Posted in Director History Movies

How Robert Altman Drove the Cinema Bus into Seventies Glory and Beyond

The musical became Nashville, the private dick, The Long Goodbye, and the psychodrama, Images. Thieves Like Us was the deglamorized gangster flick, California Split the chaotically atmospheric gambling pic. The language of American film had begun to evolve again, after a very long nap.

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Posted in Anniversary Cinematography Year in Film

Vilmos Zsigmond – Images from a Renegade Camera

He broke every rule in the standard cinematographers’ catechism – and caught much flack for it early in his career. Then people began to catch on. This was a new visual language, an impressionistic wash that Zsigmond applied that elevated the films – and the directors he worked for – into a unique category, all their own.

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Posted in Oscars

100 Not Nominated For Oscars – Part 10

Just before Barbara Streisand announced Clint Eastwood as Best Director for 1992 she said commented that the award was not for a man director, or…

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