82nd Golden Globe Awards Predictions

As great and long overdue as it was to see the Hollywood Foreign Press Association finally disband in 2023, there is a twinge of sadness we can no longer really call the Golden Globe Awards the “drunk uncle” of awards season.

With its diverse group of more than 300 voters, the Globes are attempting to mend their ways. That means it’s (mostly) an end to bizarre nominations and trophies going to the most famous person in the category or whichever studio threw enough money at the HFPA.

Given we’re only three ceremonies into this bold new Globes frontier, it does make predicting the winners a little difficult. The membership is still comprised of a majority of non-US voters and their tastes could be completely different to the precursor season so far. Or they could be looking to predict the Oscars and we see the same winners we’ve had for the last month or so.

We’ll soon know if the Globes play it safe this year and follow the lead of the critics awards or go their own wacky with a stack of shockers that will send Film Twitter into a meltdown. Alas, here are my predictions for the 82nd Golden Globe Awards.

BEST MOTION PICTURE – DRAMA
The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Nickel Boys

September 5

Will win: The Brutalist
Should win: The Brutalist
Possible shocker: Nickel Boys

This one is likely coming down to a battle between The Brutalist and Conclave. Both have seen their fair share of success with the critics awards thus far, but the former feels like the more “esteemed” choice and something journalists will go for. That being said, Nickel Boys has picked up a lot of steam lately, so it could be a late-breaking surprise win here.

BEST ACTOR – DRAMA
Adrian Brody – The Brutalist

Timothée Chalamet – A Complete Unknown

Daniel Craig – Queer

Colman Domingo – Sing Sing

Ralph Fiennes – Conclave

Sebastian Stan – The Apprentice

Will win: Adrien Brody
Should win: Ralph Fiennes
Possible shocker: Sebastian Stan

If The Brutalist is picking up Best Motion Picture – Drama, you’d think Brody would collect this prize too. But the Globes do often love to spread the wealth and we know journalists adore Chalamet. It’s a coin-flip category but I think Brody has the edge. If Brody and Chalamet split the votes, we could see a win for Fiennes or Stan.

BEST ACTRESS – DRAMA
Pamela Anderson – The Last Showgirl

Angelina Jolie – Maria

Nicole Kidman – Babygirl

Tilda Swinton – The Room Next Door

Fernanda Torres – I’m Still Here

Kate Winslet – Lee

Will win: Angelina Jolie
Should win: Nicole Kidman
Possible shocker: Fernanda Torres

With most of her serious Oscar competitors in the Musical/Comedy category, this one should be a cakewalk for Jolie. But that recent BAFTA snub does give pause to the possibility she’s not as strong as we once thought. If that’s the case, we could see a Kidman win or a massive upset for Torres, which would be a huge boost for her lagging Oscar campaign.

BEST MOTION PICTURE – MUSICAL/COMEDY
Anora

Challengers

Emilia Pérez

A Real Pain

The Substance

Wicked

Will win: Anora
Should win: The Substance
Possible shocker: Wicked

With ten nominations overall, it’s easy to see why most would be predicting Emilia Pérez here. But I can’t shake the feeling voters will be happy to just give it Best Motion Picture – Non-English Language and honour Anora here instead. If there is vote splitting, something like The Substance or Wicked could sail past both of them.

BEST ACTOR – MUSICAL/COMEDY
Jesse Eisenberg – A Real Pain

Hugh Grant – Heretic

Gabriel LaBelle – Saturday Night

Jesse Plemons – Kinds of Kindness

Glenn Powell – Hit Man

Sebastian Stan – A Different Man

Will win: Hugh Grant
Should win: Sebastian Stan
Possible shocker: Glenn Powell

A decidedly strange category in that five of these six men aren’t really in strong contention for an Oscar nom. Back in the day, you’d likely see Powell take this one, given the HFPA loved to honour hot young actors. Maybe it’s going to Stan as a way to honour both his nominations this year. Eisenberg could happen. But Grant has picked up a lot of strength in recent weeks and could be looking at nabbing his first Oscar nom. Plus we know he’ll give a wicked speech…if he bothers to show up.

BEST ACTRESS – MUSICAL/COMEDY
Amy Adams – Nightbitch

Cynthia Erivo – Wicked

Karla Sofía Gascón – Emilia Pérez

Mikey Madison – Anora

Demi Moore – The Substance

Zendaya – Challengers

Will win: Mikey Madison
Should win: Demi Moore
Possible shocker: Cynthia Erivo

On the flip side of the male Musical/Comedy category, we have six females who are all vying to make the Academy’s final five. This one is coming down to a tough battle between Madison and Moore. Will they go for the young ingenue and her breakthrough performance or the beloved veteran mounting an epic comeback? I’ll stick with Madison but it’s the category I’m least confident of.

BEST SUPPORTING ACTOR
Yura Borisov – Anora

Kieran Culkin – A Real Pain

Edward Norton – A Complete Unknown

Guy Pearce – The Brutalist

Jeremy Strong – The Apprentice

Denzel Washington – Gladiator II

Will win: Kieran Culkin
Should win: Yura Borisov
Possible shocker: Guy Pearce

Culkin hasn’t missed a beat all season thus far and this will be the start of his clean sweep of the televised awards. Can I foresee an upset from any of the other five? Nope.

BEST SUPPORTING ACTRESS
Selena Gomez – Emilia Pérez

Ariana Grande – Wicked

Felicity Jones – The Brutalist

Margaret Qualley – The Substance

Isabella Rossellini – Conclave

Zoe Saldaña – Emilia Pérez

Will win: Zoe Saldaña
Should win: Ariana Grande
Possible shocker: Margaret Qualley

Two acclaimed (and somewhat co-lead) supporting musical performances face off here. In the HFPA days gone by, Grande would have the edge as the bigger star. And she definitely could still win. It would be a moment that gets the Globes some viral online attention. But it’s hard to ignore the overall Globes love for Emilia Pérez and that bodes well for Saldaña.

BEST DIRECTOR
Jacques Audiard – Emilia Pérez

Sean Baker – Anora

Edward Berger – Conclave

Brady Corbet – The Brutalist

Coralie Fargeat – The Substance

Payal Kapadia – All We Imagine as Light

Will win: Brady Corbet
Should win: Brady Corbet
Possible shocker: Coralie Fargeat

Given the sheer scope and ambition of his film, Corbet should take this one easily. But if the Globes voters are looking to make headlines, don’t be surprised to see Fargeat or even Kapadia snatch it away.

BEST SCREENPLAY
Jacques Audiard – Emilia Pérez

Sean Baker – Anora

Brady Corbet, Mona Fastvold – The Brutalist

Jesse Eisenberg – A Real Pain

Coralie Fargeat – The Substance

Peter Straughan – Conclave

Will win: Anora
Should win: Conclave
Possible shocker: Emilia Pérez

Baker shouldn’t be too troubled here, but Straughan has seen plenty of success with the critics thus far, so it could be closer than it appears. Again, if they want to grab media attention, Fargeat could nab this one.

BEST SCORE
Volker Bertelmann – Conclave

Daniel Blumberg – The Brutalist

Kris Bowers – The Wild Robot

Clément Ducol and Camille – Emilia Pérez

Trent Reznor and Atticus Ross – Challengers

Han Zimmer – Dune: Part Two

Will win: The Brutalist
Should win: Conclave
Possible shocker: Challengers

It’s difficult to know which way this one is going. With Dune: Part Two ineligible with the Academy, Conclave is the presumed frontrunner for the Oscars. But perhaps Globes voters will feel sorry for Zimmer and give him this trophy as a consolation prize. I could see a surprise Challengers win, but The Brutalist feels like it’s going to have a good night and this will be part of its haul.

BEST ORIGINAL SONG
“Beautiful That Way” – The Last Showgirl

“Compressed/Repress” – Challengers

“El Mal” – Emilia Pérez

“Forbidden Road” – Better Man

“Kiss the Sky” – The Wild Robot

“Mi Camino” – Emilia Pérez

Will win: “El Mal”
Should win: “Compress/Repress”
Possible shocker: “Forbidden Road”

Given its 10 nominations, you’d have to presume one of the Emilia Pérez songs is winning this with popular opinion presuming the preferred track is “El Mal.” But perhaps the two songs split the vote and something else sneaks through. While the U.S. seemingly has little idea who Robbie Williams is, the mostly foreign Globes voters certainly know him and that could bode well for “Forbidden Road.”

BEST MOTION PICTURE – ANIMATED
Flow

Inside Out 2

Memoir of a Snail

Moana 2

Wallace & Gromit: Vengeance Most Fowl

The Wild Robot

Will win: The Wild Robot
Should win: Flow
Possible shocker: Wallace & Gromit: Vengeance Most Fowl

As much love as there is out there for Flow, it’s hard to see The Wild Robot losing this.

BEST MOTION PICTURE – FOREIGN LANGUAGE
All We Imagine As Light (India)

Emilia Pérez (France)

The Girl With the Needle (Denmark)

I’m Still Here (Brazil)

The Seed of the Sacred Fig (Germany)

Vermiglio (Italy)

Will win: Emilia Pérez
Should win: All We Imagine As Light
Possible shocker: I’m Still Here

It would be the biggest upset of the night to see Emilia Pérez miss this one. One of the few absolute locks.

CINEMATIC AND BOX OFFICE ACHIEVEMENT

Alien: Romulus

Beetlejuice Beetlejuice

Deadpool & Wolverine

Gladiator II

Inside Out 2

Twisters

Wicked

The Wild Robot

Will win: Wicked
Should win: Inside Out 2
Possible shocker: Deadpool & Wolverine

I’m still completely unclear on the voting criteria for this category. The Globes website says it’s voted on “based on excellence,” which is as ambiguous as you can get. If it’s purely the biggest box office earned, that would mean Inside Out 2 takes it. But they will likely want to honour Wicked with something this year and this category feels like the place to do so.

The 82nd Golden Globe Awards will air on January 5 at 5pm PT/8pm ET on CBS.


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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