Come See Me in the Good Light Leads Cinema Eye Honors Nominations

Ryan White’s Come See Me in the Good Light leads the nominations for the 19th Annual Cinema Eye Honors with six nods, including Outstanding Nonfiction Feature and Outstanding Direction. Elsewhere, 2000 Meters to Andriivka, Cover-Up, and Seeds earned five nominations each.

The Cinema Eye Honors awards ceremony will take place at the New York Academy of Medicine in East Harlem on January 8. Full list of nominations below.

NONFICTION FEATURE

2000 Meters to Andriivka

Mstyslav Chernov, Michelle Mizner, Raney Aronson-Rath, Alex Babenko and Sam Slater                       

Afternoons of Solitude

Albert Serra, Montse Triola, Luis Ferrón, Pedro Palacios, Artur Tort, Mac Verdaguer and Jordi Ribas           

Come See Me in the Good Light

Ryan White, Jessica Hargrave, Tig Notaro, Stef Willen, Brandon Somerhalder, Berenice Chávez, Blake Neely, Dave Richards, Brent Kiser, Andrea Gibson and Megan Falley

Cover-Up

Laura Poitras, Mark Obenhaus, Yoni Golijov, Olivia Streisand, Mia Cioffi Henry, Amy Foote, Peter Bowman, Maya Shenfeld and Seymour Hersh

The Perfect Neighbor

Geeta Gandbhir, Alisa Payne, Nikon Kwantu, Sam Bisbee, Viridiana Lieberman, Laura Heinzinger and Felipe Messeder

Put Your Soul on Your Hand and Walk

Sepideh Farsi, Javad Djavahery, Fatma Hassona, Cinna Peyghamy and Pierre Carrasco

Seeds

Brittany Shyne, Danielle Varga, Sabrina Schmidt Gordon, Malika Zouhali-Worrall, Robert Aiki Aubrey Lowe, Daniel Timmons, Ben Kruse and Willie Head Jr.

DIRECTION

Mstyslav Chernov

2000 Meters to Andriivka

Albert Serra

Afternoons of Solitude

Ryan White

Come See Me in the Good Light

Laura Poitras and Mark Obenhaus

Cover-Up

Geeta Gandbhir

The Perfect Neighbor

David Osit

Predators

Brittany Shyne

Seeds

EDITING

Michelle Mizner

2000 Meters to Andriivka

Amy Foote, Peter Bowman and Laura Poitras

Cover-Up

Alexander Kashcheev

I Am Not Everything I Want to Be

Julia Loktev and Michael Taylor

My Undesirable Friends: Part 1 – Last Air in Moscow

Alexandra Strauss

Orwell: 2+2=5

Viridiana Lieberman

The Perfect Neighbor

Stephan Krumbiegel, Olaf Voigtländer and Alfredo Castro

Riefenstahl

PRODUCTION

Mstyslav Chernov, Michelle Mizner and Raney Aronson-Rath

2000 Meters to Andriivka

Andrew Jarecki and Charlotte Kaufman

The Alabama Solution

James Jones

Antidote

Petra Costa and Alessandra Orofino

Apocalypse in the Tropics

Helle Faber

Mr. Nobody Against Putin

Julia Loktev

My Undesirable Friends: Part 1 – Last Air in Moscow

CINEMATOGRAPHY

Artur Tort

Afternoons of Solitude

Ben Bernhard

Architecton

Brandon Somerhalder

Come See Me in the Good Light

Lars Erlend Tubaas Øymo and Tor Edvin Eliassen

Folktales

Brittany Shyne

Seeds

Jean Dakar

The Tale of Silyan

ORIGINAL MUSIC SCORE

Sam Slater

2000 Meters to Andriivka

Blake Neely

Come See Me in the Good Light

Maya Shenfeld

Cover-Up

Kris Bowers

The Eyes of Ghana

Todd Griffin

Folktales

Alexeï Aïgui
Orwell: 2+2=5

SOUND DESIGN

Alexander Dudarev

Architecton

James LeBrecht, Greg Francis and Nina Hartstone

Deaf President Now!

Andreas Lindberg Svensson

Folktales

Bonnie Wild

Marlee Matlin: Not Alone Anymore

Sean Ono Lennon, Sam Gannon and Simon Hilton

One to One: John and Yoko

Daniel Timmons and Ben Kruse

Seeds

VISUAL DESIGN

Nominees To Be Determined

Ghost Boy

Nominees To Be Determined

In Waves and War

Sara Gunnarsdóttir and Josh Shaffner

It’s Never Over, Jeff Buckley

Norn Jordan
The New Yorker at 100

Joseph Midthun

Swamp Dogg Gets His Pool Painted

Nominees To Be Determined

Zodiac Killer Project

DEBUT

Marlee Matlin: Not Alone Anymore

Directed By Shoshannah Stern

Monk in Pieces

Directed By Billy Shebar and David C. Roberts

Remaining Native

Directed By Paige Bethmann

Seeds

Directed By Brittany Shyne

The Shepherd and the Bear

Directed By Max Keegan

Swamp Dogg Gets His Pool Painted

Directed By Isaac Gale and Ryan Olson

SPOTLIGHT AWARD

Always

Directed By Deming Chen

The Encampments

Directed By Michael T Workman and Kei Pritsker

Flophouse America

Directed By Monica Strømdahl

Sanatorium

Directed By Gar O’Rourke

To the West, in Zapata

Directed By David Bim

AUDIENCE CHOICE PRIZE

Apocalypse in the Tropics

Directed By Petra Costa

Coexistence, My Ass!

Directed By Amber Fares

Come See Me in the Good Light

Directed By Ryan White

The Eyes of Ghana

Directed By Ben Proudfoot

It’s Never Over, Jeff Buckley

Directed By Amy Berg

The Librarians

Directed By Kim A. Snyder

Marlee Matlin: Not Alone Anymore

Directed By Shoshannah Stern

Mr. Nobody Against Putin

Directed By David Borenstein

Prime Minister

Directed By Michelle Walsh and Lindsay Utz

The Tale of Silyan

Directed By Tamara Kotevska

UNFORGETTABLE HONOREES

Noam Shuster-Eliassi

Coexistence, My Ass!

Andrea Gibson and Megan Falley

Come See Me in the Good Light

Seymour Hersh

Cover-Up

Sara Shahverdi

Cutting Through Rocks

Pavel Talankin

Mr. Nobody Against Putin

Jacinda Ardern

Prime Minister

Fatma Hassona

Put Your Soul On Your Hand and Walk

SHORTS LIST

All The Empty Rooms

Directed by Joshua Seftel

Am I the skinniest person you’ve ever seen?

Directed by Eisha Marjara

Armed Only With a Camera: The Life and Death of Brent Renaud

Directed by Brent Renaud and Craig Renaud

Crying Glacier

Directed by Lutz Stautner

The Devil is Busy

Directed by Geeta Gandbhir and Christalyn Hampton

The Long Valley

Directed by Rodrigo Ojeda-Beck and Robert Machoian

Mama Micra

Directed by Rebecca Blöcher

perfectly a strangeness

Directed by Alison McAlpine

We Were The Scenery

Directed by Christopher Radcliff

Who Loves The Sun

Directed by Arshia Shakiba

BROADCAST FILM

Deaf President Now!

Directed by Nyle DiMarco and Davis Guggenheim

Apple TV+

Democracy Noir

Directed by Connie Field

SWR / ARTE / DR

Enigma

Directed by Zackary Drucker

HBO | Max

My Mom Jayne

Directed by Mariska Hargitay

HBO | Max

Pee-wee as Himself

Directed by Matt Wolf

HBO | Max

Sly Lives! (aka The Burden of Black Genius)

Directed by Ahmir ‘Questlove’ Thompson

Hulu, Onyx Collective

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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