The Power of the Dog Named Best Picture by Utah Film Critics Associationa

Jane Campion’s The Power of the Dog has been named Best Picture by the Utah Film Critics Association. The film also picked up Best Director for Campion, Best Supporting Actor for Kodi Smit-McPhee, and Best Score for Jonny Greenwood. Elsewhere, Flee took out both Best Non-English Language Film and Best Animated Film, while Tony Leung received the Vice/Martin Award for outstanding performance in a science fiction, horror or fantasy film for Shang-Chi and the Legend of the Ten Rings.

Full list of winners and runners-up below.

Best Picture
The Power of the Dog
Runner-up: CODA

Best Director
Jane Campion – The Power of the Dog
Runner-up: Steven Spielberg – West Side Story

Best Actor
Nicolas Cage – Pig
Runners-up: Andrew Garfield – tick, tick… BOOM!

Best Actress
Emilia Jones – CODA
Runner-up: Olivia Colman – The Lost Daughter

Best Supporting Actor
Kodi Smit-McPhee – The Power of the Dog
Runner-up: Troy Kotsur – CODA

Best Supporting Actress
Ann Dowd – Mass
Runner-up: Ariana DeBose – West Side Story

Best Original Screenplay
Michael Rianda & Jeff Rowe – The Mitchells vs. the Machines
Runner-up: Fran Kranz – Mass

Best Adapted Screenplay
Siân Heder – CODA
Runner-up: Maggie Gyllenhaal – The Lost Daughter

Best Cinematography
Andrew Droz Palermo – The Green Knight
Runner-up: Bruno Delbonnel – The Tragedy of Macbeth

Best Score
Jonny Greenwood – The Power of the Dog
Runner-up: Bo Burnham – Bo Burnham: Inside

Best Editing
West Side Story
Runners-up (tie): tick, tick… BOOM!, The Tragedy of Macbeth

Best Documentary
The First Wave
Runner-up: Flee

Best Animated Film
Flee
Runner-up: The Mitchells vs. the Machines

Best Non-English Language Film
Flee
Runner-up: A Hero

Vice/Martin Award (for outstanding performance in a science fiction, horror or fantasy film)
Tony Leung – Shang-Chi and the Legend of the Ten Rings
Runner-up: Dev Patel – The Green Knight


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.