate that they nominated it. Nope, just can't. To me it was 2 hours and 20 minutes of WTF! 🙂

    Like

Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s