Posted in Director

Casino: Same Old Song & Dance?

In the hands of almost any other filmmaker, Casino would be a considered a watermark in that person’s career. Critics and film nuts (such as the…

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Posted in Director History

Saving Our Cinema Legacy – Martin Scorsese, Steward of Film Preservation

Every film-lover owes Martin Scorsese much gratitude for his magnificent personal filmography, but for his dedicated efforts to preserving the work of others, worldwide, for future audiences to experience? We owe him everything.

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Posted in Director

A Perception of Color in Martin Scorsese's The Aviator

The 2004’s The Aviator, Martin Scorsese wanted to imitate the color techniques from his memories watching the films of the era as a child. You…

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Posted in Director

The Angel of Death: Revisiting Martin Scorsese’s Bringing Out The Dead

There’s always been something about the loner that Martin Scorsese keeps returning to throughout his work; the individual who is on the fringes of the…

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Posted in Director

The Last Temptation of Christ: Marty Tests the Faithful

As Jesus hangs from the cross in agony, fulfilling his duty, a child appears to temporarily remove his spirit and guide him through “what could be”, should he decide to forsake his destiny. What he presents to Jesus is a logical and simple argument, a promise of a normal, long-lived life filled with love, children and, most appealing, normalcy. It’s a fantastic, life-affirming sequence and, unfortunately, one that drove the Christian purists absolutely nuts.

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Posted in Director Podcast

Filmotomy Podcast Episode 20: The Martin Scorsese Epic

There’s little silence in this 3 hour Martin Scorsese epic podcast. But hang in there, it’ll be worth it. Yes, we’re talkin’ to you. Coinciding…

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Posted in Director Oscars

Scorsese and the Oscars: So Many People Have Been Wishing This For Me (2004 – 2016)

Following the complete shutout for The Gangs of New York two years prior there may have been a touch of Academy guilt attached to the potential…

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Posted in Director Oscars

Scorsese and the Oscars: Furthering Film Education With Promising Period Pieces (1993 – 2002)

Martin Scorsese’s next motion picture proved he had enough, setting out to make a costume drama, an adaptation, real Oscar-bait — I’m joking of course….

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Posted in Director Oscars

Scorsese and the Oscars: Actors' Wins, For and Against (1973 – 1991)

Heading into the 1973 Oscars, up-and-coming actor Robert De Niro was hotly fancied for a Best Supporting Actor nomination. And he had two very good…

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Posted in Director Masterpiece

Masterpiece Memo: Raging Bull

When the opening credits begin in Raging Bull and we see a distant, hooded figure in the smoke-filled ring in warm-up sparring mode – presented in cosmic slow motion and set to the celestial “Intermezzo” from Cavalleria rusticana and the pop of flashbulbs – we sense that we are entering untrod territory.

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Posted in Director Review

Marty’s Overambitious Disaster: Why Did New York, New York Flop?

It was a struggle trying to track down a copy of Martin Scorsese’s New York, New York, I couldn’t find it on Amazon Prime, or ITunes…

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Posted in Director Review

Goodfellas: Martin Scorsese's Magnum Opus

It is hard to know where to begin when talking about Goodfellas, Martin Scorsese’s magnum opus. It is a crime saga that demonstrates the themes…

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Posted in Director Masterpiece

Masterpiece Memo: The Age of Innocence

Whenever asked about my favorite Martin Scorsese film, I typically went with the usual, more generally acceptable suspects across Scorsese film geeks. Movies like Goodfellas…

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Posted in Director

Alice in Wanderland: Why Alice Doesn’t Live Here Anymore is More Than Just a “Woman’s Picture.”

Despite having an impressive filmography Alice Doesn’t Live Here Anymore (1974) remains Martin Scorsese’s first and only film starring a female protagonist, but regardless of the gender…

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