Tag: Films
Questioning Reality: Revisiting The Thirteenth Floor
Ignorance is bliss. For the first time in my life, I agree. Hannon Fuller (Armin Mueller-Stahl) 1999 saw the science fiction genre be redefined by…
Filmotomy Podcast Episode 22: The Film Year 1999 – A Kubrick Odyssey
In this podcast we delve into our new series ‘Rewind‘, and the year is 1999. Al returns to host, and is joined by Rob, Jonathan,…
“Tell Him I’m Coming.” Revisiting the Explosive Revenge Neo-Noir The Limey
“Bide your time. That’s what prison teaches you, if nothing else. Bide your time, and everything becomes clear, and you can act accordingly.” When Steven…
Magnolia: A Children's Story by Paul Thomas Anderson
“But if you refuse to let them go, behold, I will plague all your country with frogs.” – Exodus 8:2 In the third movie of…
So Netflix Cannes-n’t Dance? – Some Thoughts
Distributors may have a stranglehold on some festivals, but art is like water – it finds the path of least resistance and eventually makes its way through, under and around the barriers to reach the thirsty. If filmmakers can reach audiences without bowing to the pressure of having to be “the best” or winning an award, so much the better.
Filmotomy Podcast Episode 21: Films We Love/Hate and Other Guilty Pleasures
Regular host and birthday boy Al sits this podcast out. Instead, Robin, Bianca, and Rob are joined by Jonathan Holmes making a return after a…
Martin Scorsese: Ranking His Feature Films
Let’s get on with the Scorsese business in hand. The votes are in, the poll is now closed. Here we will now run down the…
Casino: Same Old Song & Dance?
In the hands of almost any other filmmaker, Casino would be a considered a watermark in that person’s career. Critics and film nuts (such as the…
Saving Our Cinema Legacy – Martin Scorsese, Steward of Film Preservation
Every film-lover owes Martin Scorsese much gratitude for his magnificent personal filmography, but for his dedicated efforts to preserving the work of others, worldwide, for future audiences to experience? We owe him everything.
A Perception of Color in Martin Scorsese's The Aviator
The 2004’s The Aviator, Martin Scorsese wanted to imitate the color techniques from his memories watching the films of the era as a child. You…
The Angel of Death: Revisiting Martin Scorsese’s Bringing Out The Dead
There’s always been something about the loner that Martin Scorsese keeps returning to throughout his work; the individual who is on the fringes of the…
The Last Temptation of Christ: Marty Tests the Faithful
As Jesus hangs from the cross in agony, fulfilling his duty, a child appears to temporarily remove his spirit and guide him through “what could be”, should he decide to forsake his destiny. What he presents to Jesus is a logical and simple argument, a promise of a normal, long-lived life filled with love, children and, most appealing, normalcy. It’s a fantastic, life-affirming sequence and, unfortunately, one that drove the Christian purists absolutely nuts.
Filmotomy Podcast Episode 20: The Martin Scorsese Epic
There’s little silence in this 3 hour Martin Scorsese epic podcast. But hang in there, it’ll be worth it. Yes, we’re talkin’ to you. Coinciding…
Scorsese and the Oscars: Furthering Film Education With Promising Period Pieces (1993 – 2002)
Martin Scorsese’s next motion picture proved he had enough, setting out to make a costume drama, an adaptation, real Oscar-bait — I’m joking of course….