There was a feeling Diane Kruger and Melanie Laurent (Inglourious Basterds) would not make the cut, in spite of the former’s SAG nod. And Marion Cotillard was cancelled out by her Nine co-star Penelope Cruz it seemed. Also doing well in the awards season, Samantha Morton (The Messenger) was being called in some circles for an Oscar nod, but most would agree Julianne Moore‘s absence for A Single Man was more notable. The impact of Jeff Bridges‘ push campaigning for the Best Actor award may have brought some heavier attention to the movie Crazy Heart (also nominated for, and winning, Best Song), which may have given Gyllenhaal some traction in regards to her eventual nomination. This is not necessarily exactly how it went down per se, but that is how I felt at the time. Those that believe Colin Firth should have won Best Actor for A Single Man rather than Bridges can perhaps appreciate the love for the latter perhaps contributed to Gyllenhaal bumping Moore out at the last minute.
easing buzz that dragged them along for the ride? Who do you think was driving that buzz? Jennifer Lawrence. Sure, David O Russell played his part, and maybe he knew exactly what he was doing casting Lawrence (or mis-casting as some put it) in American Hustle, because low and behold, Christian Bale, Amy Adams, and Bradley Cooper (that’s two now for him) all get nominated for Oscars. For the record, I think Lawrence was the best thing in both those movies.
Who is carrying Inherent Vice? I know why, but why is this not getting the awards coverage it might warrant? Having been nominated for Paul Thomas Anderson’s The Master, even after attempting to repel the Hollywood awards system, I thought Joaquin Phoenix was leading the line for Inherent Vice. It then looked more like Josh Brolin was the main contender in that ensemble, but even he is now struggling to maintain a stay in that predicted Supporting Actor five. The movie’s coverage as a movie lacking credible awards coverage may actually work in its favor. Let’s not, then, rule out Katherine Waterston as a Supporting Actress nominee. You never know.
So with J.K. Simmons looking to have Supporting Actor all sewn up for Whiplash, and Julianne Moore not too far off with Still Alice, what of their young co-stars? Miles Teller, as far as I have seen or read, is outstanding in Whiplash, and in keeping with his character he seems to be able to keep up to some extent with Simmons on the acting front. Then there is Kristen Stewart who, as well as Still Alice, has broke free from the Twilight persona and now taking on juicier adult roles. Can J.K. and Julianne use their excellence to get them into party?
Foxcatcher’s Steve Carell was once upon a time was winning Best Actor at the Oscars. That was it, done deal. Feathers started ruffling about Channing Tatum, really showing his acting muscles, and people were like “Oh yeah.” And then the cries of “What about Mark Ruffalo? He was great too.” It has been a long, unknown journey for Foxcatcher, and it now looks like Ruffalo might be the only one invited. Carell’s is seemingly lost in the post, or buried under fresher, newer mail. And Tatum was bouncing between people’s notion of Lead and Support so much, was was he ever in with a shout? I’ll stick my neck out in spite of all I have just said and say Carell, now a distant outsider, is getting in.
Ellar Coltrane of Boyhood is just not the sort of stand-out, showy performance that has separated him from the Best Actor candidates this year. But he really ought to be. He ages and grows too as a boy, and as an actor, just as the movie does over those twelve years. Patricia Arquette and Ethan Hawke are in without a doubt, the adults, but the boy of the title is nowhere to be seen. Such a shame. Though I suspect Boyhood the movie will get the last laugh.
s, can continue to build momentum then it may still grab some serious nominations. Pike is leading the way for the movie (standing alongside Gillian Flynn surely), and whether she and Gone Girl can still appeal to the Producer’s, Director’s, and Writer’s branches is soon to be seen. Holding a firm place come Academy Award nominations might follow. Can it stretch so far beyond potential Picture and Director invitations to find a place for a Supporting Actress plus one for Carrie Coon? Wouldn’t that be nice.
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What a unique look at how this game can work!! I've never really thought of this idea before but now that you've pointed out all of these great examples, yes, I think your right. I think the buzz of one person's performance can help propel another actor's award nod.
Robin, if that happens this year, what film, and what actor/actress?
I feel like maybe that could happen with Laura Dern in Wild.
What do I think? Well, what I think does not always materialise. But here goes nothing.
As far as their big co-stars giving them a potential helping hand, whether through their appeal or the weight given to the movie, I think you have to look at Rene Russo and Tom Wilkinson are totally capable of hijacking their category. That said, Nightcrawler and Selma might come away with no acting nominations at all. Inherent Vice is a really interesting one too as it is popping up here and there and everywhere. Probably no room for Joaquin Phoenix unless he really can surprise everyone and nab that fifth slot. I would not be as surprised if Josh Brolin AND Katherine Waterston. Would take a brave pundit to call that though. I think Steve Carell is in. Sadly, I don't think Carrie Coon is. Besides she swears so much in the movie they would struggle for the nomination clip.
I'd love the Rene Russo nomination. Nightcrawler was fantastic! Wilkinson could maybe, but so far, I've mostly just heard talk for Oyelowo. Could change after it's fully in theaters.
Inherent Vice might bomb theatrically, and find it's audience after the award nominations. 🙁
That would be too bad for Carrie Coon, since she's practically the heart and soul of Gone Girl. But I agree, she swears way too much to find a great clip.
They'll edit something together for Carrie Coon. They managed it for Joe Pesci in Goodfellas somehow.:-D