Robin makes sure it's known the company's in business. He'd see that it had a certain panache. That's what he's good at. Not the work, not the work... the presentation.
Hannah is a BA English graduate and MA Screenwriting graduate with knowledge of cinema history and film theory. She is a journalist, writer and screenwriter in the Film and TV industry with an interest in horror cinema, particularly Slashers. Hannah has written for film blogs and magazines including, Industrial Scripts, Raindance Film Festival, Onscreen Magazine and Save The Cat!
From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.
Anna is an artist, filmmaker, freelance writer/film critic and former Deputy Editor here at Filmotomy. She fiercely supports female filmmakers as well as foreign language films, and is partial to anything Mike Flanagan has made or Audrey Hepburn has been in. Find her traveling abroad somewhere with her camera, working on her screenplays with the help of a few sweet coffees or taking pictures of the sky.
Rebecca has been writing about film since 2014 and is a self-proclaimed screen tourism expert. She currently splits her time between her hometown in the English Lake District and her new home in Salt Lake City. Pedro Almodóvar's movies are why she's learning Spanish (it's going terribly, thanks for asking) and Rebecca considers When Harry Met Sally a perfect film.
Hailey is a 24-year-old Canadian with a passion for film, television and media. Recently graduated with a BA in Film and Media Studies, Hailey enjoys writing about and discussing both new and re-releases, as well as film festivals and industry events. Hailey's favourite films at the moment include Carol, Gone Girl, Interstellar, and Mulholland Drive. New to Filmotomy, Hailey also writes on her own page WatchedbyHailey and have recently developed W Spotlight with Mariane Tremblay and other females.
Maja (she/her) is a film professional and writer based in Vienna, with a multilingual background and a passion for indie and international cinema. Holding a degree in English and American Studies and experience in film festival organization, she approaches film as both an art form and a social responsibility. Her writing is driven by a belief in storytelling’s power to foster empathy, amplify underrepresented voices, and connect people across cultures.
Morgan Roberts (she/her) was practically raised by films. Both of her parents worked at film studios in her youth and instilled her love for cinema. While her day job is far away from movies and writing, Morgan can regularly be found at her local independent movie theater. Morgan loves all things Gilda Radner, cinematography, “Fleabag,” DVD commentaries, and “Lady Bird.”
Joan Amenn is a New Yorker born and raised now living somewhat incongruously in the PNW. Her past lives have included being a small town journalist, a culinary instructor and a legal researcher. She is a proud ally and member of GALECA: The Society of LGBTQ Entertainment Critics; member @theOAFFC, @AWFJ, @CriticsPandora, @thecherrypicks, @SIFF, and a member of the Seattle Film Critics Society. When not sipping tea and overthinking, she enjoys spoiling her furry family members.
Fiona Underhill is a British freelance TV/film writer and critic living in Los Angeles. She is a former teacher of Media/Film Studies and the former Editor-in-Chief of Jumpcut Online. Fiona has bylines at IndieWire, SlashFilm, The Film Stage, Nerdist and more.
Ben Miller (he/him) is a film critic and podcaster. The Texas-native is an Oscar-obsessive and voracious watcher of all things cinema. He is a member of the North Texas FIlm Critics Association as well as the International Film Society Critics. He has his own film site IceCream4Freaks where you can read all his reviews and features.
I have been talking film online since 2015 and continue to explore the rich history of cinema. Love pretty much any Yasujirō Ozu or Timothée Chalamet project and can nearly quote Mamma Mia 2: Here We Go Again which I saw 9 times in theaters.
