Oppenheimer Leads St Louis Film Critics Association Nominations

Christopher Nolan’s Oppenheimer leads the nominations from the St. Louis Film Critics Association with 14 nods including Best Film. Elsewhere, Martin Scorsese’s Killers of the Flower Moon picked up 13 nominations, while Greta Gerwig’s Barbie scored 11.

Full list of nominations below. The winners will be announced on December 17.

BEST FILM

American Fiction

Anatomy of a Fall

Barbie

Oppenheimer

The Holdovers

Killers of the Flower Moon

Maestro

May December

Past Lives

The Zone of Interest

 

BEST DIRECTOR

Greta Gerwig – Barbie

Todd Haynes – May December

Christopher Nolan – Oppenheimer

Martin Scorsese – Killers of the Flower Moon

Celine Song – Past Lives

 

BEST ACTOR

Bradley Cooper – Maestro

Leonardo DiCaprio – Killers of the Flower Moon

Paul Giamatti – The Holdovers

Cillian Murphy – Oppenheimer

Jeffrey Wright – American Fiction

 

BEST ACTRESS

Lily Gladstone – Killers of the Flower Moon

Greta Lee – Past Lives

Natalie Portman – May December

Margot Robbie – Barbie

Emma Stone – Poor Things

 

BEST SUPPORTING ACTOR

Sterling K. Brown – American Fiction

Robert De Niro – Killers of the Flower Moon

Robert Downey Jr. – Oppenheimer

Ryan Gosling – Barbie

Glenn Howerton – BlackBerry

Charles Melton – May December

Dominic Sessa – The Holdovers

 

BEST SUPPORTING ACTRESS

Emily Blunt – Oppenheimer

Viola Davis – Air

Rachel McAdams – Are You There God? It’s Me Margaret

Julianne Moore – May December

Da’Vine Joy Randolph – The Holdovers

 

BEST ENSEMBLE

Asteroid City

Barbie

The Holdovers

Killers of the Flower Moon

Oppenheimer

 

BEST ADAPTED SCREENPLAY

American Fiction

Are You There God? It’s Me Margaret

Killers of the Flower Moon

Oppenheimer

The Zone of Interest

 

BEST ORIGINAL SCREENPLAY

Air

Barbie

Anatomy of a Fall

The Holdovers

Past Lives

 

BEST CINEMATOGRAPHY

Asteroid City

Killers of the Flower Moon

Maestro

Oppenheimer

The Zone of Interest

 

BEST EDITING

The Holdovers

The Killer

Killers of the Flower Moon

Maestro

Oppenheimer

The Zone of Interest

 

BEST PRODUCTION DESIGN

Asteroid City

Barbie

Killers of the Flower Moon

Oppenheimer

Poor Things

 

BEST COSTUME DESIGN

Barbie

Killers of the Flower Moon

Oppenheimer

Poor Things

Priscilla

 

BEST MUSIC SCORE

Killers of the Flower Moon

May December

Oppenheimer

Spider-Man: Across The Spider-Verse

The Zone of Interest

 

BEST MUSIC SOUNDTRACK

Air

Barbie

The Holdovers

The Killer

Maestro

 

BEST VISUAL EFFECTS

The Creator

Guardians of the Galaxy Vol. 3

Godzilla Minus One

Mission: Impossible – Dead Reckoning Part One

Oppenheimer

 

BEST STUNTS

Indiana Jones And The Dial Of Destiny

The Iron Claw

John Wick: Chapter 4

The Killer

Mission: Impossible – Dead Reckoning Part One

 

BEST INTERNATIONAL FEATURE

Anatomy of a Fall

Fallen Leaves

Perfect Days

The Teachers’ Lounge

The Zone of Interest

 

BEST ACTION MOVIE

Dungeons and Dragons: Honor Among Thieves

Indiana Jones And The Dial Of Destiny

John Wick: Chapter 4

The Killer

Mission: Impossible – Dead Reckoning Part One

Spider-Man: Across The Spider-Verse

 

BEST ANIMATED FEATURE

The Boy and the Heron

Elemental

Teenage Mutant Ninja Turtles: Mutant Mayhem

Robot Dreams

Spider-Man: Across The Spider-Verse

 

BEST COMEDY

American Fiction

Are You There God? It’s Me Margaret

Barbie

Bottoms

The Holdovers

 

BEST DOCUMENTARY

American Symphony

Beyond Utopia

It Ain’t Over

Menus Plaisirs Les Troisgros

Still A Michael J. Fox Movie

BEST HORROR

Evil Dead Rise

Knock at the Cabin

M3GAN

Talk to Me

Skinamarink

 

BEST SCENE

Barbie – Gloria (America Ferrara)’s monologue on impossible standards for women

John Wick: Chapter 4 – Staircase Fight

Killers of the Flower Moon – The radio show finale

Maestro – Leonard Bernstein conducting London Symphony in Mahler’s Second Symphony in Ely Cathedral

Oppenheimer – Trinity Test


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.