Best Production Design Oscars Predictions (December)

Nothing much to report this month in the battle for Best Production Design. Barbie continues to dominate with the critics groups who award a prize in this category, but that doesn’t really mean too much for the Oscar race. It feels like this will be a close two-horse race between Barbie and Poor Things and it’s still hard to know which way the wind is blowing.

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BEST PRODUCTION DESIGN PREDICTIONS:
1. Poor Things (Searchlight Pictures) – CCA
Shona Heath, James Price (production designer), Zsuzsa Mihalek (set decorator)
2. Barbie (Warner Bros.) – CCA
Sarah Greenwood (production designer), Katie Spencer (set decorator)
3. Oppenheimer (Universal Pictures) – CCA
Ruth De Jong (production designer), Claire Kaufman (set decorator)
4. Killers of the Flower Moon (Paramount Pictures / Apple Original Films) – CCA
Jack Fisk (production designer), Adam Willis (set decorator)
5. Napoleon (Apple Original Films/Sony Pictures)
Arthur Max (production designer), Celia Bobak (set decorator)

IN CONTENTION
Asteroid City (Focus Features) – CCA
Adam Stockhausen (production designer)
Beau Is Afraid (A24)
Fiona Crombie (production designer), Laurent Déry-Lauzier (set decorator
The Color Purple (Warner Bros.)
Paul D. Austerberry (production designer), Larry Dias (set decorator)
Ferrari (NEON)
Maria Djurkovic (production designer), Sophie Phillips (set decorator)
Maestro (Netflix)
Kevin Thompson (production designer), Rena DeAngelo (set decorator)
Priscilla (A24)
Tamara Deverell (production designer), Patricia Cuccia (set decorator)
Saltburn (Amazon MGM Studios) – CCA
Suzie Davies (production designer), Charlotte Dirickx (set decorator)
Wonka (Warner Bros.)
Nathan Crowley (production designer), Lee Sandales (set decorator)
The Zone of Interest (A24)
Chris Oddy (production designer), Joanna Kus, Katarzyna Sikora (set decorators)


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.