Past Lives Named Best Film by Online Association of Female Film Critics

Celine Song’s Past Lives has been named Best Film by the Online Association of Female Film Critics. The film also picked up wins for Best Original Screenplay and Breakthrough Filmmaker.

The Online Association of Female Film Critics is an independent organization consisting of female film journalists and critics from across the globe. The OAFFC serves to uphold the integrity of online film criticism, foster the growing field of female film writers, celebrate and recognize outstanding achievements in cinema through our annual “Best of the Year” awards, and provide professional support for our members. Membership consists of women whose primary media affiliation is an online publication.

Winners in bold below.

BEST FILM

Anatomy of a Fall

Barbie

Oppenheimer

Past Lives

Poor Things

BEST DIRECTOR

Greta Gerwig – Barbie

Yorgos Lanthimos – Poor Things

Christopher Nolan – Oppenheimer

Celine Song – Past Lives

Justine Triet – Anatomy of a Fall

BEST MALE LEAD

Paul Giamatti – The Holdovers

Barry Keoghan – Saltburn

Andrew Scott – All of Us Strangers

Jeffrey Wright – American Fiction

Kôji Yakusho – Perfect Days

BEST FEMALE LEAD

Lily Gladstone – Killers of the Flower Moon

Sandra Hüller – Anatomy of a Fall

Greta Lee – Past Lives

Margot Robbie – Barbie

Emma Stone – Poor Things

BEST SUPPORTING MALE

Robert Downey, Jr. – Oppenheimer

Ryan Gosling – Barbie

John Magaro – Past Lives

Charles Melton – May December

Mark Ruffalo – Poor Things

BEST SUPPORTING FEMALE

Emily Blunt – Oppenheimer

Danielle Brooks – The Color Purple

America Ferrera – Barbie

Rachel McAdams – Are You There God? It’s Me, Margaret

Da’Vine Joy Randolph – The Holdovers

BEST ACTING ENSEMBLE

Barbie

The Holdovers

Killers of the Flower Moon

Oppenheimer

Saltburn

BEST ORIGINAL SCREENPLAY

Anatomy of a Fall

Barbie

The Holdovers

May December

Past Lives

BEST ADAPTED SCREENPLAY

American Fiction

Are You There God? It’s Me, Margaret

Killers of the Flower Moon

Oppenheimer

Poor Things

BEST DOCUMENTARY

Beyond Utopia

The Deepest Breath

Four Daughters

Kokomo City

Still: A Michael J. Fox Movie

BEST ANIMATED FEATURE

The Boy and the Heron

Elemental

Nimona

Spider-Man: Across The Spider-Verse

Teenage Mutant Ninja Turtles: Mutant Mayhem

BEST INTERNATIONAL FEATURE

Anatomy of a Fall

Fallen Leaves

Perfect Days

The Taste of Things

The Zone of Interest

BEST CINEMATOGRAPHY

Killers of the Flower Moon

Maestro

Oppenheimer

Poor Things

Saltburn

BEST EDITING

Barbie

The Holdovers

Killers of the Flower Moon

Oppenheimer

Poor Things

BEST STUNTS

Dungeons & Dragons: Honor Among Thieves

Guardians of the Galaxy Vol. 3

John Wick: Chapter 4

Mission: Impossible – Dead Reckoning Part One

Polite Society

BEST VISUAL EFFECTS (tie)

The Creator

Guardians of the Galaxy Vol. 3

Oppenheimer

Poor Things

Spider-Man: Across The Spider-Verse

BEST COSTUME DESIGN

Asteroid City

Barbie

Killers of the Flower Moon

Poor Things

Priscilla

BREAKTHROUGH FILMMAKER

Raine Allen-Miller – Rye Lane

Cord Jefferson – American Fiction

Charlotte Regan – Scrapper

A.V. Rockwell – A Thousand and One

Celine Song – Past Lives

BREAKTHROUGH PERFORMANCE (tie)

Abby Ryder Fortson – Are You There God? It’s Me, Margaret

Mia McKenna-Bruce – How To Have Sex

Charles Melton – May December

Dominic Sessa – The Holdovers

Teyana Taylor – A Thousand and One

THE ROSIE

The OAFFC’s signature award celebrates the film that “best promotes women, their voices, and the female experience through cinema.”

Are You There God? It’s Me, Margaret

Barbie

Poor Things

Priscilla

The Royal Hotel


Discover more from Filmotomy

Subscribe to get the latest posts sent to your email.

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.