Posted in Festival Review

LFF Review: David Byrne’s American Utopia (Spike Lee)

I had a few thoughts after the first song of American Utopia finished. The first was a sort of awe at Spike Lee’s direction, which…

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Shadow Country
Posted in Festival Review

LFF Review: Shadow Country / Krajina ve stínu (Bohdan Sláma)

The harrowing, unimaginable consequences of war might well be a sub-genre of its own. Personal trauma, physical injuries, a life-long toll. While fuzzing helicopter propellers…

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Druk
Posted in Festival Review

LFF Review: Another Round / Druk (Thomas Vinterberg)

Mads Mikkelsen and Thomas Vinterberg seem made for each other. Building from the dizzyingly visceral realism of his early masterpiece Festen (1998), Vinterberg has always…

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Relic
Posted in Festival Horror Review

LFF Review: Relic (Natalie Erika James)

In 2018, at our very own Femme Filmmakers Festival, a spooky film of just 9 minutes captured chilling themes of aging isolation and childhood relics….

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Bloody Nose
Posted in Festival Review

LFF Review: Bloody Nose, Empty Pockets (Bill Ross IV, Turner Ross)

It is often said that hanging out with drunk people is unbearable when you’re sober. Drunkenness is  a different state of being: it permits things…

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Eyimofe
Posted in Festival Review

LFF Review: This Is My Desire [Eyimofe] (Arie Esiri, Chuko Esiri)

Arie and Chuko Esiri‘s first feature is a uniquely elegant one. It signals the start, I hope, of two brilliant careers. Indeed, the sheer artfulness…

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Posted in Festival Review

LFF Review: Honeymood (Talya Lavie)

Sometimes there’s nothing like a guitar strumming to set the scene and envisage a sense of humour. Talya Lavie‘s Israeli film, Honeymood, has enough organic…

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Herself
Posted in Festival Review

LFF Review: Herself (Phyllida Lloyd)

Herself is a tale of the highs and lows in the life of Dublin based mother Sandra, who is a domestic abuse victim who finds…

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180 Degree Rule
Posted in Festival Review

LFF Review: 180 Degree Rule (Farnoosh Samadi)

Farnoosh Samadi’s feature debut is a chilling, quietly brutal drama that examines the real-life tensions caused by patriarchal society. Set in and around Tehran, Iran’s…

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The Disciple
Posted in Festival Review

LFF Review: The Disciple (Chaitanya Tamhane)

Indian filmmaker Chaitanya Tamhane‘s second feature to return to the London Film Festival, The Disciple, opens with a classical vocal chorus inter-cutting between two men…

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Benjamin Ree’s The Painter and the Thief
Posted in Festival Review

LFF Review: The Painter and the Thief – A Strange But Touching Tribute to a Singular Friendship

Many great film titles dilute their characters into basic descriptors: Stalker, The Graduate, Bicycle Thieves, The Passenger. All these examples attempt to define human lives…

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Posted in Festival Review

LFF Review: Mogul Mowgli (Bassam Tariq)

In Bassam Tariq‘s first fiction feature film, Mogul Mowgli, his central character comes alive during his rap battles with other like-minded, energised young men. In…

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Posted in Festival Review

LFF Review: Calm With Horses

Set deep in the heart of rural Ireland, Douglas ‘Arm’ Armstrong (Cosmo Jarvis) is a lapdog and personal nose-buster for The Devers, a notorious drug-dealing…

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Posted in Festival Review

LFF Review Round-Up as we say Goodbye for Another Year

The Deathless Woman Crimes buried in the shallow graves of the recent past rise to the surface of the poisoned earth, carrying with them the…

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