180 Degree Rule
Posted in Festival Review

LFF Review: 180 Degree Rule (Farnoosh Samadi)

Farnoosh Samadi’s feature debut is a chilling, quietly brutal drama that examines the real-life tensions caused by patriarchal society. Set in and around Tehran, Iran’s…

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The Disciple
Posted in Festival Review

LFF Review: The Disciple (Chaitanya Tamhane)

Indian filmmaker Chaitanya Tamhane‘s second feature to return to the London Film Festival, The Disciple, opens with a classical vocal chorus inter-cutting between two men…

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Benjamin Ree’s The Painter and the Thief
Posted in Festival Review

LFF Review: The Painter and the Thief – A Strange But Touching Tribute to a Singular Friendship

Many great film titles dilute their characters into basic descriptors: Stalker, The Graduate, Bicycle Thieves, The Passenger. All these examples attempt to define human lives…

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Posted in Festival Review

LFF Review: Mogul Mowgli (Bassam Tariq)

In Bassam Tariq‘s first fiction feature film, Mogul Mowgli, his central character comes alive during his rap battles with other like-minded, energised young men. In…

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Possessor
Posted in Review

Film Review: Possessor (2020)

As the son of legendary director David Cronenberg, Brandon Cronenberg had big shoes to fill and after a smaller feature directorial debut, looks to have…

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Monsoon
Posted in Review

Film Review: Monsoon (2020)

Some motion picture experiences work so well as contemplative, moving stories, that in an instant you forget cravings you may have for the action blockbuster…

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The Reason I Jump
Posted in Review

VIFF 2020 Review: The Reason I Jump (2020)

Why do humans tell stories? This is a question that has been asked and explored throughout the history of humanity with no one answer perfectly…

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The Swerve
Posted in Review

Review: The Swerve (2020)

The latest round of film festival entries seem to often focus on a reoccurring theme of women struggling with mental illness. Perhaps it is a…

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Posted in Review

Film Review: Kill It and Leave This Town (2020)

Despite the medium of animation often being casted aside as a lesser form of storytelling meant for children, every year there are a select number…

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David Copperfield
Posted in Review

The Personal History of David Copperfield (2019) Review

I am of the opinion that if we’re going to get yet another adaptation from the literary canon, let’s at least do something interesting with…

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Ghazaal
Posted in Review Short

FemmeFilmFest20 Review: Ghazaal (Ragini Bhasin)

The story of a young girl in a refugee camp struggling with her period, Ghazaal offers a powerful depiction of the lack of basic dignity…

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Posted in Review Women

FemmeFilmFest20 Review: Daisies (Věra Chytilová)

Film history classes may pound the French New Wave into the heads of cinema students everywhere, but not much is said about the Czech New…

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The Assistant
Posted in Festival Review Women

FemmeFilmFest20 Review: The Assistant (Kitty Green)

In Kitty Green’s The Assistant, the slow simmer of impending doom permeates the film. Its 87 minute runtime still manages to pack a whole lot of…

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Water Lilies
Posted in LGBT Review

FemmeFilmFest20 Review: Water Lilies (Céline Sciamma)

The low rumble of an audience is accompanied by the crash of water, where a young woman is painstakingly poised, unreachable. Her young admirer waits…

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