I make sure it's known the company's in business. I'd see that it had a certain panache. That's what I'm good at. Not the work, not the work... the presentation.
Anna is an artist, filmmaker, freelance writer/film critic and Deputy Editor here at Filmotomy. She fiercely supports female filmmakers as well as foreign language films, and is partial to anything Mike Flanagan has made or Audrey Hepburn has been in. Find her traveling abroad somewhere with her camera, working on her screenplays with the help of a few sweet coffees or taking pictures of the sky.
From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.
Morgan Roberts (she/her) was practically raised by films. Both of her parents worked at film studios in her youth and instilled her love for cinema. While her day job is far away from movies and writing, Morgan can regularly be found at her local independent movie theater. Morgan loves all things Gilda Radner, cinematography, “Fleabag,” DVD commentaries, and “Lady Bird.”
I have been talking film online since 2015 and continue to explore the rich history of cinema. Love pretty much any Yasujirō Ozu or Timothée Chalamet project and can nearly quote Mamma Mia 2: Here We Go Again which I saw 9 times in theaters.
Daniel’s books include “The Netflix Effect” and “Blockbuster Performances,” and his short films include “The Fair Damsels of Disney” and “They’re Ready.” He encourages people who love streaming to do it the right way: get on an inner tube and float down one.
Always prepared to yap about film, Sadbh considers herself a film fan masquerading as a critic. She dreams of being Letterboxd famous, and has an impressive memory for pop culture and movie musicals.
