FemmeFilmFest21
Posted in Festival Review Short

FemmeFilmFest21 Review: Parachute (Katherine Tolentino)

Her parents’ ambitions and ill-fitting college programme turn a young Chinese woman’s university life into a series of challenges and obstacles, tackling social differences and…

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Posted in Festival Review Short

FemmeFilmFest21 Review: Back in the Island (Amanda Valle)

Amanda Valle is an artist who is now based in the US but was born in the city of Santo Domingo. Back in the Island…

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FemmeFilmFest21
Posted in Festival Review Short

FemmeFilmFest21 Review: Carmen (Estefanía Bozok)

I was initially drawn to this short by the title. Being a fan of the opera ‘Carmen’, I was intrigued to see whether this would…

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FemmeFilmFest21
Posted in Festival Review Women

FemmeFilmFest21: ‘Mon Roi’ – The Painful Personification of Emotional Abuse

Mon Roi (My King) presents a love story that is equally intoxicating as it is painful. Director and cowriter Maïwenn portrays the ecstasy of finding…

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FemmeFilmFest21
Posted in Festival Review Short

FemmeFilmFest21 Review: Oh Baby! (Meghann Artes)

Anyone who is a parent knows that raising a child is quite the DIY project. For some women, conception can be just as challenging, if…

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FemmeFilmFest21
Posted in Festival Review

The Road Dance – Edinburgh International Film Festival Review

Richie Adams, an American filmmaker best known for Indie features like Inventing Adam, makes his Scottish debut with an adaptation of John MacKay’s novel The…

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FemmeFilmFest21
Posted in Festival Review

Faceless – Edinburgh International Film Festival Review

Faceless is a powerful documentary on protest, freedom and democracy. It is a deafening cry against oppression and tyranny told through the perspective of ordinary…

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FemmeFilmFest21
Posted in Festival Review Women

FemmeFilmFest21 Review: Mr. Roosevelt (Noël Wells)

When one packs their things, say goodbye to their old lives and move to the big city to follow their dreams; that old life left…

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FemmeFilmFest21
Posted in Festival Review Women

FemmeFilmFest21Review: The Hitch-Hiker (Ida Lupino)

If you want to be scared out of your wits on a solitary night indoors, Ida Lupino’s 1953 classic black-and-white film noir The Hitch-Hiker is…

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FemmeFilmFest21
Posted in Festival Review Short

FemmeFilmFest21 Review: Beta Male (Marianne Chase)

There is no question that film lovers have dearly missed their regular visits to their local cinemas during this difficult time. Now that there are…

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FemmeFilmFest21
Posted in Festival Review Short

FemmeFilmFest21Review: Lovecard Fate (Marianne Chase, Cath Shayler)

Moments after discovering this short, a whimsical narration and eerie musical background welcome the viewer to an unexpectedly fresh experience. Lovecard Fate starts off as…

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Coco Before Chanel FemmeFilmFest21 Filmotomy 1
Posted in Festival Review Women

FemmeFilmFest21 Review: Coco Before Chanel (Anne Fontaine)

Luxembourg-born Anne Fontaine is a filmmaker who remains under the radar across the film network – of any gender. Even though renowned French actresses of…

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FemmeFilmFest21
Posted in Festival Review

FemmeFilmFest21 Review: Wuthering Heights (Andrea Arnold)

Stunning cinematography, fantastic acting and an immersive, impactful story are all facets of Andrea Arnold’s 2011 gothic romanic drama Wuthering Heights. The earthy, dark moors…

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FemmeFilmFest21
Posted in Festival Review

FemmeFilmFest21 Review: Paddy (Roisín Kearney)

The short film Paddy strikes a lot of familiar notes, showing a young man in Ireland whose heart belongs to punk rock instead of the…

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