Tag: Feature
Does The Power of the Dog’s 12 Oscar Nominations Indicate Best Picture Advantage Over CODA’s 3?
Imagine a world where we determine our Oscar predictions by which film has the most nominations. Perhaps not the defining factor, but one which sways…
How Does Kristen Stewart’s Diana Fit Into Awards Season Royalty?
Imagine the line “Where the fuck am I?” reflecting not only Diana Spencer‘s imminent, seclusive journey to Sandringham, but also the highly anticipated notion that…
Campaign Writings To Oscars Academic For Make Consideration Of Glorious Maria Bakalova
As I delved enthusiastically into this very piece in late February, I could already hear the echoes that Maria Bakalova can’t win the Best Supporting…
Back Shelf Cinema: Marketa Lazarová (1967)
I personally could not have put our 1967 in Film series to bed many months ago without re-watching and constantly praising what amounts to the…
How Far Can We Embrace the Character and World of Mathilda in Luc Besson’s Léon: The Professional?
The cinematic year of 1994 might carry varying degrees of weight a quarter of a century later. The visceral landscape, our resonating view of film,…
Back Shelf Cinema: Thérèse (1986)
Our faithful, endearing protagonist, is Thérèse Martin. Or Thérèse de Lisieux. Or even The Little Flower of Jesus. And being titled, Thérèse, the film aims…
A Pure Review of Tess (1979) Somewhat Faithfully Presented as an Editorial
A review of possibly the most treasured film of the year – personally speaking – was intended to close the chapter that is 1979 in…
