Category: Women
Women Artists Depicted in Film: A Limited Palette
Frida Kahlo once said, “I never painted dreams. I painted my own reality.” The artist as subject matter for a film would seem, on the…
How Promising Young Woman’s Ending is Enraging at Best and Problematic at Worse
This piece contains spoilers of Promising Young Woman, especially the ending. Please, if you have not watched the movie, stop reading this, go watch…
Raw, Thelma, and the Monstrous Feminine Coming of Age
2017 will always be the year of my favorite coming-of-age movies. And while I am a huge fan of Lady Bird, I don’t think it…
What We Never See About Sexual Trauma Onscreen
In Jessica M. Thompson’s The Light of the Moon, a woman rediscovers intimacy with her boyfriend after she is raped while walking home. The film…
House of Tolerance: The Unseen Villain in Forced Pleasure
Sometimes the best horror films have an unknown enemy. A common feature in many horror villains, especially within the slasher subgenre. It is used with…
The Craft (1996) – Sarah vs. Nancy and the Catharsis of Un-Corked Female Rage
Debuting in the spring of 1996 as a sleeper hit, The Craft stands as a pretty solid entry into the golden age of teen films…
Feminism and The Fog (1980)
I think that girls who insult people are very attractive. Howard Hawks There was a type of female role in Hollywood of the 1940’s that…
In Their Own League Editorial: We Need To Do Better
Originally posted on In Their Own League on September 17th Here are some statistics from the Women and Hollywood survey from 2018 that I would…
The Sorrowful Beauty of Vagabond by the Great Agnès Varda
The dearly departed Agnès Varda, is not dead at all. We can go back and cherry pick from her illustrious filmography any time we please….
FemmeFilmFest20 Review: Daisies (Věra Chytilová)
Film history classes may pound the French New Wave into the heads of cinema students everywhere, but not much is said about the Czech New…
FemmeFilmFest20 Review: The Assistant (Kitty Green)
In Kitty Green’s The Assistant, the slow simmer of impending doom permeates the film. Its 87 minute runtime still manages to pack a whole lot of…
FemmeFilmFest20 Review: Long Time Listener, First Time Caller
Nora Kirkpatrick’s Long Time Listener, First Time Caller is a jewel of a film that like any precious stone, never fails to impress no matter…
FemmeFilmFest20 Review: Three Poplars in Plyushchikha Street (Tatyana Lioznova)
Three Poplars in Plyushchikha Street (1968) is a Russian romantic-comedy, being a success for the Russian film industry with 26 million people seeing it in…
The Power of the Confrontational Gaze in Orlando (Sally Potter, 1992) and The Souvenir (Joanna Hogg, 2019)
A young man paces up and down, by a tree, reading poetry. The same young man interrupts himself in voiceover, overlapping the diegetic dialogue with…