Everything Everywhere All At Once and TÁR Tie For Best Picture With Los Angeles Film Critics Association

The Daniels’ Everything Everywhere All At Once and Todd Field’s TÁR have tied for Best Picture with the Los Angeles Film Critics Association. TÁR also won Best Director and Screenplay for Field. In newly-introduced introduced gender-neutral acting categories, Cate Blanchett (TÁR) and Bill Nighy (Living) were jointly awarded Best Lead Performance, while Dolly de Leon (Triangle of Sadness) and Ke Huy Quan (Everything Everywhere All At Once) were the joint winners of Best Supporting Performer.

Full list of winners and runners-up below.

Best Picture (tie)

Everything Everywhere All At Once
TÁR

Best Film Not In The English Language

EO
Runner-up: Saint Omer

Best Director

Todd Field – TÁR
Runner-up: S.S. Rajamouli – RRR

Best Lead Performance

Cate Blanchett – TÁR and Bill Nighy – Living
Runners-up: Danielle Deadwyler – Till and Michelle Yeoh – Everything Everywhere All At Once

Best Supporting Performer

Dolly de Leon – Triangle of Sadness and Ke Huy Quan – Everything Everywhere All At Once
Runners-up: Jessie Buckley – Women Talking and Brian Tyree Henry – Causeway

Best Screenplay

Todd Field – TÁR
Runner-up: Martin McDonagh – The Banshees of Inisherin

Best Documentary/Nonfiction Film

All the Beauty and the Bloodshed
Runner-up: Fire of Love

Best Animation

Guillermo del Toro’s Pinocchio
Runner-up: Marcel the Shell With Shoes On

Best Cinematography

Michał Dymek – EO
Runner-up: Hoyte van Hoytema – Nope

Best Editing

Blair McClendon – Aftersun
Runner-up: Monika Willi – TÁR

Best Music/Score

M.M. Keeravani – RRR
Runner-up: Paweł Mykietyn – EO

Best Production Design

Dylan Cole, Ben Procter – Avatar: The Way of Water
Runner-up: Jason Kisvarday – Everything Everywhere All At Once

New Generation

Davy Chou and Park Ji-Min – Return to Seoul

Douglas Edwards Experimental Film Prize


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.