69th Golden Reel Awards Winners Announced

The Motion Picture Sound Editors have announced the winners of the 69th Golden Reel Awards for outstanding achievements in the field of sound editorial. Dune, West Side Story, and Nightmare Alley each walked away with one award apiece.

Winners in bold below.

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Dune
Warner Bros.
Dialogue Editor: David Bach

Last Night in Soho
Universal Pictures
Supervising Sound Editors: Dan Morgan, Julian Slater MPSE
Supervising ADR Editor: Dan Morgan

The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Stephanie Flack, Dane A Davis MPSE
Dialogue Editors: Marek Forreiter, Benjamin Hörbe, Dominik Schleier, Immo Trümpelmann

Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Jill Purdy MPSE
Supervising Dialogue Editor: Jill Purdy MPSE
Supervising ADR Editor: Jill Purdy MPE
Dialogue Editor: Nelson Ferreira MPSE

No Time to Die
Universal Pictures
Supervising Dialogue & ADR Editors: Becki Ponting, Michael Maroussas
Dialogue Editors: Rachael Tate MPSE, Adele Fletcher
Supervising Sound Editor: Oliver Tarney MPSE

The Power of the Dog
Netflix
Supervising Dialogue & ADR Editor: Leah Katz

A Quiet Place Part II
Paramount Pictures
Supervising Sound Editor: Ethan Van der Ryn
Supervising Dialogue & ADR Editors: Vanessa Lapato, Nancy Nugent
Dialogue Editor: Matt Cavanaugh MPSE

The Tragedy of Macbeth
Apple TV+
Supervising Sound Editor: Skip Lievsay
Supervising Dialogue Editor: Michael Feuser

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Belfast
Focus Features
Sound Designer: James Mather
Sound Editor: Tomas Blazukas
Foley Editor: Arthur Grayley
Foley Artists: Sue Harding, Oliver Ferris

Dune
Warner Bros.
Supervising Sound Editors: Theo Green, Mark Mangini MPSE
Sound Designer: Dave Whitehead
Sound Effects Editors: Phil Barrie, Lee Gilmore MPSE, Greg Ten Bosch MPSE, Robert Kellough MPSE,
Piero Mura
Foley Editor: Christopher Bonis
Foley Artists: Andy Malcolm, Goro Koyama, Sandra Fox

The Matrix Resurrections
Warner Bros.
Supervising Sound Editors: Dane A. Davis MPSE, Stephanie Flack
Sound Effects Editors: Bryan O. Watkins, Jeremy Peirson, Markus Stemler, Michael Schapiro, Eric
Lindemann, Albert Gasser MPSE, Laurent Kossayan MPSE, Caron Weidner
Foley Editors: Frank Kruse, Kuen Il Song
Foley Artist: Daniel Weiss

Nightmare Alley
Searchlight Pictures
Supervising Sound Editor: Nathan Robitaille MPSE
Sound Effects Editor: Dashen Naidoo
Foley Editor: Chelsea Body
Foley Artists: Goro Koyama, Andy Malcolm

No Time to Die
Universal Pictures
Supervising Sound Editors: Oliver Tarney MPSE, James Harrison
Sound Designers: Bryan Bowen, Eilam Hoffman
Sound Effects Editor: Dawn Gough
Foley Editor: Hugo Adams
Foley Artists: Sue Harding, Andrea King

A Quiet Place Part II
Paramount
Supervising Sound Editors: Ethan Van der Ryn, Erik Aadahl MPSE
Sound Designers: Malte Bieler, Brandon Jones
Sound Effects Editors: Chris Diebold, Matt Cavanaugh MPSE
Foley Editor: Jonathan Klein
Foley Artists: Steve Baine, Peter Persaud

Spider-Man: No Way Home
Sony Pictures
Supervising Sound Editor: Steven Ticknor MPSE
Sound Designer: Anthony Lamberti

Outstanding Achievement in Sound Editing – Feature Music

Dune
Warner Bros.
Supervising Music Editors: Clint Bennett, Ryan Rubin
Music Editor: Peter Myles

Ghostbusters: Afterlife
Sony Pictures
Supervising Music Editor: Curt Sobel

In the Heights
Warner Bros.
Music Editors: Jim Bruening, Jennifer Dunnington, Ben Holiday

The Matrix Resurrections
Warner Bros.
Supervising Music Editor: Gabriel Isaac Mounsey
Music Editors: Hans Hafner, Jonathan Levi Shanes

Nightmare Alley
Searchlight Pictures
Music Editors: Clint Bennett, Kevin Banks MPSE
Scoring Editor: Cecile Tournesac

A Quiet Place Part II
Paramount
Music Editors: Jim Schultz, Nancy Allen MPSE, Del Spiva MPSE, Ramiro Belgardt

tick tick…BOOM!
Netflix
Music Editors: Nancy Allen MPSE, John Davis, Bri Holland

West Side Story
20th Century Studios
Music Editors: Joe E. Rand, Ramiro Belgardt
Scoring Editor: David Channing

Outstanding Achievement in Sound Editing – Feature Animation

Encanto
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, Justin Doyle, Cameron Barker, Qianbaihui Yang MPSE
Dialogue Editor: Richard Quinn
Foley Editor: Alyssa Nevarez
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Earl Ghaffari
Music Editors: Angie Rubin, Kendall Demarest MPSE

Luca
Pixar Animation Studios
Supervising Sound Editors: Chris Scarabosio, André Fenley
Supervising Dialogue Editor: Rich Quinn
Supervising Foley Editor: Ronni Brown
Sound Effects Editors: Justin Doyle, Pascal Garneau
Foley Editor: E. Larry Oatfield
Foley Artists: Jana Vance, Ronni Brown
Music Editor: Lodge Worster

The Mitchells vs. the Machines
Sony Pictures Animation
Supervising Sound Editor: Geoffrey G. Rubay
Supervising ADR Editor: James Morioka
Sound Designer: John Pospisil
Sound Effects Editors: Kip Smedley, Andy Sisul MPSE, Alec G. Rubay, Dan Kenyon, Greg Ten Bosch MPSE
ADR Editor: Curt Schulkey
Foley Artist: Gregg Barbanell MPSE
Foley Artist: Rick Owens MPSE
Music Editors: Dominick Certo MPSE, Barbara McDermott

Raya and the Last Dragon
Walt Disney Animation Studios
Supervising Sound Editor: Shannon Mills
Supervising Dialogue Editor: Brad Semenoff MPSE
Sound Designer: Nia Hansen
Sound Effects Editors: Samson Neslund, David C. Hughes, Cameron Barker
Foley Editors: Chris Frazier, Steve Orlando
Foley Artists: John Roesch MPSE, Shelley Roden MPSE
Supervising Music Editor: Jim Weidman
Music Editor: David Olson

Sing 2
Illumination / Universal Pictures
Supervising Sound Editor: Dennis Leonard
Supervising Dialogue Editor: Jonathan Greber
Supervising ADR Editor: Daniel Laurie
Sound Designer: Josh Gold
Sound Effects Editors: Lucas Miller, Benjamin A. Burtt
Foley Editors: Shaun Farley MPSE, Jonathon Stevens
Music Editors: Michael Connell, Charles Inouye

Outstanding Achievement in Sound Editing – Feature Documentary

Billie Eilish: The World’s a Little Blurry
Apple TV+
Supervising Sound Editor: Richard Yawn MPSE
Music Editor: Michael Brake MPSE
Dialogue Editor: Rob Getty MPSE
Sound Effects Editor: Steven Avila MPSE
Foley Editor: Shawn Kennelly
Foley Artists: Melissa Kennelly, Vince Nicastro

Flee
NEON
Supervising Sound Editor: Edward Björner
Dialogue Editor: Jens Johansson
Sound Designer: Fredrik Jonsäter
Foley Artists: Rune Van Deurs, Bengt Öberg

The Rescue
Disney+
Supervising Sound Editor: Deborah Wallach
Sound Effects Editor: Roland Vajs
Foley Artist: Nuno Bentro
Music Editor: Ben Smithers

Summer of Soul (or, when the Revolution Could Not Be Televised)
Hulu
Supervising Sound Editor: Joshua L. Pearson
Supervising Music Editor: Jimmy Douglass

VAL
Amazon Prime
Supervising Sound Editor: John Bolen
Dialogue Editor: John Bolen
Sound Effects Editor: John Bolen
Foley Editor: John Bolen

The Velvet Underground
Apple TV+
Supervising Sound Editor: Leslie Shatz
Music Editor: Jahn Sood

Outstanding Achievement in Sound Editing – Foreign Language Feature

Cliff Walkers
Viki
Supervising Sound Editors: Yang Jiang MPSE, Zhao Nan MPSE
ADR Editor: Li Xinghui
Foley Artist: Han Junsheng
Sound Editors: Ann Scibelli, Xiao’ou Olivia Zhang MPSE, Iain Pattison
The Hand of God
Netflix
Supervising Sound Editor: Silvia Moraes

A Hero
Amazon Prime
Supervising Sound Editor: Mohammadreza Delpak
Dialogue Editor: Mohammadreza Delpak
Sound Effects Editor: Mohammadreza Delpak

Titane
Amazon Prime
Sound Editor: Séverin Favriau
Foley Artist: Céline Bernard

A Writer’s Oddyssey
Netflix
Supervising Sound Editor: Xiao Sha Liu
Supervising ADR Editor: Xiao Sha Liu
Sound Designer: Gang Wang
Sound Effects Editors: Shuang Shuang Wang, Hong Rui Ji, Gang Wang, Ruo Qi Mo, Tobias Poppe, Zi Jian
Jiang
Dialogue Editor: Zi Jin
Foley Editor: Pei Ya Zhang
Foley Artists: Zi Wei Wang, Yin Miao
Music Editor: Fei Yu


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.