Drive My Car Named Best Picture by Toronto Film Critics Association

Ryusuke Hamaguchi’s Drive My Car has been named Best Picture by the Toronto Film Critics Association. The film also picked up Best Screenplay for Hamaguchi and Takamasa Oe and Best International Feature. Elsewhere, Jane Campion took out Best Director for The Power of the Dog, while Denzel Washington (The Tragedy of Macbeth) and Olivia Colman (The Lost Daughter) were named Best Actor and Best Actress, respectively.

Full list of winners and runners-up below.

Best Picture:
Drive My Car
Runners-up:
Licorice Pizza
The Power of the Dog

Rogers Award for Best Canadian Feature: (winner to be announced at upcoming gala)
Nominees:
Beans
Night Raiders
Scarborough

Best Director:
Jane Campion, The Power of the Dog
Runners-up:
Ryûsuke Hamaguchi, Drive My Car
Denis Villeneuve, Dune

Best Actress:
Olivia Colman, The Lost Daughter (Netflix)
Runners-up:
Penélope Cruz, Parallel Mothers
Kristen Stewart, Spencer

Best Actor:
Denzel Washington, The Tragedy of Macbeth 
Runners-up:
Benedict Cumberbatch, The Power of the Dog (Netflix)
Andrew Garfield, tick, tick…BOOM! (Netflix)

Best Supporting Actress:
Jessie Buckley, The Lost Daughter
Runners-up:
Kirsten Dunst, The Power of the Dog
Ruth Negga, Passing

Best Supporting Actor:
Bradley Cooper, Licorice Pizza
Runners-up:
Ciarán Hinds, Belfast
Kodi Smith-McPhee, The Power of the Dog

Best Screenplay:
Ryûsuke Hamaguchi and Takamasa Oe, Drive My Car
Runners-up:
Paul Thomas Anderson, Licorice Pizza (Universal Pictures Canada)
Jane Campion, The Power of the Dog (Netflix)

Allan King Documentary Award:
Summer of Soul
Runners-up:
Flee
The Velvet Underground

Best International Feature:
Drive My Car
Runners-up:
Petite Maman
The Worst Person in the World

Best Animated Film:
Flee 
Runners-up:
Encanto
The Mitchells vs. the Machines

Best First Feature:
The Lost Daughter
Runners-up:
Passing
Pig
Shiva Baby


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.