Motion Picture Sound Editors’ 72nd Golden Reel Awards Winners Announced

The Motion Picture Sound Editors (MPSE) have announced the winners of the 72nd Golden Reel Awards; a celebration of outstanding achievements in the field of sound editorial.

Winners in bold below.

Outstanding Achievement in Sound Editing – Feature Dialogue / ADR

Alien: Romulus / 20th Century Studios

Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
Sound Editor: Matt “Smokey” Cloud MPSE
Supervising Dialogue Editor: Polly McKinnon
Dialogue Editors: David Butler, Ryan Cole MPSE, Jacob Riehle, Ailene Roberts MPSE

A Complete Unknown / Searchlight Pictures

Supervising Sound Editor: Donald Sylvester
Dialogue Editors: Russell Farmarco MPSE, Anna MacKenzie, Robert Troy

Deadpool & Wolverine / Marvel Studios

Supervising Sound Editor: Craig Henighan MPSE
Dialogue Editor: Emma Present

Dune: Part Two / Warner Bros. Pictures

Supervising Dialogue Editor: Martin Kwok
Dialogue Editors: Ray Beentjes, Polly McKinnon, Stefanie Ng
ADR Editor: David Bach
Crowd Editors: Alexis Feodoroff, Justin Webster

Saturday Night / Columbia Pictures

Supervising Sound Editors: David Butler, Will Files MPSE, Lee Gilmore MPSE
Dialogue Editors: Helen Lutrell, Emma Present

Wicked / Universal Pictures

Supervising Sound Editors: John Marquis, Nancy Nugent Title
Supervising Dialogue Editor: John C. Stuver
Dialogue Editor: David Bach

Outstanding Achievement in Sound Editing – Feature Effects / Foley

Alien: Romulus / 20th Century Studios

Supervising Sound Editors: Will Files MPSE, Lee Gilmore MPSE
Sound Designer: Chris Terhune
Sound Effects Editors: Luis Galdames MPSE, Dan Kenyon, Ken McGill MPSE, James Miller, Matt “Smokey” Cloud MPSE, Steve Neal MPSE
Foley Editors: Samuel Munoz, Lyndsey Schenk MPSE
Foley Artists: Jacob McNaughton, Noel Vought

Deadpool & Wolverine

Supervising Sound Editors: Ryan Cole MPSE, Craig Henighan MPSE
Sound Designers: Samson Neslund, Eric A. Norris MPSE, Addison Teague
Sound Effects Editors: Lee Gilmore MPSE, J.R. Grubbs
Foley Editors: Pete Persaud, Gina Wark
Foley Artist: Steve Baine

Dune: Part Two / Warner Bros. Pictures

Supervising Sound Editor: Richard King
Sound Designers: Dave Whitehead MPSE, Michael Babcock, Lee Gilmore MPSE, Randy Torres
Sound Effects Editors: Brent Burge, Hayden Collow, Melanie Graham, Michael Mitchell, Jeff Sawyer, Matt Stutter MPSE, Chris Terhune
Supervising Foley Editor: Chris Flick
Foley Editor: Willard Overstreet
Foley Artists: John Cucci, Dan O’Connell

Furiosa: A Mad Max Saga / Warner Bros. Pictures

Supervising Sound Editor: Robert Mackenzie
Sound Effects Editors: Tom Heuzenroeder, Tara Webb
Foley Editors: Duncan Campbell, Adrian Medhurst MPSE

Nosferatu / Focus Features

Supervising Sound Editor: Damian Volpe MPSE
Sound Designers: Michael Fentum, Damian Volpe MPSE
Sound Effects Editors: Samir Foco, Mariusz Glabinski MPSE
Foley Supervisor: Heikki Kossi MPSE
Foley Editor: Joel Raabe MPSE

September 5 / Paramount Pictures

Supervising Sound Editor: Frank Kruse
Sound Designer: Frank Kruse
Foley Supervisor: Uwe Zillner
Foley Editors: Johanna Rellinghaus, Benedikt Uebe
Foley Artist: Uwe Zillner

Outstanding Achievement in Music Editing – Feature Motion Picture

Better Man / Paramount Pictures

Supervising Music Editor: Timothy Ryan
Music Editors: Craig Beckett, Lena Glikson, Cory Milano, Liam Moses, Joe E. Rand, Chris Scallan, Emily Rogers Swanson
Vocal Editors: Noah Hubbell, Anna Muehlichen

A Complete Unknown / Searchlight Pictures

Supervising Music Editor: Ted Caplan
Music Editor: Maggie Talibart

Deadpool & Wolverine / Marvel Studios

Music Editors: Daniel DiPrima, Oliver Hug
Scoring Editor: Anele Onyekwere

Dune: Part Two / Warner Bros. Pictures

Supervising Music Editors: Clint Bennett, Ryan Rubin
Music Editor: Joe E. Rand

Emilia Pérez / Netflix

Lead Music Editor: Maxence Dussère
Music Editors: Cécile Coutelier, Matthieu Lefèvre, Aristide Rosier

Wicked / Universal Pictures

Supervising Music Editor: Catherine Wilson
Supervising Vocal Editor: Robin Baynton

Outstanding Achievement in Sound Editing –Feature International

Emilia Pérez / Netflix

Supervising Sound Editor: Aymeric Devoldère
Sound Designer: Cyril Holtz
Supervising Dialogue Editor: Hortense Bailly
Supervising ADR Editor: Carolina Santana
Foley Editor: Antoine Swertvaegher
Foley Artist: Gregory Vincent

The Girl with the Needle / Mubi

Supervising Sound Editors: Morten Pilegaard, Oskar Skriver
Sound Effects Editor: Christian Roed Dalsgaard
Foley Editor: Patrick Ghislain
Foley Artist: Julien Naudin

The Goat Life / Netflix

Supervising Sound Editors: Vijaykumar Mahadevaiah MPSE, Resul Pookutty MPSE
Sound Effects Editor: Arun Rana
Foley Editor: Vijaykumar Mahadevaiah MPSE
Foley Artists: Andriy Ryzhov, Ruslan Shebistyi, Andriy Starikovskiy, Bogdan Zavarzin

Kneecap / Sony Pictures Classics

Supervising Sound Editor: Brendan Rehill
Supervising Dialogue Editor: Louise Burton MPSE
Foley Editor: Damien Lynch
Foley Artists: Caoimhe Doyle, Emer O’Reilly

Outstanding Achievement in Sound Editing – Feature Animation

Inside Out 2 / Pixar

Supervising Sound Editor: Coya Elliott
Sound Designer: Ren Klyce
Sound Effects Editors: David C. Hughes, Jonathon Stevens
Supervising Dialogue Editor: Cheryl Nardi
Supervising Foley Editor: Dee Selby
Foley Editor: Nicholas Docter
Foley Artists: Heikki Kossi MPSE, Shelley Roden MPSE

The Lord of the Rings: The War of the Rohirrim / Warner Bros. Animation

Supervising Sound Editors: Brent Burge, Martin Kwok, Matt Stutter MPSE
Sound Designer: David Farmer MPSE
Sound Effects Editor: Hayden Collow, Alexis Feodoroff
Dialogue Editor: Dmitry Novikov MPSE
Foley Editors: Michael Donaldson, Craig Tomlinson
Foley Artist: Simon Riley

Mufasa: The Lion King / Walt Disney Pictures

Supervising Sound Editor: Onnalee Blank MPSE
Sound Designers: Harry Cohen MPSE, Paula Fairfield MPSE, Luke Gibleon MPSE, Jason W. Jennings MPSE
Sound Effects Editors: Benjamin L. Cook MPSE, Katie Halliday MPSE, Ando Johnson,
Michael Mitchell, Jessie Pariseau, Roland N. Thai MPSE
Supervising ADR Editor: Vanessa Lapato
Supervising Dialogue Editor: Katy Wood
Foley Editor: Pietu Kornhonen
Foley Artists: John Cucci MPSE, Gary Hecker MPSE, Mike Horton, Heikki Kossi MPSE, Dan O’Connell

The Wild Robot / Universal Pictures

Supervising Sound Editors: Brian Chumney, Leff Lefferts
Sound Designer: Randy Thom MPSE
Sound Effects Editors: David Farmer MPSE, David Hughes, Jamey Scott MPSE
Dialogue Editor: Rich Quinn
Foley Editors: Malcolm Fife, Dee Selby
Foley Artists: Ronni Brown, Jana Vance

Outstanding Achievement in Sound Editing – Feature Documentary

The Blue Angels / Amazon Prime

Supervising Sound Editor: Robert Stambler MPSE
Sound Effects Editor: Ryan “Sully” Sullivan
Dialogue Editor: Emma Present

Dahomey / Mubi

Supervising Sound Editor: Nicolas Becker
Sound Designer: Nicolas Becker
Sound Editor: Sylvain Malbrant
Dialogue Editor: Maxime Saleix
Foley Artist: Gilles Marsalet

Elton John: Never Too Late / Disney+

Supervising Sound Editors: Rob Getty MPSE, Richard Yawn MPSE
Sound Editor: Mike Pipgras

Music by John Williams / Disney+

Supervising Sound Editors: Christopher Barnett MPSE, Roy Waldspurger
Sound Effects Editor: Tim Farrell
Dialogue Editor: Dmitri Makarov
Music Editor: Ramiro Belgardt

Super/Man: The Christopher Reeve Story / HBO Max

Supervising Sound Editor: Greg Gettens
Sound Designer: Will Chapman
Supervising Dialogue Editor: Claire Ellis
Foley Editor: Olly Freemantle
Foley Artist: Zoe Freed

Will & Harper / Netflix

Supervising Sound Editor: Zach Seivers MPSE
Sound Effects Editor: George Pereyra, Adam Parrish King
Dialogue Editor: Jared K. Neal

Outstanding Achievement in Music Editing – Documentary

Beatles ’64 / Disney+

Music Editor: John M. Davis

Elton John: Never Too Late / Disney+

Music Editor: Michael Brake MPSE

The Greatest Night in Pop / Netflix

Music Editor: Gavin Allingham

Jim Henson Idea Man / Disney+

Supervising Music Editor: Ryan Rubin

Music by John Williams / Disney+

Supervising Music Editor: Ramiro Belgardt
Music Editors: Christopher Barnett MPSE, Roy Waldspurger

Outstanding Achievement in Sound Editing – Non-theatrical Feature

Atlas / Netflix

Supervising Sound Editor: Per Hallberg MPSE
Supervising Sound Designer: Ann Scibelli
Sound Effects Editors: Eric A. Norris MPSE, Stephen P. Robinson MPSE, Jonathan Title MPSE
Supervising ADR Editor: Daniel Irwin
Dialogue Editors: Laura Harris Atkinson, Taylor Jackson, John Stuver
Supervising Foley Editor: Willard J. Overstreet
Supervising Foley Artist: Gary Hecker MPSE
Foley Artist: Michael Horton

Beverly Hills Cop: Axel F / Netflix

Supervising Sound Editor: Chris Diebold
Sound Designers: Chris Diebold, Randy Torres
Sound Effects Editor: Phil Barrie
Supervising Dialogue Editor: Susan Dawes
Dialogue Editor: Jim Brookshire
Supervising ADR Editor: Sean Massey MPSE
Foley Editors: Chelsea Body, Jenna Dalla Riva, Kevin Jung, Colton Maddigan
Foley Artists: Sandra Fox, Steve Hammond, Goro Koyama

The Killer / Netflix

Supervising Sound Editor: Mark Stoeckinger
Sound Designers: Gael Nicolas, Alan Rankin

Música / Amazon Prime

Supervising Sound Editor: Christopher Aud
Sound Effects Editor: Mitch Osias
Supervising ADR Editor: Eliza Pollack-Chalfant Zebert
Foley Artists: Alyson Dee Moore MPSE, Christopher Moriana, Nancy Parker MPSE

Rebel Moon – Part Two: The Scargiver / Netflix

Supervising Sound Editors: Scott Hecker MPSE, Chuck Michael MPSE
Sound Effects Designers: Scott Hecker MPSE, Chuck Michael MPSE, Nick Interlandi, Bryan Jerden MPSE, Alexander Pugh MPSE, Andrew Vernon MPSE
Sound Effects Editor: Greg ten Bosch MPSE, Brad Sokol
Supervising Dialogue / ADR Editor: Jessie Anne Spence MPSE
Dialogue/ADR Editors: Michael Hertlein, Arielle McGrail, Byron Wilson
Supervising Foley Editor: Mark Pappas
Supervising Foley Artist: Gary Hecker MPSE
Foley Artists: Michael Broomberg, Mike Horton

Outstanding Achievement in Sound Editing – Non-Theatrical Documentary

Apollo 13: Survival / Netflix