Minari Leads Dorian Film Awards Nominations

Lee Isaac Chung’s Minari leads the way at the GALECA: The Society of LGBTQ Entertainment Critics’ Dorian Film Awards nominations with six nods including Best Film. Following with five nominations is Nomadland, with nods for lead Frances McDormand, two for director and screenwriter Chloé Zhao, and a shot at Most Visually Striking Film.

“It’s not a surprise that the films that came out in 2020, one of the country’s most tumultuous years, are fascinating works that feel both deeply personal and subversively political,” says GALECA president Diane Anderson-Minshall. “And I’m thrilled that unlike some other critics groups, our members have not relegated Minari—one of the year’s most quintessentially American films—just to the foreign language category. More than anything, Minari and Nomadland show what it means to live with autonomy and self-direction in America today.”

GALECA: The Society of LGBTQ Entertainment Critics’ Dorian Awards go to all of film and TV, from mainstream to queer, helping remind bullies, bigots and at-risk youth that the world looks to “the Q eye” for tips on what’s great in movies and shows. After all, how would the world fare without knowing what’s campy?

A nonprofit professional organisation, GALECA consists of over 280 critics and journalists who write for legitimate media outlets in the United States, Canada, Australia and the U.K. Full list of nominations below. The winners will be announced on April 18.

Best Film
FIRST COW
MINARI
NOMADLAND
PROMISING YOUNG WOMAN
SOUND OF METAL

Best LGBTQ Film
AMMONITE
THE BOYS IN THE BAND
I CARRY YOU WITH ME
MA RAINEY’S BLACK BOTTOM
SUPERNOVA
UNCLE FRANK

Best Foreign Language Film
ANOTHER ROUND
BACURAU
I CARRY YOU WITH ME
LA LLORONA
MINARI
TWO OF US

Best Director
CHLOÉ ZHAO, NOMADLAND
EMERALD FENNELL, PROMISING YOUNG WOMAN
KELLY REICHARDT, FIRST COW
LEE ISAAC CHUNG, MINARI
REGINA KING, ONE NIGHT IN MIAMI

Best Screenplay (original or adapted)
CHLOE ZHAO, NOMADLAND
ELIZA HITTMAN, NEVER RARELY SOMETIMES ALWAYS
EMERALD FENNELL, PROMISING YOUNG WOMAN
LEE ISAAC CHUNG, MINARI
RADHA BLANK, THE FORTY-YEAR-OLD VERSION

Best Unsung Film 
THE ASSISTANT
DRIVEWAYS
FIRST COW
THE FORTY-YEAR-OLD VERSION
MISS JUNETEENTH
NEVER RARELY SOMETIMES ALWAYS
SHIRLEY

Best Documentary
COLLECTIVE
CRIP CAMP
DICK JOHNSON IS DEAD
DISCLOSURE
TIME
WELCOME TO CHECHNYA

Best LGBTQ Documentary
A SECRET LOVE
BORN TO BE
DISCLOSURE
MUCHO MUCHO AMOR: THE LEGEND OF WALTER MERCADO
WELCOME TO CHECHNYA

Best Film Performance — Actress
CAREY MULLIGAN, PROMISING YOUNG WOMAN
FRANCES MCDORMAND, NOMADLAND
NICOLE BEHARIE, MISS JUNETEENTH
SIDNEY FLANIGAN, NEVER RARELY SOMETIMES ALWAYS
VIOLA DAVIS, MA RAINEY’S BLACK BOTTOM

Best Film Performance — Actor
ANTHONY HOPKINS, THE FATHER
CHADWICK BOSEMAN, MA RAINEY’S BLACK BOTTOM
DELROY LINDO, DA 5 BLOODS
RIZ AHMED, SOUND OF METAL
STEVEN YEUN, MINARI

Best Film Performance — SUPPORTING Actress
AMANDA SEYFRIED, MANK
CANDICE BERGEN, LET THEM ALL TALK
MARIA BAKALOVA, BORAT SUBSEQUENT MOVIEFILM
OLIVIA COLMAN, THE FATHER
YUH-JUNG YOUN, MINARI

Best Film Performance — SUPPORTING Actor
CHADWICK BOSEMAN, DA 5 BLOODS
DANIEL KALUUYA, JUDAS AND THE BLACK MESSIAH
LESLIE ODOM JR., ONE NIGHT IN MIAMI
PAUL RACI, SOUND OF METAL
SACHA BARON COHEN, THE TRIAL OF THE CHICAGO 7

Most Visually Striking Film 
BIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN
MANK
NOMADLAND
SOUL
WOLFWALKERS

Campiest Flick
BAD HAIR
BIRDS OF PREY: AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN
EUROVISION SONG CONTEST: THE STORY OF FIRE SAGA
THE PROM
WONDER WOMAN 1984

“We’re Wilde About You!” Rising Star Award
ALAN S. KIM
KINGSLEY BEN-ADIR
MARIA BAKALOVA
RADHA BLANK
SIDNEY FLANIGAN

Wilde Artist Award
(to a truly groundbreaking force in entertainment)
CHADWICK BOSEMAN
CHLOE ZHAO
DOLLY PARTON
ELLIOT PAGE
REGINA KING


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.