Licorice Pizza Named Best Film by St Louis Film Critics Association

Paul Thomas Anderson’s Licorice Pizza has been named Best Film by the St. Louis Film Critics Association. Elsewhere, Jane Campion’s The Power of the Dog won Best Director and Best Adapted Screenplay for Campion, Best Supporting Actor for Kodi Smit-McPhee, and Best Cinematography.

Winners in bold below.

BEST FILM
Belfast (runner-up)
Licorice Pizza
The Power of the Dog (runner-up)
The Tragedy of Macbeth
West Side Story

BEST DIRECTOR
Paul Thomas Anderson, Licorice Pizza
Wes Anderson, The French Dispatch
Kenneth Branagh, Belfast (runner-up)
Jane Campion, The Power of the Dog
Steven Spielberg, West Side Story
Denis Villeneuve, Dune

BEST ACTRESS
Jessica Chastain, The Eyes of Tammy Faye (runner-up)
Olivia Colman, The Lost Daughter (runner-up)
Lady Gaga, House of Gucci
Nicole Kidman, Being the Ricardos
Kristen Stewart, Spencer

BEST SUPPORTING ACTRESS
Ann Dowd, Mass
Kirsten Dunst, The Power of the Dog
Rita Moreno, West Side Story (runner-up)
Ruth Negga, Passing
Aunjanue Ellis, King Richard

BEST ACTOR
Nicolas Cage, Pig
Benedict Cumberbatch, The Power of the Dog
Andrew Garfield, Tick, Tick…Boom! (runner-up)
Will Smith, King Richard
Denzel Washington, The Tragedy of Macbeth

BEST SUPPORTING ACTOR
Ben Affleck, The Last Duel
Bradley Cooper, Licorice Pizza
Ciaran Hinds, Belfast (runner-up)
Jared Leto, House of Gucci
Kodi Smit-McPhee, The Power of the Dog

BEST ENSEMBLE
Belfast
Being the Ricardos
The French Dispatch
(runner-up)
Licorice Pizza
Mass

BEST ORIGINAL SCREENPLAY
Paul Thomas Anderson, Licorice Pizza (runner-up)
Kenneth Branagh, Belfast
Fran Kranz, Mass
Aaron Sorkin, Being the Ricardos
Michael Sarnoski and Vanessa Block, Pig

BEST ADAPTED SCREENPLAY
Jane Campion, The Power of the Dog
Sian Heder, CODA (runner-up)
Tony Kushner, West Side Story
Ryusuke Hamaguchi and Takamasa Oe, Drive My Car (runner-up)
Jon Spaihts, Denis Villeneuve, and Eric Roth, Dune

BEST CINEMATOGRAPHY
Bruno Delbonnel, The Tragedy of Macbeth (runner-up)
Greig Fraser, Dune
Janusz Kaminski, West Side Story (runner-up)
Ari Wegner, The Power of the Dog
Haris Zambarloukos, Belfast

BEST EDITING
Sarah Broshar and Michael Kahn, West Side Story (runner-up)
Andy Jurgensen, Licorice Pizza
Paul Machliss, Last Night in Soho
Úna Ní Dhonghaíle, Belfast (runner-up)
Joe Walker, Dune

BEST COSTUME DESIGN
Jenny Bevan, Cruella
Odile Dicks-Mireaux, Last Night in Soho
Jacqueline Durran, Spencer (runner-up)
Robert Morgan and Jacqueline West, Dune
Janty Yates, House of Gucci

BEST PRODUCTION DESIGN
Tamara Deverell, Nightmare Alley
Marcus Rowland, Last Night in Soho
Adam Stockhausen, The French Dispatch
Adam Stockhausen, West Side Story
Patrice Vermette, Dune (runner-up)

BEST SCORE
Nicholas Britell, Don’t Look Up
Carter Burwell, The Tragedy of Macbeth
Hans Zimmer, Dune
Jonny Greenwood, The Power of the Dog (runner-up)
Jonny Greenwood, Spencer

BEST SOUNDTRACK
Cruella
Last Night in Soho
Licorice Pizza (runner-up)
The Tender Bar
West Side Story

BEST VISUAL EFFECTS
Black Widow
Dune
Finch (runner-up)
Free Guy
The Tragedy of Macbeth (runner-up)

BEST ANIMATED FILM
Encanto (runner-up)
Flee
Luca
The Mitchells vs. the Machines
Vivo

BEST HORROR FILM
Candyman
Lamb
Last Night in Soho
A Quiet Place Part II
Titane (runner-up)

BEST COMEDY FILM
Don’t Look Up (runner-up)
Free Guy
The French Dispatch
Licorice Pizza
The Mitchells vs. the Machines

BEST ACTION FILM
Black Widow
Free Guy
Nobody
No Time to Die (runner-up)
Shang-Chi and the Legend of the Ten Rings

BEST DOCUMENTARY FEATURE
Flee
The Rescue
Summer of Soul (runner-up)
The Velvet Underground
Tina

BEST INTERNATIONAL FILM
Drive My Car
Flee
The Hand of God (runner-up)
A Hero
Titane

BEST SCENE
Buddy when he hears the rioters approaching in Belfast
First dance at the nightclub in Last Night in Soho (runner-up)
Truck driving in reverse in Licorice Pizza
Sunday brunch at the diner in Tick, Tick…Boom!
“America” in West Side Story


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.