The Trial of the Chicago 7 Named Best Picture by Hawaii Film Critics Society

Aaron Sorkin’s The Trial of the Chicago 7 has been named Best Picture by the Hawaii Film Critics Society. Elsewhere, Christopher Nolan’s Tenet picked up four awards including Best Sci-Fi Film, while Darius Marder’s Sound of Metal took home three awards including Best Supporting Actress for Olivia Cooke and Best Supporting Actor for Paul Raci. Full list of winners below.

BEST PICTURE:
The Trial of the Chicago 7

BEST DIRECTOR:
Spike Lee, Da 5 Bloods

BEST ACTOR:
Delroy Lindo, Da 5 Bloods

BEST ACTRESS:
Frances McDormand, Nomadland

BEST SUPPORTING ACTOR:
Paul Raci, Sound of Metal

BEST SUPPORTING ACTRESS:
Olivia Cooke, Sound of Metal

BEST ORIGINAL SCREENPLAY:
Aaron Sorkin, The Trial of the Chicago 7

BEST ADAPTED SCREENPLAY:
Chloe Zhao (from the book by Jessica Bruder), Nomadland

BEST ART DIRECTION:
Chris Craine and Dan Webster, Mank

BEST COSTUME DESIGN:
Ann Roth, Ma Rainey’s Black Bottom

BEST CINEMATOGRAPHY:
Hoyte Van Hoytema, Tenet

BEST EDITING:
Alan Baumgarten, The Trial of the Chicago 7

BEST ANIMATED FILM:
Lupin III: The First, dir. Takashi Yamazaki

BEST DOCUMENTARY:
Beastie Boys Story, dir. Spike Jonze

BEST MAKE-UP:
Mank

BEST SOUND:
Sound of Metal

BEST ORIGINAL SCORE:
Trent Reznor and Atticus Ross, Mank

BEST SONG:
“Speak Now,” One Night in Miami…

BEST VISUAL EFFECTS:
Tenet

BEST STUNT WORK:
Tenet

BEST NEW FILMMAKER:
Regina King, One Night in Miami…

BEST FIRST FILM:
Florian Zeller, The Father

BEST OVERLOOKED FILM:
Possessor, dir. Brandon Cronenberg

BEST VOCAL/MOTION CAPTURE PERFORMANCE:
Jamie Foxx, Soul

BEST HORROR FILM:
Relic, dir. Natalie Erika James

BEST COMIC BOOK MOVIE:
Bloodshot, dir. Dave Wilson

BEST SCI-FI FILM:
Tenet, dir. Christopher Nolan

BEST FOREIGN LANGUAGE FILM:
The Life Ahead, dir. Edoardo Ponti (Italy)

BEST HAWAIIAN FILM:
Waikiki, dir. Christopher Kahunahana (Oahu)

WORST FILM OF 2020:
Wonder Woman 1984


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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