
It may be Monday, but it doesn’t have to feel like one! We’re onto day four of the festival and in our celebration of female filmmakers and the stories they’ve brought to life. Check out our whole lineup here and get ready for what’s in store today! We have even more shorts and features on the docket so take a look below, I’m sure you’ll like what you see.
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Monday 30th August Schedule
Showcase Selection
Lovecard Fate (Marianne Chase, Cath Shayler) 6 minutes – 16:00
Beta Male (Marianne Chase) 10 minutes – 16:15
Competition Selection
Oh Baby! (Meghann Artes) 9 minutes – 16:45
Parachute (Katherine Tolentino) 14 minutes – 17:15
Feature Films
Mr. Roosevelt (Noël Wells) 90 minutes – 18:00

My King (Maïwenn) 130 minutes – 19:45

Check if films are available in your area?
What You May Have Missed
- Rétrospective du Festival de Cannes: David Lynch Takes Us On A Bonkers Road Trip With ‘Wild at Heart’ (1990)Master of the cinematic strange, the late maestro David Lynch, struggled to make a film after 1986’s cult classic, Blue…
- Rétrospective du Festival de Cannes: Chinese Cinema Soars With Farewell My Concubine (1993)The beating heart of the 1993 film, Farewell My Concubine, owes its continuous rhythm to a kind of untouchable glory…
- Rétrospective du Festival de Cannes: Jacques Demy’s Love Palettes in Les Parapluies de Cherbourg / The Umbrellas of Cherbourg (1964)Snuggled warmly between the infectious Lola (1961) and The Young Girls of Rochefort (1967), The Umbrellas of Cherbourg sits blissfully…
- Rétrospective du Festival de Cannes: A Cultural Bonanza With Pote tin Kyriaki / Never on Sunday (1960)Writer-director, Jules Dassin (Rififi, Topkapi), and actress, Melina Mercouri, were married in real life, in 1966. Years after meeting, and…
- Rétrospective du Festival de Cannes: Joseph Losey’s Rural Drama, Accident (1967)There are many prosperous film partnerships, those which have gone a little unnoticed over the decades. One such under-appreciated double-act,…
- Film Review – Queer (2024)Luca Guadagnino’s Queer is a bold and intimate adaptation of William S. Burroughs’ semi-autobiographical novella. A long-gestating passion project for…
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