Killers of the Flower Moon Named Best Picture by Phoenix Film Critics Society

Martin Scorsese’s Killers of the Flower Moon has been named Best Picture by the Phoenix Film Critics Society. The film also picked up wins for Best Adapted Screenplay and Breakthrough Performance for Lily Gladstone. Elsewhere, Christopher Nolan’s Oppenheimer picked up six awards for Best Director, Best Actor for Cillian Murphy, Best Ensemble, Best Cinematography, Best Film Editing, and Best Score.

Full list of winners below.

Best Picture

Killers of the Flower Moon

Best Director

Christopher Nolan, Oppenheimer

Best Actor

Cillian Murphy, Oppenheimer

Best Actress

Emma Stone, Poor Things

Best Supporting Actor

Ryan Gosling, Barbie

Best Supporting Actress

Da’Vine Joy Randolph, The Holdovers

Best Original Screenplay

David Hemingson, The Holdovers

Best Adapted Screenplay

Eric Roth and Martin Scorsese, Killers of the Flower Moon

Best Animated Film

Spider-Man: Across the Spider-Verse

Best Documentary

Still: A Michael J. Fox Movie

Best Foreign Language Film

Anatomy of a Fall

Best Ensemble Acting

Oppenheimer

Breakthrough Performance

Lily Gladstone, Killers of the Flower Moon

Best Performance by a Youth

Abby Ryder Fortson, Are You There God? It’s Me, Margaret.

Best Cinematography

Hoyte van Hoytema, Oppenheimer

Best Film Editing

Jennifer Lame, Oppenheimer

Best Production Design

Sarah Greenwood and Katie Spencer, Barbie

Best Costume Design

Jacqueline Durran, Barbie

Best Original Score

Ludwig Göransson, Oppenheimer

Best Original Song

“I’m Just Ken” from Barbie

Best Visual Effects

The Creator

The Overlooked Film of the Year

The Boys in the Boat

Top 10 Films (in alphabetical order):

American Fiction
Barbie
The Holdovers
Killers of the Flower Moon
Maestro
Oppenheimer
Past Lives
Poor Things
Saltburn
Spider-Man: Across the Spider-Verse


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.