Best Costume Design Oscars Predictions (December)

There are six films that scored costume design nominations at both the Critics Choice Awards and with the Costume Designers Guild; Wicked, Dune: Part Two, Gladiator II, Maria, Nosferatu, and Conclave. That likely suggests this is where the final five Oscar nominees will come from. That being said, I wouldn’t count out four-time winner, 12-time nominee Colleen Atwood (Beetlejuice Beetlejuice), nor a nomination for a Best Picture contender like The Brutalist or Emilia Pérez. It was wild to see a two-time Oscar winner like Jacqueline Durran (Blitz) miss with the CDG. I really think that signals how D.O.A. that film’s campaign is.

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The critics groups that award a prize for costuming are favouring Wicked at present and it’s starting to become the runaway frontrunner here. It faces stiff competition from Dune: Part Two, especially given its predecessor lost this category to Cruella in 2021. This would be Jacqueline West’s sixth nomination with zero wins thus far, so perhaps it might finally be her year.

BEST COSTUME DESIGN PREDICTIONS:
1. Wicked – Paul Tazewell (Universal Pictures) – CCA, CDG
2. Dune: Part Two – Jacqueline West (Warner Bros.) – CCA, CDG
3. Gladiator II – Janty Yates (Paramount Pictures) – CCA, CDG
4. Maria – Massimo Cantini Parrini (Netflix) – CCA, CDG
5. Nosferatu – Linda Muir (Focus Features) – CCA, CDG

IN CONTENTION:
Beetlejuice Beetlejuice – Colleen Atwood (Warner Bros.) – CDG
Blitz – Jacqueline Durran (Apple Original Films)
The Brutalist – Kate Forbes (A24)
A Complete Unknown – Arianne Phillips (Searchlight Pictures)
Conclave – Lisy Christi (Focus Features) – CCA, CDG
Emilia Pérez – Virginie Montel (Netflix) – CDG
Furiosa: A Mad Max Saga – Jenny Beavan (Warner Bros) – CDG
Saturday Night – Danny Glicker (Sony Pictures) – CDG


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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