The Zone of Interest Named Best Picture by Los Angeles Film Critics Association

Jonathan Glazer’s The Zone of Interest has been named Best Picture by the Los Angeles Film Critics Association. The film also picked up wins for Besr Director and Best Music/Score.

Full list of winners and runners-up below.

Best Picture

THE ZONE OF INTEREST
Runner-up: OPPENHEIMER

Best Film Not In The English Language

ANATOMY OF A FALL
Runner-up: TOTEM

Best Director

Jonathan Glazer – THE ZONE OF INTEREST
Runner-up: Yorgos Lanthimos – POOR THINGS

Best Lead Performance

Sandra Hüller, ANATOMY OF A FALL and THE ZONE OF INTEREST and Emma Stone, POOR THINGS
Runners-up: Andrew Scott, ALL OF US STRANGERS, and Jeffrey Wright, AMERICAN FICTION

Best Supporting Performer

Rachel McAdams, ARE YOU THERE GOD? IT’S ME, MARGARET., and Da’Vine Joy Randolph, THE HOLDOVERS
Runners-up: Lily Gladstone, KILLERS OF THE FLOWER MOON, and Ryan Gosling, BARBIE

Best Screenplay

Andrew Haigh for ALL OF US STRANGERS
Runner-up: Samy Burch for MAY DECEMBER

Best Documentary/Nonfiction Film

MENUS-PLAISIRS — LES TROISGROS
Runner-up: THE ETERNAL MEMORY

Best Animation

THE BOY AND THE HERON
Runner-up: ROBOT DREAMS

Best Cinematography

Robbie Ryan, POOR THINGS
Runner-up: Rodrigo Prieto, KILLERS OF THE FLOWER MOON and BARBIE

Best Editing

Laurent Sénéchal, ANATOMY OF A FALL
Runner-up: Jonathan Alberts, ALL OF US STRANGERS

Best Music/Score

Mica Levi, THE ZONE OF INTEREST, with special recognition of the contribution of sound designer Johnnie Burn
Runner-up: Mark Ronson and Andrew Wyatt, BARBIE

Best Production Design

Sarah Greenwood, BARBIE
Runner-up: Shona Heath and James Price, POOR THINGS

New Generation

Celine Song – Past Lives

Douglas Edwards Experimental Film Prize

Wang Bing’s YOUTH (SPRING)


Discover more from Filmotomy

Subscribe to get the latest posts sent to your email.

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.