Tag: Review
LFF Review: 180 Degree Rule (Farnoosh Samadi)
Farnoosh Samadi’s feature debut is a chilling, quietly brutal drama that examines the real-life tensions caused by patriarchal society. Set in and around Tehran, Iran’s…
LFF Review: The Disciple (Chaitanya Tamhane)
Indian filmmaker Chaitanya Tamhane‘s second feature to return to the London Film Festival, The Disciple, opens with a classical vocal chorus inter-cutting between two men…
LFF Review: The Painter and the Thief – A Strange But Touching Tribute to a Singular Friendship
Many great film titles dilute their characters into basic descriptors: Stalker, The Graduate, Bicycle Thieves, The Passenger. All these examples attempt to define human lives…
LFF Review: Mogul Mowgli (Bassam Tariq)
In Bassam Tariq‘s first fiction feature film, Mogul Mowgli, his central character comes alive during his rap battles with other like-minded, energised young men. In…
Film Review: Possessor (2020)
As the son of legendary director David Cronenberg, Brandon Cronenberg had big shoes to fill and after a smaller feature directorial debut, looks to have…
Film Review: Monsoon (2020)
Some motion picture experiences work so well as contemplative, moving stories, that in an instant you forget cravings you may have for the action blockbuster…
VIFF 2020 Review: The Reason I Jump (2020)
Why do humans tell stories? This is a question that has been asked and explored throughout the history of humanity with no one answer perfectly…
Review: The Swerve (2020)
The latest round of film festival entries seem to often focus on a reoccurring theme of women struggling with mental illness. Perhaps it is a…
Film Review: Kill It and Leave This Town (2020)
Despite the medium of animation often being casted aside as a lesser form of storytelling meant for children, every year there are a select number…
The Personal History of David Copperfield (2019) Review
I am of the opinion that if we’re going to get yet another adaptation from the literary canon, let’s at least do something interesting with…
FemmeFilmFest20 Review: Ghazaal (Ragini Bhasin)
The story of a young girl in a refugee camp struggling with her period, Ghazaal offers a powerful depiction of the lack of basic dignity…
FemmeFilmFest20 Review: Daisies (Věra Chytilová)
Film history classes may pound the French New Wave into the heads of cinema students everywhere, but not much is said about the Czech New…
FemmeFilmFest20 Review: The Assistant (Kitty Green)
In Kitty Green’s The Assistant, the slow simmer of impending doom permeates the film. Its 87 minute runtime still manages to pack a whole lot of…
FemmeFilmFest20 Review: Water Lilies (Céline Sciamma)
The low rumble of an audience is accompanied by the crash of water, where a young woman is painstakingly poised, unreachable. Her young admirer waits…