Posted in Review

Review: Train to Busan

The hyperactive, refreshing journey that Asian cinema can sometimes take you on is exemplified by Train to Busan, from South Korea, a pulsating, edge-of-your-seat thrill-ride…

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Review: La La Land

To boot, I loved almost all the separate components of the film individually but I didn’t love the resulting bundle. Aesthetically, my eyes were gently caressed…

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Posted in Listmania Movies

Listmania: Al's Top 5 Films From Spring 2016

  Hey everybody. My name is Al Robinson, and as much as I love movies, I equally love making lists, especially lists about movies. Last…

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Review: Disorder

Taking a break from the apparent horrors of soldierhood, Vincent (Matthias Schoenaerts) is a brooding, guarded man, whose post-traumatic stress disorder hangs from him like…

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Review: Chronic

The Cannes Film Festival is a real special and integral part of the movie year. Many of those films shown there to the very lucky…

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Review: The Light Between Oceans

There are many moments in The Light Between Oceans when cinematographer Adam Arkapaw beautifully captures the rich tones of both night and day amidst the…

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Posted in Movies

Ian Nichols' Film Brief 2016

Horror is Here to Stay. Whereas 2015 was a year for horror to experiment metaphor, narrative, and aesthetic (see: The Falling, Spring, Goodnight Mommy, It…

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Steve Schweighofer's Film Brief 2016

Somehow 2016 has not ended for me. The acidic taste left by the temper tantrums thrown by spoiled citizens in the world’s most privileged countries…

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Daniel Smith-Rowsey's Film Brief 2016

Did the studios fiddle while Rome burned in 2016? In other words, should Hollywood have done more to stop Trump and the Republican Party taking…

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Review: Nocturnal Animals

Nocturnal Animals takes the split-plot of a woman reading her ex husband’s latest book, in which we follow her reaction (and current blemished life status),…

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Review: Florence Foster Jenkins

As acting goes, both Meryl Steep and Hugh Grant pulled another rabbit out of their hats in Stephen Frears’ latest blend of the comic and…

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Review: The Measure of a Man

If director Stéphane Brizé loved a slice of heart-string-tugging cinema, or sentimental story-telling, then you wouldn’t possibly know given his  latest movie, The Measure of…

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Review: Hell or High Water

There are old fashioned crime tales of outlaws and the law on their trail, and gripping family dramas driven by blood and money. David Mackenzie’s…

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Review: The Accountant

There’s an apparent school of thought with Ben Affleck as an actor, as in one with talent not just a chiseled jaw-line. There’s his early…

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