The Motion Picture Sound Editors (MPSE) have announced the nominations for the 71st Golden Reel Awards; a celebration of outstanding achievements in the field of sound editorial. Deadpool & Wolverine and Dune: Part Two lead the way with three nominations, followed by Alien: Romulus, A Complete Unknown, Emilia Pérez and Wicked with two each.
Kevin Costner will receive the Filmmaker Award and supervising sound editor Greg Hedgepath will receive the Career Achievement Award.
Full list of nominations below. The winners will be announced on February 23.
Outstanding Achievement in Sound Editing – Feature Dialogue / ADR
Alien: Romulus / 20th Century Studios
- Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
- Sound Editor: Matt “Smokey” Cloud MPSE
- Supervising Dialogue Editor: Polly McKinnon
- Dialogue Editors: David Butler, Ryan Cole MPSE, Jacob Riehle, Ailene Roberts MPSE
A Complete Unknown / Searchlight Pictures
- Supervising Sound Editor: Donald Sylvester
- Dialogue Editors: Russell Farmarco MPSE, Anna MacKenzie, Robert Troy
Deadpool & Wolverine / Marvel Studios
- Supervising Sound Editor: Craig Henighan MPSE
- Dialogue Editor: Emma Present
Dune: Part Two / Warner Bros. Pictures
- Supervising Dialogue Editor: Martin Kwok
- Dialogue Editors: Ray Beentjes, Polly McKinnon, Stefanie Ng
- ADR Editor: David Bach
- Crowd Editors: Alexis Feodoroff, Justin Webster
Saturday Night / Columbia Pictures
- Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE
- Dialogue Editors: Helen Lutrell, Emma Present
Wicked / Universal Pictures
- Supervising Sound Editors: John Marquis, Nancy Nugent Title
- Supervising Dialogue Editor: John C. Stuver
- Dialogue Editor: David Bach
Outstanding Achievement in Sound Editing – Feature Effects / Foley
Alien: Romulus / 20th Century Studios
- Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
- Sound Designer: Chris Terhune
- Sound Effects Editors: Luis Galdames MPSE, Dan Kenyon, Ken McGill MPSE, James Miller, Matt “Smokey” Cloud MPSE, Steve Neal MPSE
- Foley Editors: Samuel Munoz, Lyndsey Schenk MPSE
- Foley Artists: Jacob McNaughton, Noel Vought
Deadpool & Wolverine
- Supervising Sound Editors: Ryan Cole MPSE, Craig Henighan MPSE
- Sound Designers: Samson Neslund, Eric A. Norris MPSE, Addison Teague
- Sound Effects Editors: Lee Gilmore MPSE, J.R. Grubbs
- Foley Editors: Pete Persaud, Gina Wark
- Foley Artist: Steve Baine
Dune: Part Two / Warner Bros. Pictures
- Supervising Sound Editor: Richard King
- Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres
- Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune
- Supervising Foley Editor: Chris Flick
- Foley Editor: Willard Overstreet
- Foley Artists: John Cucci, Dan O’Connell
Furiosa: A Mad Max Saga / Warner Bros. Pictures
- Supervising Sound Editor: Robert Mackenzie
- Sound Effects Editors: Tom Heuzenroeder, Tara Webb
- Foley Editors: Duncan Campbell, Adrian Medhurst MPSE
Nosferatu / Focus Features
- Supervising Sound Editor: Damian Volpe MPSE
- Sound Designers: Michael Fentum, Damian Volpe MPSE
- Sound Effects Editors: Samir Foco, Mariusz Glabinski MPSE
- Foley Supervisor: Heikki Kossi MPSE
- Foley Editor: Joel Raabe MPSE
September 5 / Paramount Pictures
- Supervising Sound Editor: Frank Kruse
- Sound Designer: Frank Kruse
- Foley Supervisor: Uwe Zillner
- Foley Editors: Johanna Rellinghaus, Benedikt Uebe
- Foley Artist: Uwe Zillner
Outstanding Achievement in Music Editing – Feature Motion Picture
Better Man / Paramount Pictures
- Supervising Music Editor: Timothy Ryan
- Music Editors: Craig Beckett, Lena Glikson, Cory Milano, Liam Moses, Joe E. Rand, Chris Scallan, Emily Rogers Swanson
- Vocal Editors: Noah Hubbell, Anna Muehlichen
A Complete Unknown / Searchlight Pictures
- Supervising Music Editor: Ted Caplan
- Music Editor: Maggie Talibart
Deadpool & Wolverine / Marvel Studios
- Music Editors: Daniel DiPrima, Oliver Hug
- Scoring Editor: Anele Onyekwere
Dune: Part Two / Warner Bros. Pictures
- Supervising Music Editors: Clint Bennett, Ryan Rubin
- Music Editor: Joe E. Rand
Emilia Pérez / Netflix
- Lead Music Editor: Maxence Dussère
- Music Editors: Cécile Coutelier, Matthieu Lefèvre, Aristide Rosier
Wicked / Universal Pictures
- Supervising Music Editor: Catherine Wilson
- Supervising Vocal Editor: Robin Baynton
Outstanding Achievement in Sound Editing –Feature International
Emilia Pérez / Netflix
- Supervising Sound Editor: Aymeric Devoldère
- Sound Designer: Cyril Holtz
- Supervising Dialogue Editor: Hortense Bailly
- Supervising ADR Editor: Carolina Santana
- Foley Editor: Antoine Swertvaegher
- Foley Artist: Gregory Vincent
The Girl with the Needle / Mubi
- Supervising Sound Editors: Morten Pilegaard, Oskar Skriver
- Sound Effects Editor: Christian Roed Dalsgaard
- Foley Editor: Patrick Ghislain
- Foley Artist: Julien Naudin
The Goat Life / Netflix
- Supervising Sound Editors: Vijaykumar Mahadevaiah MPSE, Resul Pookutty MPSE
- Sound Effects Editor: Arun Rana
- Foley Editor: Vijaykumar Mahadevaiah MPSE
- Foley Artists: Andriy Ryzhov, Ruslan Shebistyi, Andriy Starikovskiy, Bogdan Zavarzin
Kneecap / Sony Pictures Classics
- Supervising Sound Editor: Brendan Rehill
- Supervising Dialogue Editor: Louise Burton MPSE
- Foley Editor: Damien Lynch
- Foley Artists: Caoimhe Doyle, Emer O’Reilly
Outstanding Achievement in Sound Editing – Feature Animation
Inside Out 2 / Pixar
- Supervising Sound Editor: Coya Elliott
- Sound Designer: Ren Klyce
- Sound Effects Editors: David C. Hughes, Jonathon Stevens
- Supervising Dialogue Editor: Cheryl Nardi
- Supervising Foley Editor: Dee Selby
- Foley Editor: Nicholas Docter
- Foley Artists: Heikki Kossi MPSE, Shelley Roden MPSE
The Lord of the Rings: The War of the Rohirrim / Warner Bros. Animation
- Supervising Sound Editors: Brent Burge, Martin Kwok, Matt Stutter MPSE
- Sound Designer: David Farmer MPSE
- Sound Effects Editor: Hayden Collow, Alexis Feodoroff
- Dialogue Editor: Dmitry Novikov MPSE
- Foley Editors: Michael Donaldson, Craig Tomlinson
- Foley Artist: Simon Riley
Mufasa: The Lion King / Walt Disney Pictures
- Supervising Sound Editor: Onnalee Blank MPSE
- Sound Designers: Harry Cohen MPSE, Paula Fairfield MPSE, Luke Gibleon MPSE, Jason W. Jennings MPSE
- Sound Effects Editors: Benjamin L. Cook MPSE, Katie Halliday MPSE, Ando Johnson,
- Michael Mitchell, Jessie Pariseau, Roland N. Thai MPSE
- Supervising ADR Editor: Vanessa Lapato
- Supervising Dialogue Editor: Katy Wood
- Foley Editor: Pietu Kornhonen
- Foley Artists: John Cucci MPSE, Gary Hecker MPSE, Mike Horton, Heikki Kossi MPSE, Dan O’Connell
The Wild Robot / Universal Pictures
- Supervising Sound Editors: Brian Chumney, Leff Lefferts
- Sound Designer: Randy Thom MPSE
- Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE
- Dialogue Editor: Rich Quinn
- Foley Editors: Malcolm Fife, Dee Selby
- Foley Artists: Ronni Brown, Jana Vance
Outstanding Achievement in Sound Editing – Feature Documentary
The Blue Angels / Amazon Prime
- Supervising Sound Editor: Robert Stambler MPSE
- Sound Effects Editor: Ryan “Sully” Sullivan
- Dialogue Editor: Emma Present
Dahomey / Mubi
- Supervising Sound Editor: Nicolas Becker
- Sound Designer: Nicolas Becker
- Sound Editor: Sylvain Malbrant
- Dialogue Editor: Maxime Saleix
- Foley Artist: Gilles Marsalet
Elton John: Never Too Late / Disney+
- Supervising Sound Editors: Rob Getty MPSE, Richard Yawn MPSE
- Sound Editor: Mike Pipgras
Music by John Williams / Disney+
- Supervising Sound Editors: Christopher Barnett MPSE, Roy Waldspurger
- Sound Effects Editor: Tim Farrell
- Dialogue Editor: Dmitri Makarov
- Music Editor: Ramiro Belgardt
Super/Man: The Christopher Reeve Story / HBO Max
- Supervising Sound Editor: Greg Gettens
- Sound Designer: Will Chapman
- Supervising Dialogue Editor: Claire Ellis
- Foley Editor: Olly Freemantle
- Foley Artist: Zoe Freed
Will & Harper / Netflix
- Supervising Sound Editor: Zach Seivers MPSE
- Sound Effects Editor: George Pereyra, Adam Parrish King
- Dialogue Editor: Jared K. Neal
Outstanding Achievement in Music Editing – Documentary
Beatles ’64 / Disney+
- Music Editor: John M. Davis
Elton John: Never Too Late / Disney+
- Music Editor: Michael Brake MPSE
The Greatest Night in Pop / Netflix
- Music Editor: Gavin Allingham
Jim Henson Idea Man / Disney+
- Supervising Music Editor: Ryan Rubin
Music by John Williams / Disney+
- Supervising Music Editor: Ramiro Belgardt
- Music Editors: Christopher Barnett MPSE, Roy Waldspurger
Outstanding Achievement in Sound Editing – Non-theatrical Feature
Atlas / Netflix
- Supervising Sound Editor: Per Hallberg MPSE
- Supervising Sound Designer: Ann Scibelli
- Sound Effects Editors: Eric A. Norris MPSE, Stephen P. Robinson MPSE, Jonathan Title MPSE
- Supervising ADR Editor: Daniel Irwin
- Dialogue Editors: Laura Harris Atkinson, Taylor Jackson, John Stuver
- Supervising Foley Editor: Willard J. Overstreet
- Supervising Foley Artist: Gary Hecker MPSE
- Foley Artist: Michael Horton
Beverly Hills Cop: Axel F / Netflix
- Supervising Sound Editor: Chris Diebold
- Sound Designers: Chris Diebold, Randy Torres
- Sound Effects Editor: Phil Barrie
- Supervising Dialogue Editor: Susan Dawes
- Dialogue Editor: Jim Brookshire
- Supervising ADR Editor: Sean Massey MPSE
- Foley Editors: Chelsea Body, Jenna Dalla Riva, Kevin Jung, Colton Maddigan
- Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama
The Killer / Netflix
- Supervising Sound Editor: Mark Stoeckinger
- Sound Designers: Gael Nicolas, Alan Rankin
Música / Amazon Prime
- Supervising Sound Editor: Christopher Aud
- Sound Effects Editor: Mitch Osias
- Supervising ADR Editor: Eliza Pollack-Chalfant Zebert
- Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana, Nancy Parker MPSE
Rebel Moon – Part Two: The Scargiver / Netflix
- Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE
- Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE
- Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol
- Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE
- Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson
- Supervising Foley Editor: Mark Pappas
- Supervising Foley Artist: Gary Hecker MPSE
- Foley Artists: Michael Broomberg, Mike Horton
Outstanding Achievement in Sound Editing – Non-Theatrical Documentary
Apollo 13: Survival / Netflix
- Supervising Sound Editor: Paul Darling
- Sound Editor: Greg Gettens
- Foley Editor: Olly Freemantle
- Foley Artist: Rebecca Heathcote
The Beach Boys / Disney+
- Supervising Sound Editor: Jonathan Greber
- Sound Effects Editor: David Chrastka
Fly / National Geographic
- Supervising Sound Editor: Eli Cohn
- Sound Effects Editor: Jack Sasner
- Dialogue Editor: Ben Chesneau
Formula 1: Drive to Survive: “Forza Ferrari” / Netflix
- Supervising Sound Editors: Nick Fry, Steve Speed
- Sound Supervisors: Doug Dreger, Adam King
- Sound Designers: Tom Maclellan, James Spooner
Jim Henson Idea Man / Disney+
- Supervising Sound Editors: Daniel Timmons, Tony Volante
- Sound Designer: Jeremy S. Bloom
- Sound Editor: Kelly Rodriguez
- Dialogue Editor: Ian Cymore
Steve! (Martin) A Documentary in 2 Pieces / Apple TV+
- Supervising Sound Editor: Bob Edwards
- Sound Designer: Pete Horner
- Sound Effects Editors: Kim B. Christensen, Joel Raabe MPSE