Posted in Uncategorized

Cannes Compétition Prospectus – Good Time

Good Time Joshua and Ben Safdie United States CRITICAL RESPONSE “Good Time is a poignantly ironic title: it means the reduction of jail time for…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Rodin

Rodin Jacques Doillon France, Belgium CRITICAL RESPONSE “Jacques Doillon delivers a useful educational tool for the armchair traveler too lazy to go to a museum….

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – The Beguiled

The Beguiled Sofia Coppola United States CRITICAL RESPONSE “Coppola completely sucks out any of the original’s over the top sequences for more art house, painterly…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Radiance

Radiance Naomi Kawase Japan, France CRITICAL RESPONSE “Kawase’s work demonstrates an interest in the metaphysical, whether it involves speculation on the afterlife or the meaning…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – The Day After

The Day After Hong Sang-soo South Korea CRITICAL RESPONSE “The Day After has its share of wry musings and twitchy banter between characters to counter…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Happy End

Happy End Michael Haneke France, Germany, Austria CRITICAL RESPONSE “Haneke’s magisterial control of tone, actor and shot is not to be underestimated: there are scenes…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – The Killing of a Sacred Deer

The Killing of a Sacred Deer Yorgos Lanthimos Ireland, United Kingdom, United States CRITICAL RESPONSE “As in all his best work, Lanthimos is brilliant at…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Redoubtable

Redoubtable Michel Hazanavicius France CRITICAL RESPONSE “First and foremost, Le Redoutable is a marvelous comedy very reminiscent of Woody Allen’s classics (it has a few…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – The Meyerowitz Stories (New and Selected)

The Meyerowitz Stories (New and Selected) Noah Baumbach United States CRITICAL RESPONSE “As a student of classic comedies, Baumbach uses strategies that work, freshening them…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – The Square

The Square Ruben Östlund Sweden, Denmark, United States, France CRITICAL RESPONSE “[Ruben] Östlund skillfully ties his many ideas together and makes his statement in the…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – BPM (Beats per Minute)

BPM (Beats per Minute) Robin Campillo France CRITICAL RESPONSE “Bearing a closer resemblance to the social-realism of Campillo’s screenwriting with collaborator Laurent Cantet, which includes…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Jupiter's Moon

Jupiter’s Moon Kornél Mundruczó Hungary CRITICAL RESPONSE “Almost imperceptibly the story shifts into a zanier mode that will include a major car chase, shootouts and…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Okja

Okja Bong Joon-ho South Korea, United States CRITICAL RESPONSE “Okja is fun, if sometimes over-egged, as an adventure romp, but flounders in overstatement when it…

Continue Reading
Posted in Uncategorized

Cannes Compétition Prospectus – Loveless

Loveless Andrey Zvyagintsev Russia CRITICAL RESPONSE “This is a film which confronts us with the most unthinkable of crises and perhaps also challenges the eternal…

Continue Reading