Posted in Oscars

100 Performances Oscars Forgot – 2/20

RE-POST We all have our favorite acting performances from the movies over the years that have not managed to make it as an Oscar nominee….

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Posted in Oscars

100 Performances Oscars Forgot – 1/20

RE-POST As we get sucked into the awards season vacuum again, I grabbed hold of a few of my like-minded film-freaks (follow them on Twitter…

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Posted in Film Honors

Film Honors: 1999

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Film Honors

Film Honors: 1998

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Director Women

Directors’ Weekend Catch-Up: The Beguiled

Sofia Coppola’s latest feature, The Beguiled, carries the theme of loneliness, which was present in her previous work like The Virgin Suicides and Lost In…

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Posted in Genre

Genre Blast: Who’s Playing Whom? – The Biopic

For this exercise, I’m choosing films where the tone, pace and look are intended to enhance the spirit to the person being portrayed. They have the feel of a time or place as well as convey the essence the subject, be it crazy, pathetic, heroic, or creative. Based on artistic merit of the film and NOT the person portrayed –or doing the portraying, although most of these performances are career highs – here are ten biopics worthy of acclaim. Five for him and five for her. And filmmakers – please take a chance and give us another classic biopic of a woman. 1928 was oh-so-long ago. And make certain a woman will direct it, as well. Thanks

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Posted in Interview

Writer-Director Peyv Raz Talks Film Debut With 'Clarity'

From joy to despair in a matter of seconds as a family congratulatory gathering becomes a tense affair in a hospital waiting room. A life…

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Posted in Genre

Genre Blast: The Play’s the Thing – From Stage to Screen

When a powerful play is adapted to incorporate some of the technical features possible with film, the end result can be transporting. A savvy director and crew will mine the dramatic work for opportunities to maneuver the camera in such a way as to take the audience out of their seats and place them in the middle of the action (just as one would with any other film genre). The playwright’s words should not be treated as a wall that defines the boundaries of the film, but as a door that opens into another medium of expression.

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Posted in Film Honors

Film Honors: 1962

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Director Movies

Directors' Weekend: The 10 Best Tim Burton Films

So here are the 10 Best Tim Burton films according to the collective bunch of you that voted. And a huge thank you very much indeed…

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Posted in Obituary

Au Revoir, Jeanne Moreau

Having recently delved into the cinematic year of wonder that is 1961, it was an easy selection to include the emotive turn from Jeanne Moreau…

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Posted in Genre

Genre Blast: Gangs & Gangsters – If You Can’t Join ‘Em, Beat ‘Em

Sometimes the trigger is poverty, other times ethnic alienation. Even boredom can play a factor is causing the coagulation of a gang. If a group…

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Posted in Film Honors

Film Honors: 1989

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Genre

Genre Blast: The Road Narrows; Aging in Cinema

[Author’s Note: I’ll preface with a half-hearted apology for my absence for the past couple of weeks: catching me indoors, typing away in a stuffy…

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