The Motion Picture Sound Editors (MPSE) have announced the nominations for the 70th Golden Reel Awards; a celebration of outstanding achievements in the field of sound editorial. Everything Everywhere All At Once leads the way with three nominations, followed by Elvis and Top Gun: Maverick with two each.
“We are thrilled to celebrate the platinum anniversary of the MPSE Golden Reel Awards with our first live event in three years,” said MPSE president Mark Lanza. “We also take special pride in honoring the outstanding work of sound editors from around the world and across all forms of entertainment media. We look forward to a special night full of fun and surprises as we celebrate the art and craft of sound.”
Full list of nominations below. The winners will be announced on February 26.
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“The Banshees of Inisherin”
Searchlight Pictures
Supervising Sound Editor: Joakim Sundström
Supervising ADR Editing: Simon Chase
Supervising Foley Editor: Rebecca Glover
Foley Artist: Julien Naudin
“The Batman”
Warner Bros. Pictures
Supervising Sound Editors: Douglas Murray MPSE, William Files MPSE
Dialogue Editor: Jacob Riehle
ADR Editors: Bobbi Banks MPSE, David V. Butler
“Elvis”
Warner Bros. Pictures
Supervising Sound Editor: Wayne Pashley MPSE
Supervising Dialogue Editor: Derryn Pasquill
ADR Supervisor: Libby Villa
Dialogue Editors: Nick Breslin, Marisa Marsionis, Lauren Ligovich
“Empire of Light”
Searchlight Pictures
Supervising Sound Editors: Oliver Tarney MPSE, Rachael Tate MPSE
“Everything Everywhere All At Once”
A24
Supervising Sound Editor: Brent Kiser MPSE
“Top Gun: Maverick”
Paramount
Supervising Sound Editors: Bjørn Ole Schroeder, James Mather, Al Nelson
Dialogue Editor: Chris Gridley
Dialogue Editors: Simon Chase, Matthew Hartman, Michael Maroussas, Gwendolyn Yates Whittle MPSE
ADR Editor: Gwendolyn Yates Whittle MPSE
Outstanding Achievement in Sound Editing – Feature Effects / Foley
“Avatar: The Way of Water”
20th Century Studios
Supervising Sound Editor: Christopher Boyes
Supervising Effects Editor: Brent Burge
Sound Designers: David Chrastka, Dave Whitehead MPSE, Christopher Boyes
Sound Effects Editors: Hayden Collow, Matt Stutter MPSE
Foley Editors: Craig Tomlinson, Dee Selby
Foley Artists: Dan O’Connell, John Cucci MPSE
“The Batman”
Warner Bros. Pictures
Supervising Sound Editors: Will Files MPSE, Douglas Murray MPSE
Sound Designers: Chris Terhune, Lee Gilmore MPSE, Craig Henighan MPSE
Sound Effects Editor: Diego Perez MPSE, Phil Barrie
“Everything Everywhere All at Once”
A24
Supervising Sound Editor: Brent Kiser MPSE
“Jurassic World: Dominion”
Universal Pictures
Supervising Sound Editors: Al Nelson, Gwendolyn Yates Whittle MPSE
Sound Designers: Pete Horner, Gary Rydstrom MPSE
Sound Effects Editors: Stuart McCowan, Benjamin A. Burtt, Scott Guitteau, Qianbaihui Yang MPSE
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Editor: Coya Elliott
Foley Artists: Jana Vance, Ronni Brown
“Nope”
Universal Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Brendan Feeney, Max Behrens, Ben Gulvin, Jeff Smith, Beresford Cookman
Foley Editors: Natalia Lubowiecka MPSE, Ewa Mazurkiewicz
Foley Artist: Jacek Wisniewski
“Top Gun: Maverick”
Paramount
Supervising Sound Editors: Al Nelson, James Mather, Bjørn Ole Schroeder
Sound Designers: Christopher Boyes, Jed Loughran
Sound Effects Editors: Benjamin A. Burtt, Scott Guitteau, Rowan Watson, Qianbaihui Yang MPSE
Supervising Foley Editor: Luke Dunn Gielmuda
Foley Editors: Dmitri Makarov, David Mackie
Foley Artists: Jana Vance, Ronni Brown, John Roesch MPSE, Shelley Roden MPSE
Outstanding Achievement in Music Editing – Feature Motion Picture
“Elvis”
Warner Bros.
Supervising Music Editor: Jamieson Shaw MPSE
Music Editor: Evan McHugh
Scoring Editor: Chris Barrett
“Everything Everywhere All at Once”
A24
Music Editors: Dean Menta, Luke Wilder, Katherine Gordon Miller
“Guillermo del Toro’s Pinocchio”
Netflix
Music Editors: Lewis Morison, Eric Caudieux
Scoring Editor: Chris Barret
“TÁR”
Focus Features
Supervising Music Editor: Gerard McCann MPSE
“Whitney Houston: I Wanna Dance with Somebody”
TriStar Pictures
Supervising Music Editor: John Warhurst
Supervising Sound Editor: Nina Hartstone
Music Editors: James Shirley, Victor Chaga
Outstanding Achievement in Sound Editing – Feature Animation
“DC League of Super-Pets”
Warner Bros. Animation
Supervising Sound Editors: Bill R. Dean MPSE, Ando Johnson
Sound Designer: Erick Ocampo
Sound Effects Editors: Chris Battaglia MPSE, Kip Smedley
Supervising Dialogue Editor: Stephanie Brown
Dialogue Editor: Chase Keehn
Supervising Foley Editor: Jessie Pariseau
Foley Editor: Bruce Tanis MPSE
Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana
“Guillermo del Toro’s Pinocchio”
Netflix
Supervising Sound Editor: Scott Martin Gershin MPSE
Sound Effects Editors: Masanobu “Tomi” Tomita, Andrew Vernon MPSE, Dan Gamache MPSE
Dialogue Editor: Dan Gamache MPSE
Foley Artists: Dan O’Connell, John Cucci MPSE
“Lightyear”
Disney Animation
Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Kimberly Patrick, Jonathon Stevens, Benjamin A. Burtt
Dialogue Editor: Cheryl Nardi
Foley Editors: James Spencer, Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE
“Puss in Boots: The Last Wish”
DreamWorks Animation
Supervising Sound Editors: Jason W. Jennings, Julian Slater MPSE
Sound Designer: Tim Walston MPSE
Sound Effects Editor: Ken McGill
Dialogue Editor: Mia Stewart MPSE
Supervising Foley Editor: Paul Pirola
Outstanding Achievement in Sound Editing – Feature Documentary
“Good Night Oppy”
Amazon
Supervising Sound Editor: Mark Mangini MPSE
Supervising Dialogue Editor: Dave Bach
Sound Designers: Tim Walston MPSE, Dave Whitehead MPSE, Mark Mangini MPSE
“Louis Armstrong’s Black and Blues”
Apple TV+
Supervising Sound Editor: Leslie Shatz
Sound Designer: Leslie Shatz
Supervising Dialogue Editor: Jon Flores
“Moonage Daydream”
Apple TV+
Supervising Sound Editor: Nina Hartstone
Sound Designers: Samir Foco, James Shirley
Sound Editor: Louise Burton MPSE
“The Territory”
National Geographic
Supervising Sound Editors: Rune Klausen, Peter Albrechtsen MPSE
Sound Designers: Rune Klausen, Peter Albrechtsen MPSE
Sound Effects Editors: Mikkel Nielsen, Tim Nielsen
Dialogue Editors: Sebastian Vaskio, Guilherme Tortolo Magrin
Foley Editor: Pietu Korhonen
Foley Artist: Heikki Kossi, MPSE
Outstanding Achievement in Sound Editing – Foreign Language Feature
“All Quiet on the Western Front”
Netflix
Supervising Sound Editor: Frank Kruse
Sound Designer: Markus Stemler
Supervising Dialogue Editor: Alexander Buck
Supervising ADR Editors: Benjamin Hörbe, Alexander Buck
ADR Editors: Thomas Kalbér, Moritz Hoffmeister
Foley Editor: Kuen Il Song
Foley Artists: Carsten Richter, Daniel Weis
“Argentina, 1985”
Amazon
Supervising Sound Editor: Santiago Fumagalli
Sound Effects Editors: Juan Ignacio Giobio, Nahuel De Camillis
Dialogue Editor: Ignacio Seligra
Foley Editor: Nicolás Mannara
Foley Artist: Diego Marcone
Music Editor: Stephen M. Davis
“Bardo, False Chronicle of a Handful of Truths”
Netflix
Supervising Sound Editors: Martín Hernández, Nicolas Becker
Sound Designer: Ken Yasumoto
Sound Effects Editors: Alejandro Quevedo, Jaime Sainz, Carolina Santana
Dialogue Editors: Valeria López Mancheva, Raynier Hinojosa, Omar Blanco
ADR Editors: Alitzel Diaz, Daniel Douglass MPSE
Foley Editors: Oscar Victoria, Pietu Korhonen, Alan Romero
Foley Artists: Heikki Kossi MPSE, Alan Romero
“EO”
Janus Films
Supervising Sound Editor: Radoslaw Ochnio MPSE
Sound Designer: Radoslaw Ochnio MPSE
Sound Editor: Marta Weronika Weronska
Foley Editor: Suraj Bardia MPSE
“The Quiet Girl”
Break Out Pictures
Supervising Sound Editor: Steve Fanagan MPSE
Sound Designer: Steve Fanagan MPSE
Sound Effects Editor: Steve Fanagan MPSE
Dialogue Editor: Louise Burton MPSE
ADR Editor: Louise Burton MPSE
Foley Editor: Steve Fanagan MPSE
Foley Artist: Caoimhe Doyle
“Triangle of Sadness”
Imperative Entertainment
Sound Editors: Andreas Franck MPSE, Bent Holm MPSE, Gustav Landbecker, Johannes Dekko, Claes Lundberg, Benny Persson, Daniel Lindvik, Alexander Wunsch, Erik Watland
Sound Designers: Andreas Franck MPSE, Bent Holm MPSE
Foley Artists: Claes Lunderberg, Ulf Olausson
Outstanding Achievement in Sound Editing – Non-theatrical Feature
“Pinocchio”
Disney
Supervising Sound Editors: Bjørn O. Schroeder, Leff Lefferts
Sound Designer: Randy Thom MPSE
Sound Effects Editors: Malcolm Fife, Pascal Garneau, Teresa Eckton MPSE, Goeun Everett MPSE
Dialogue Editor: James Spencer
Supervising Foley Editor: Christopher Manning
Foley Editors: Chris Frazier, Dee Shelby
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
“Prey”
Hulu
Supervising Sound Editors: Chris Terhune, Will Files MPSE
Sound Designer: James Miller
Sound Effects Editors: Christopher Bonis, Diego Perez MPSE, Lee Gilmore MPSE
Supervising Dialogue Editor: Jessie Anne Spence MPSE
Dialogue Editors: David Bach, Korey Pereira MPSE
Supervising Foley Editor: Annie Taylor
Foley Editors: Nick Seaman, Roni Pillischer
Foley Artists: Leslie Bloome, Shaun Brennan
“Weird: The Al Yankovic Story”
Roku
Supervising Sound Editor: Anthony Vanchure
Sound Designer: Mike James Gallagher
Foley Artists: Sanaa Kelley MPSE, Iris Dutour, Luke Kelley
“Women of the Movement”
ABC
Supervising Sound Editor: Bobbi Banks MPSE
Sound Effects Editor: Nancy MacCleod
Dialogue Editor: Fred Stahly
Foley Artist: Sanaa Kelly MPSE