2024 Cinema Audio Society Nominations Announced

The Cinema Audio Society has unveiled their nominations for the 61st Annual CAS Awards for Outstanding Achievement in Sound Mixing in 2024. The nominees for Motion Picture – Live Action are A Complete UnknownDeadpool & WolverineDune: Part TwoGladiator II, and Wicked.

Sound mixer Tod A. Maitland will be honoured with the CAS Career Achievement Award. Dune: Part Two director Denis Villeneuve will receive the Cinema Audio Society’s Filmmaker Award.

“2024 was a year of remarkable achievements in the sound community, with exceptional talent on display across every category,” said CAS president Peter Kurland. “The innovation and artistry of these sound mixers continue to elevate the craft, and the upcoming awards will be a celebration of the outstanding contributions made this year.”

The winners will be announced at a live ceremony on February 22 at the Beverly Hilton in Los Angeles. Full list of nominations below.

MOTION PICTURES – LIVE ACTION

A Complete Unknown

Production Sound Mixer – Tod A. Maitland CAS

Re-Recording Mixer – Paul Massey CAS

Re-Recording Mixer – David Giammarco CAS

Scoring Mixer – Nick Baxter

ADR Mixer -David Betancourt

Foley Mixer – Kevin Schultz

Deadpool & Wolverine

Production Sound Mixer – Colin Nicolson

Re-Recording Mixer – Lora Hirschberg

Re-Recording Mixer – Craig Henighan CAS

Scoring Mixer – Peter Cobbin CAS

ADR Mixer – Bobby Johanson CAS

Foley Mixer – Peter Persaud CAS

Dune: Part Two

Production Sound Mixer – Gareth John

Re-Recording Mixer – Ron Bartlett CAS

Re-Recording Mixer – Doug Hemphill

Scoring Mixer – Alan Meyerson CAS

ADR Mixer – Jason Oliver

Foley Mixer – Tavish Grade

Foley Mixer – Mikel Parraga-Wills CAS

Gladiator II   

Production Sound Mixer – Stephane Bucher CAS

Re-Recording Mixer – Paul Massey CAS

Re-Recording Mixer – Matthew Collinge

Scoring Mixer – Alan Meyerson CAS

ADR Mixer – Filipe Pereira

Foley Mixer – Rob Weatherall

Wicked: Part One

Production Sound Mixer – Simon Hayes CAS

Re-Recording Mixer – Andy Nelson CAS

Re-Recording Mixer – John Marquis

Scoring Mixer – John Michael Caldwell

ADR Mixer – Jason Oliver

Foley Mixer – Mikel Parraga-Wills CAS

MOTION PICTURES – ANIMATED

Inside Out 2

Original Dialogue Mixer – Vince Caro CAS

Re-Recording Mixer – Ren Klyce

Re-Recording Mixer – Stephen Urata

Scoring Mixer – Warren Brown

ADR Mixer – Doc Kane CAS

Foley Mixer – Leff Lefferets      

Moana 2

Original Dialogue & Re-Recording Mixer – Gabriel Guy CAS

Re-Recording Mixer – David Fluhr CAS

Scoring Mixer – David Boucher

ADR Mixer – Doc Kane CAS

Foley Mixer – Richard Duarte

Mufasa: The Lion King

Original Dialogue Mixer – Doc Kane CAS

Re-Recording Mixer – Onnalee Blank CAS

Re-Recording Mixer – Greg P. Russell CAS

Scoring Mixer – Chris Fogel

Scoring Mixer – David Boucher

ADR Mixer – Gary Turnbull

Foley Mixer – Mikel Parraga-Wills CAS

The Wild Robot

Original Dialogue Mixer – Ken Gombos

Re-Recording Mixer – Leff Lefferets

Re-Recording Mixer – Gary A. Rizzo CAS

Scoring Mixer – Alan Meyerson CAS

Foley Mixer – Richard Duarte

Wallace & Gromit: Vengeance Most Fowl

Original Dialogue Mixer – Will Norie

Re-Recording Mixer – Chris Burdon

Re-Recording Mixer – Gilbert Lake

Scoring Mixer – Simon Rhodes

ADR Mixer – Nick Roberts

Foley Mixer – Adrian Rhodes

MOTION PICTURES – DOCUMENTARY

Elton John: Never Too Late

Production Sound Mixer – Jae Kim

Re-Recording Mixer – Elmo Ponsdomenech CAS

Re-Recording Mixer – Teddy Salas

I Am: Celine Dion

Production Mixer – Irene Taylor

Re-Recording Mixer – Lora Hirschberg

Scoring Mixer – Tim Oliver

Music by John Williams

Production Mixer – Noah Alexander

Re-Recording Mixer – Christopher Barnett CAS

Re-Recording Mixer – Roy Waldspurger

Super/Man: The Christopher Reeve Story

Production Sound Mixer – Austin Plocher

Re-Recording Mixer – Greg Gettens CAS

Scoring Mixer – Steve McLaughlin

Foley Mixer – Daniel Nicholls

The Blue Angels

Production Sound Mixer – Sean Peterson

Re-Recording Mixer – Lindsey Alvarez CAS

Scoring Mixer – Forest Christenson


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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