75th Annual ACE Eddie Awards Nominations Revealed

The American Cinema Editors (ACE) has revealed their nominations for the 75th Annual ACE Eddie Awards for outstanding editing in film in 2024. For theatrically released drama features the nominees are Civil War, Conclave, Dune: Part Two, Emilia Pérez, and Furiosa: A Mad Max Saga. The comedy feature nominees are Anora, Challengers, A Real Pain, The Substance, and Wicked..

Wicked director Jon M. Chu will receive the ACE Golden Eddie Filmmaker of the Year Award, recognising a filmmaker who exemplifies distinguished achievement in the art and business of film. Also previously announced, film editors Maysie Hoy, ACE and Paul Hirsch, ACE will receive Career Achievement Awards for their outstanding contributions to film editing.

Full list of nominations below. The winners will be announced on Saturday, January 18 at UCLA’s Royce Hall.

BEST EDITED FEATURE FILM (Drama, Theatrical)

Civil War

Jake Roberts, ACE

Conclave

Nick Emerson

Dune: Part Two

Joe Walker, ACE

Emilia Pérez

Juliette Welfling

Furiosa: A Mad Max Saga

Eliot Knapman
Margaret Sixel, ACE

BEST EDITED FEATURE FILM (Comedy, Theatrical)

Anora

Sean Baker

Challengers

Marco Costa

A Real Pain

Robert Nassau

The Substance

Coralie Fargeat
Jérôme Eltabet
Valentin Féron

Wicked

Myron Kerstein, ACE

BEST EDITED ANIMATED FEATURE FILM

Flow

Gints Zilbalodis

Inside Out 2

Maurissa Horwitz

Moana 2

Jeremy Milton, ACE
Michael Louis Hill

Wallace & Gromit: Vengeance Most Fowl

Dan Hembery

The Wild Robot

Mary Blee

BEST EDITED DOCUMENTARY FEATURE

Beatles ’64

Mariah Rehmet, ACE

Jim Henson Idea Man

Sierra Neal

Paul Crowder, ACE

Her Name was Moviola

Howard Berry

Super/Man: The Christopher Reeve Story

Otto Burnham

Will & Harper

Monique Zavistovski, ACE


Discover more from Filmotomy

Subscribe to get the latest posts sent to your email.

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

Leave a Reply

This site uses Akismet to reduce spam. Learn how your comment data is processed.