Everything Everywhere All at Once Declared Best Picture by Oklahoma Film Critics Circle

Daniel Kwan and Daniel Scheinert’s Everything Everywhere All at Once has been declared Best Picture by the Oklahoma Film Critics Circle. The film also picked up wins for Best Director, Best Supporting Actress for Jamie Lee Curtis, Best Supporting Actor for Ke Huy Quan, and Best Original Screenplay.

Full list of winners and runners-up below.

TOP 10 FILMS
1. Everything Everywhere All At Once
2. The Fabelmans
3. Top Gun: Maverick
4. TÁR
5. Glass Onion
6. Babylon
7. Guillermo del Toro’s Pinocchio
8. Pearl
9. The Banshees of Inisherin
10. RRR

BEST DIRECTOR
Daniel Kwan and Daniel Scheinert – Everything Everywhere All At Once
Runner-up: Steven Spielberg – The Fabelmans

FIRST FEATURE
Aftersun
Runner-up: Emily The Criminal

BEST ACTOR
Brendan Fraser – The Whale
Runner-up: Colin Farrell – The Banshees of Inisherin

BEST ACTRESS
Cate Blanchett – TÁR
Runner-up: Michelle Yeoh – Everything Everywhere All At Once

SUPPORTING ACTRESS
Jamie Lee Curtis – Everything Everywhere All At Once
Runner-up: Hong Chau – The Whale

SUPPORTING ACTOR
Ke Huy Quan – Everything Everywhere All At Once
Runner-up: Paul Dano – The Fabelmans

2022 BODY OF WORK
Colin Farrell – After Yang, The Banshees of Inisherin, The Batman, Thirteen Lives
Runner-up: Paul Dano – The Batman, The Fabelmans

ENSEMBLE
Glass Onion
Runner-up: Babylon

ORIGINAL SCREENPLAY
Everything Everywhere All At Once
Runner-up: TÁR

ADAPTED SCREENPLAY
Glass Onion
Runner-up: Guillermo del Toro’s Pinocchio

CINEMATOGRAPHY
Top Gun: Maverick
Runner-up: Babylon

ORIGINAL SCORE
Babylon
Runner-up: The Batman

ANIMATED FILM
Guillermo del Toro’s Pinocchio
Runner-up: Marcel The Shell with Shoes On

FOREIGN LANGUAGE FILM
Decision to Leave
Runner-up: RRR

DOCUMENTARY
All The Beauty and The Bloodshed
Runner-up: Fire of Love

MOST DISAPPOINTING FILM
Don’t Worry Darling
Runner-up: Babylon


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.