First Cow Wins Best Picture at Florida Film Critics Circle

Kelly Reichardt’s First Cow has been declared Best Picture by the Florida Film Critics Circle, while Nomadland, Mank, and Soul each took home two awards. Full list of winners and runners-up below.

Best Picture

First Cow

(runners-up: Nomadland/The Trial of the Chicago 7/Minari)

Best Foreign-Language Film

Los Fuertes

(runner-up: Minari)

Best Director

Chloé Zhao – Nomadland

(runners-up: Kelly Reichardt – First Cow/Aaron Sorkin – The Trial of the Chicago 7)

Best Actor

Anthony Hopkins – The Father

(runner-up: John Magaro – First Cow)

Best Actress

Frances McDormand – Nomadland

(runners-up: Viola Davis – Ma Rainey’s Black Bottom/Carey Mulligan – Promising Young Woman)

Best Supporting Actor

Paul Raci – Sound of Metal

(runner-up: Brian Dennehy – Driveways)

Best Supporting Actress

Maria Bakalova – Borat: Subsequent Moviefilm

(runner-up: Youn Yuh-jung – Minari)

Best Original Screenplay

Lee Isaac Chung – Minari

(runner-up: Aaron Sorkin – The Trial of the Chicago 7

Best Adapted Screenplay

Charlie Kaufman – I’m Thinking of Ending Things

(runners up: Chloé Zhao – Nomadland/Ruben Santiago-Hudson – Ma Rainey’s Black Bottom)

Best Documentary/Nonfiction Film

You Don’t Nomi

(runner-up: Dick Johnson is Dead)

Best Animated Film

Soul

(runner-up: Wolfwalkers)

Best Cinematography

Erik Messerschmid – Mank

(runner-up: Shabier Kirchner – Lovers Rock)

Best Music/Score

Trent Reznor, Atticus Ross, Jon Baptiste – Soul

(runner-up: Lugwid Göransson – Tenet)

Best Art Direction/Production

Dan Webster – Mank

(runner-up: Adam Marshall – Lovers Rock)

Best Visual Effects

Murray Barber – Possessor

(runner-up: Andrew Jackson – Tenet )

Best First Film

Promising Young Woman

(runner-up: The Father)

Breakout Award

Sidney Flanagan – Never Rarely Sometimes Always

(runner-up: Maria Bakalova – Borat: Subsequent Moviefilm


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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