Killers of the Flower Moon Named Best Film by Columbus Film Critics Association

Martin Scorsese’s Killers of the Flower Moon has been named Best Picture by the Columbus Film Critics Association. The film also picked up wins for Best Director, Best Ensemble, Best Editing, Best Score, and Breakthrough Artist for Lily Gladstone.

Winners in bold below.

Best Film

American Fiction
Barbie
Godzilla Minus One
The Holdovers
The Iron Claw
Killers of the Flower Moon
May December
Oppenheimer
Past Lives
Poor Things
Spider-Man: Across the Spider-Verse
The Zone of Interest

Best Director

Greta Gerwig, Barbie
Yorgos Lanthimos, Poor Things
Christopher Nolan, Oppenheimer
Martin Scorsese, Killers of the Flower Moon
Celine Song, Past Lives

Best Lead Performance

Bradley Cooper, Maestro
Leonardo DiCaprio, Killers of the Flower Moon
Colman Domingo, Rustin
Zac Efron, The Iron Claw
Paul Giamatti, The Holdovers
Lily Gladstone, Killers of the Flower Moon
Greta Lee, Past Lives
Carey Mulligan, Maestro
Cillian Murphy, Oppenheimer
Margot Robbie, Barbie
Andrew Scott, All of Us Strangers
Emma Stone, Poor Things
Jeffrey Wright, American Fiction

Best Supporting Performance

Penélope Cruz, Ferrari
Robert De Niro, Killers of the Flower Moon
Robert Downey Jr., Oppenheimer
Jodie Foster, Nyad
Ryan Gosling, Barbie
Glenn Howerton, BlackBerry
Charles Melton, May December
Julianne Moore, May December
Da’Vine Joy Randolph, The Holdovers
Mark Ruffalo, Poor Things
Dominic Sessa, The Holdovers

Best Original Screenplay

Wes Anderson and Roman Coppola, Asteroid City
Samy Burch and Alex Mechanik, May December
Sean Durkin, The Iron Claw
Greta Gerwig and Noah Baumbach, Barbie
David Hemingson, The Holdovers
Celine Song, Past Lives
Justine Triet and Arthur Harari, Anatomy of a Fall

Best Adapted Screenplay

Kelly Fremon Craig, Are You There God? It’s Me, Margaret.
Cord Jefferson, American Fiction
Tony McNamara, Poor Things
Christopher Nolan, Oppenheimer
Eric Roth and Martin Scorsese, Killers of the Flower Moon

Best Ensemble

Asteroid City
Barbie
The Color Purple
Killers of the Flower Moon
Oppenheimer
Poor Things

Actor of the Year (for an exemplary body of work)

Willem Dafoe – Asteroid City, The Boy and the Heron, Inside, and Poor Things
Matt Damon – Air and Oppenheimer
Colman Domingo – The Color Purple, Ruby Gillman: Teenage Kraken, Rustin, and Transformers: Rise of the Beasts
Sandra Hüller – Anatomy of a Fall and The Zone of Interest
Jeffrey Wright – American Fiction, Asteroid City, and Rustin

Breakthrough Film Artist

Lily Gladstone, Killers of the Flower Moon – (for acting)
Cord Jefferson, American Fiction – (for directing and screenwriting)
Charles Melton, May December – (for acting)
Dominic Sessa, The Holdovers – (for acting)
Celine Song, Past Lives – (for directing and screenwriting)

Best Cinematography

Matthew Libatique, Maestro
Rodrigo Prieto, Barbie
Rodrigo Prieto, Killers of the Flower Moon
Robbie Ryan, Poor Things
Hoyte van Hoytema, Oppenheimer

Best Film Editing

Michael Andrews, Spider-Man: Across the Spider-Verse
Kirk Baxter, The Killer
Nick Houy, Barbie
Jennifer Lame, Oppenheimer
Yorgos Mavropsaridis, Poor Things
Thelma Schoonmaker, Killers of the Flower Moon

Best Score

Jerskin Fendrix, Poor Things
Ludwig Göransson, Oppenheimer
Laura Karpman, American Fiction
Robbie Robertson, Killers of the Flower Moon
Naoki Satô, Godzilla Minus One

Best Animated Film

The Boy and the Heron
Elemental
Nimona
Spider-Man: Across the Spider-Verse
Teenage Mutant Ninja Turtles: Mutant Mayhem

Best Documentary (tie)

20 Days in Mariupol
32 Sounds
American Symphony
Anselm
Kokomo City
Still: A Michael J. Fox Movie

Best Foreign Language Film

Afire
Anatomy of a Fall
The Boy and the Heron
Godzilla Minus One
Perfect Days
The Zone of Interest

Frank Gabrenya Award for Best Comedy

American Fiction
Asteroid City
Barbie
Bottoms
The Holdovers
No Hard Feelings
You Hurt My Feelings

Best Overlooked Film

Are You There God? It’s Me, Margaret.
BlackBerry
Rye Lane
Showing Up
Theater Camp
You Hurt My Feelings


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.