Category: Genre

Writer and Screenwriter, Ella Valentine discusses her new film, Revolution X and her screenwriting journey so far. From her beginnings to her new film, Revolution X, which is streaming on Apple TV in North America right now. Ella’s new magazine, Horror Valentine’s is dedicated for women in Thriller and Horror.

An analysis on the makeover scenes in Hollywood Romantic-Comedy movies. From ’90s classics like Pretty Woman to modern makeovers. Movies in this article include Moonstruck, Clueless, Miss Congeniality, The Princess Diaries, The Devil Wears Prada and The House Bunny. The different stages analysed include hairstyles, makeup, manners and new clothes.

Once you understand the tone of Stephanie Kaznocha‘s Confessions, you’ll soon realize how much fun a pair of old ladies can be. And when they…

Across the misty landscape of this year’s prolonged Oscars race, ride three films that somehow or another shake up the roots of the classic western…

The world of cinema is, perhaps, the most fast-paced entertainment industry. For decades, following its initial launch, many genres began to shape up and fill…

As I said when I made my nomination predictions, you never know what you are going to get with these tricky voters. Much like the…

If society can be considered the organism, the family is the structural adhesive that holds the cells of that organism together. As every organism is bombarded daily by threats and external pressures, the family is where these challenges are met and dealt with; problems are examined and the family unit adapts, and the organism evolves. Things can get dicey, however, when the adjustment that works for the family does not exactly jive with society’s expectations, and this makes for inimitable drama onscreen.

Jason Ragosta not only knows what he wants to do in the future, he’s become proficient in pulling it off at every level. Filmotomy will stalk his career with big expectations – watch Boy in the Dark here and see if you don’t agree. The Vimeo password for the short is: Diana

The 90th Academy Awards will be taking place on Sunday. It is a time where we celebrate the best in cinema from 2017 and watch…

“Journalism is the first draft of history,” Phil Graham, newspaper publisher and part owner of the Washington Post, once said. I would add that films about journalism – whether fictional  or based on true events – would be the postscript to history, with license.

Ah, the obligatory list of Christmas films, you’re thinking. Well, Santa Claus, presents for precocious kids, heartwarmingly comical family get-togethers…I’m not going there. In place…

Whether it’s a frustrated and dedicated maverick taking on a situation alone – often against orders – or an escalated paramilitary effort launched due to the scale and sophistication of the lawbreakers, we like our law enforcement tales precise and no-nonsense.

One of the miraculous benefits from storytelling – especially in cinema – is its ability to teach and inform, enabling empathy by making news and history come alive. We share experiences not necessarily from historical perspective, but also as a plea to correct or change direction into the future. By recounting and reenacting acts of bravery and resistance, film can serve as both acknowledgement and inspiration.

 So how does one determine the best of this tired old chestnut of a genre? Simply take at least one of the steps in the overused recipe and invert it, turn it upside down, inside out, or just throw it away Add some intelligent dialog relating to philosophy or metaphysics and maybe add a third party to spice-up the natural balance. Top it off with some serious social commentary and some snappy editing, even perhaps a dash of kink (critics love all three if you can swing it). Now, season with humor to taste and “Bob’s your uncle.”