American Fiction Named Best Film by African American Film Critics Association

Cord Jefferson’s American Fiction has been named Best Film by the African American Film Critics Association. The film also picked up wins for Best Comedy and Best Screenplay, while Jefferson took home Emerging Filmmaker. Elsewhere, Ava Duvernay’s Origin was named Best Drama and Blitz Bazawule’s The Color Purple scored Best Musical.

“It’s become a tradition to announce our winners on MLK Day,” stated AAFCA president and co-founder Gil Robertson. “And what a great year for cinema showcasing the vibrant tapestry of Black storytelling, where diversity is not a trend, but an imperative. This year’s winners have inspired, challenged, and moved us and we are delighted to celebrate them and their cultural impact.”

Full list of winners below.

AAFCA’S TOP 10 FILMS OF THE YEAR

  1. American Fiction
  2. Origin
  3. The Color Purple
  4. Oppenheimer
  5. Past Lives
  6. Spider-Man: Across the Spider-Verse
  7. Poor Things
  8. Anatomy of a Fall
  9. Killers of the Flower Moon
  10. Barbie

 
WINNERS | 15TH ANNUAL AAFCA AWARDS
Best Drama: Origin
Best Comedy: American Fiction
Best Musical: The Color Purple
Best Director: Ava DuVernay (Origin)
Best Screenplay: American Fiction
Best Actor: Colman Domingo (Rustin)
Best Actress: Aunjanue Ellis-Taylor (Origin)
Best Supporting Actor: Sterling K. Brown (American Fiction)
Best Supporting Actress: *TIE* Da’Vine Joy Randolph (The Holdovers), Danielle Brooks (The Color Purple)
Best Ensemble: The Color Purple
Breakout Performance: Lily Gladstone (Killers of the Flower Moon)
Emerging Filmmaker: Cord Jefferson (American Fiction)
Best Independent Feature: A Thousand and One
Best Animated Feature: Spider-Man: Across the Spider-Verse
Best Documentary: Stamped From The Beginning
Best Music: The Color Purple
Best International Film: Io Capitano
Best Short Film: The After

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.