The Motion Picture Sound Editors (MPSE) have announced the nominations for the 71st Golden Reel Awards; a celebration of outstanding achievements in the field of sound editorial. Oppenheimer leads the way with three nominations, followed by Barbie, Maestro, Napoleon, and Spider-Man: Across the Spider-Verse with two each.
“It’s been a great year for entertainment sound,” said MPSE president David Barber. “We are so impressed with the creative excellence of sound artists across all media and from around the world. We extend our sincere congratulations to this year’s stellar nominees.”
Full list of nominations below. The winners will be announced on March 3.
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
“Barbie”
Supervising Sound Editors: Ai-Ling Lee, Dan Kenyon
Warner Bros.
Supervising Dialogue / ADR Editor: Brian Bowles MPSE
Dialogue Editors: Kate Bilinski, Tony Martinez, Tyler Newhouse
“Killers of the Flower Moon”
AppleTV+
Supervising Sound Editors: Philip Stockton, Eugene Gearty
Dialogue Editors: Julia Stockton, Philip Stockton
ADR Editor: Marissa Littlefield
“Maestro”
Netflix
Supervising Sound Editors: Richard King, Rich Bologna
Supervising Dialogue / ADR Editor: Tony Martinez
Dialogue Editors: Eliza Paley, Jac Rubenstein, Fred Rosenberg
Supervising Music Editor: Jason Ruder
“Napoleon”
AppleTV+
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Supervising Dialogue Editor: Michael Maroussas
Dialogue Editor: Rachael Tate MPSE
“Oppenheimer”
Universal Pictures
Supervising Sound Editor: Richard King
Supervising Dialogue Editor: David Bach
Dialogue Editors: Russell Farmarco, Albert Gasser MPSE
“Poor Things”
Searchlight Pictures
Supervising Sound Editor: Johnnie Burn MPSE
Dialogue Editors: Tristan Baylis MPSE, Peter Russell
Outstanding Achievement in Sound Editing – Feature Effects / Foley
“Gran Turismo”
Columbia Pictures
Supervising Sound Editors: Kami Asgar MPSE, Erin Oakley
Sound Designer: Charles Deenen
Sound Effects Editors: Sam Fan, Matt Cavanaugh MPSE
Sound Designer: Tim Gedemer MPSE
Foley Artists: Gary Hecker MPSE, Mike Horton
Foley Editor: Jessica Parks
“Ferrari”
Neon
Supervising Sound Editors: Tony Lamberti, Bernard Weiser MPSE
Sound Designer: David Wentz
Sound Effects Editor: Brent Findley MPSE, Steven Ticknor, Benjamin Cook MPSE
Supervising Foley Editor: Beso Kacharava MPSE
Foley Artist: Biko Gogaladze
Foley Editors: Alexander Sanikidze, Rati Chkhetiani
“John Wick Chapter 4”
Lionsgate
Supervising Sound Editor: Paul Soucek MPSE
Sound Designers: Mark Stoeckinger, Luke Gibleon, Olivia Xiao’ou Zhang MPSE, Stephen Robinson MPSE, Gael Nicolas
Sound Effects Editors: Casey Genton, Nicolas Interlandi
“Napoleon”
AppleTV+
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Mike Fentum, Hugo Adams
Sound Effects Editors: Aran Clifford, Kevin Penney, Rowan Watson
Foley Artists: Oliver Ferris, Sue Harding
“Oppenheimer”
Universal Pictures
Supervising Sound Editor: Richard King
Sound Effects Editor: Michael Mitchell
Sound Designer: Randy Torres
Supervising Foley Editor: Christopher Flick
Foley Artists: Dan O’Connell, John Cucci MPSE
“The Killer”
Netflix
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathon Stevens, Malcolm Fife
Supervising Sound Editor: Jeremy Molod
Supervising Foley Editor: Thom Brennan
Foley Editor: Dee Selby
Foley Artists: Shelley Roden MPSE, John Roesch MPSE
Outstanding Achievement in Music Editing – Feature Motion Picture
“Barbie”
Warner Bros.
Supervising Music Editor: Suzana Perić
Music Editor: Mick Gormaley
“Creed III”
Amazon / MGM
Music Editor: Nicholas Fitzgerald
“Maestro”
Netflix
Supervising Music Editor: Jason Ruder
Music Editor: Victoria Ruggiero
“Oppenheimer”
Universal Pictures
Supervising Music Editor: Amanda Goodpaster
Music Editors: Felipe Pacheco, Alex Gibson
“Spider-Man: Across the Spider-Verse”
Sony Pictures
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott
“Wonka”
Warner Bros.
Supervising Music Editor: Katrina Schiller MPSE
Music Editors: Mark Willsher MPSE, Michael Connell, Janet Grab
Outstanding Achievement in Sound Editing – Feature Animation
“Elemental”
Disney / Pixar
Supervising Sound Editors: Ren Klyce, Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: Jonathan Stevens, Ben Burtt, Kim Patrick, Steve Bissinger
Supervising Dialogue Editor: Rich Quinn
Dialogue Editor: Lisa Chino
Supervising Foley Editor: Dee Selby
Foley Editor: Nicolas Docter
Foley Artists: Shelley Roden MPSE, Heikki Kossi MPSE
“Migration”
Illumination
Supervising Sound Editors: Daniel Laurie, Josh Gold
Sound Effects Editors: Richard Gould, Luke Dunn-Gielmuda, Scott Guitteau
Supervising Foley Editor: Thom Brennan
Foley Editor: E. Larry Oatfield
Foley Artists: Sean England, Andrea Gard
Music Editor: Bill Bernstein
“Spider-Man: Across The Spider-Verse”
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Sound Designers: John J. Pospisil, Alec G. Rubay, Kip Smedley
Sound Effects Editors: Cathryn Wang, David Werntz, Bruce Tanis MPSE, Greg ten Bosch MPSE, Daniel McNamara MPSE, Will Digby, Andy Sisul
Supervising Dialogue Editor: James Morioka MPSE
Dialogue Editors: Robert Getty MPSE, Jason W. Freeman, Kai Scheer, Ashley N. Rubay
Foley Supervisor: Colin Lechner MPSE
Foley Artist: Gregg Barbanell MPSE, Jeff Wilhoit MPSE, Dylan Wilhoit
Supervising Music Editor: Katie Greathouse
Music Editor: Barbara McDermott
“The Super Mario Bros Movie”
Universal Pictures
Supervising Sound Editor: Daniel Laurie
Sound Designers: Randy Thom MPSE, Jamey Scott MPSE
Sound Effects Editors: Leff Lefferts, Qianbaihui Yang MPSE, Scott Guitteau
Supervising Foley Editor: E. Larry Oatfield
Foley Editor: Zach Martin
Foley Artists: Ronni Brown, Jana Vance, Sean England
Outstanding Achievement in Sound Editing – Feature Documentary
“32 Sounds”
ArKtype
Supervising ADR Editor: Eliza Paley
Sound Designer: Mark Mangini MPSE
Sound Editor: Robert Kellough MPSE
ADR Editor: Mari Matsuo
Foley Artist: Joanna Fang MPSE
“American Symphony”
Higher Ground Productions
Supervising Sound Editor: Tristan Baylis MPSE, Tom Paul
Foley Artist: Leslie Bloome
Sound Effects Editors: Matt Snedecor, Mark Filip
“Mourning In Lod”
Medalia Productions
Supervising Sound Editors: Yossi Appelbaum, Lior Weitzman
Sound Designer: Yossi Appelbaum
“Still: A Michael J. Fox Movie”
AppleTV+
Supervising Sound Editor: Skip Lievsay
Sound Effects Editor: Rich Bologna
Dialogue Editor: Michael Feuser
Foley Supervisor: Matt Haasch
Foley Editor: Heather Gross
Foley Artist: Jay Peck
“Taylor Swift: The Eras Tour”
Taylor Swift Productions
Sound Editor: Phil DeTolve
Music Supervisor: David Cook
Outstanding Achievement in Sound Editing – Foreign Language Feature
“Anatomy of a Fall”
Neon
Sound Editors: Fanny Martin, Jeanne Delplancq
“The Zone of Interest”
A24
Supervising Sound Editor: Johnnie Burn MPSE
Sound Effects Editors: Simon Carroll, Max Behrens, Joe Mount, Brendan Feeney
Foley Editors: Ewa Mazurkiewicz, Natalia Lubowiecka MPSE, Dawid Konecki, Kamil Kwiatkowski
“Godzilla Minus One”
Robot Communications
Foley Artist: Natsuko Inoue
“Society of the Snow”
Netflix
Supervising Sound Editors: Oriol Tarragó, Iosu Martinez, Guillem Giró
Foley Artists: Erik Vidal, Kiku Vidal
Sound Editors: Sarah Romero, Marc Bech, Brendan Golden
Sound Designer: Oriol Tarragó
Music Editor: John Finklea