30th Art Directors Guild Nominations Unveiled

The nominations have been unveiled for the Art Directors Guild‘s 30th ADG Excellence in Production Design Awards. The awards are seen as a strong indicator for the eventual winner of Best Production Design at the Academy Awards, given the winner of one of the three ADG categories has won the Oscar every year for the past 12 years.

“As we commemorate the 30th anniversary of the Excellence in Production Design Awards, we celebrate not just the outstanding achievements of the past year, but also three decades of visionary artistry that have defined the visual storytelling of film and television,” said Dina Lipton, president of the Art Directors Guild, IATSE Local 800. “This milestone honors the art directors, illustrators, storyboard artists, set designers, scenic and graphic artists and all of the creative minds who work in the art department and continue to captivate and inspire audiences worldwide.”

Full list of nominations below. Winners will be announced on February 28.

PERIOD FEATURE FILM

Frankenstein
Production Designer: Tamara Deverell

Hamnet
Production Designer: Fiona Crombie

Marty Supreme
Production Designer: Jack Fisk

The Phoenician Scheme
Production Designer: Adam Stockhausen

Sinners
Production Designer: Hannah Beachler

FANTASY FEATURE FILM

Avatar: Fire and Ash
Production Designers: Dylan Cole, Ben Procter

The Fantastic Four: First Steps
Production Designer: Kasra Farahani

Mickey 17
Production Designer: Fiona Crombie

Superman
Production Designer: Beth Mickle

Wicked: For Good
Production Designer: Nathan Crowley

CONTEMPORARY FEATURE FILM

Bugonia
Production Designer: James Price

F1
Production Designers: Ben Munro, Mark Tildesley

Mission: Impossible – The Final Reckoning
Production Designer: Gary Freeman

One Battle After Another
Production Designer: Florencia Martin

Wake Up Dead Man: A Knives Out Mystery
Production Designer: Rick Heinrichs

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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