Posted in Interview

Exclusive Interview with Director James Atkins

We here at Filmotomy love supporting indie filmmakers, and we were giving the exclusive opportunity to speak to film director, James Atkins, about his highly amusing…

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Posted in Masterpiece

Masterpiece: Milos Forman's One Flew Over the Cuckoo's Nest

One Flew Over the Cuckoo’s Nest opens and closes with a tranquil setting, open land at near-dark, mountains, that stirring Jack Nitzsche score – emotively…

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Posted in Director Obituary

Cinema’s Mozart: Remembering Milos Forman

“Humour was not important just for me, humour was important for this nation for centuries, to survive.” Today the world woke to some tragic news,…

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Posted in Year in Film

Magnolia: A Children's Story by Paul Thomas Anderson

“But if you refuse to let them go, behold, I will plague all your country with frogs.” – Exodus 8:2 In the third movie of…

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Posted in Review

Documentary Review – David Lynch: The Art Life

David Lynch is a larger than life film director and artist who has over the years brought us such surreal delights as Eraserhead (1977), Twin Peaks…

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Posted in Director

Casino: Same Old Song & Dance?

In the hands of almost any other filmmaker, Casino would be a considered a watermark in that person’s career. Critics and film nuts (such as the…

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Posted in Director

The Angel of Death: Revisiting Martin Scorsese’s Bringing Out The Dead

There’s always been something about the loner that Martin Scorsese keeps returning to throughout his work; the individual who is on the fringes of the…

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Posted in Director Oscars

Scorsese and the Oscars: So Many People Have Been Wishing This For Me (2004 – 2016)

Following the complete shutout for The Gangs of New York two years prior there may have been a touch of Academy guilt attached to the potential…

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Posted in Director Oscars

Scorsese and the Oscars: Actors' Wins, For and Against (1973 – 1991)

Heading into the 1973 Oscars, up-and-coming actor Robert De Niro was hotly fancied for a Best Supporting Actor nomination. And he had two very good…

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Posted in Director Masterpiece

Masterpiece Memo: Raging Bull

When the opening credits begin in Raging Bull and we see a distant, hooded figure in the smoke-filled ring in warm-up sparring mode – presented in cosmic slow motion and set to the celestial “Intermezzo” from Cavalleria rusticana and the pop of flashbulbs – we sense that we are entering untrod territory.

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Posted in Director Review

Marty’s Overambitious Disaster: Why Did New York, New York Flop?

It was a struggle trying to track down a copy of Martin Scorsese’s New York, New York, I couldn’t find it on Amazon Prime, or ITunes…

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Posted in Director Review

Goodfellas: Martin Scorsese's Magnum Opus

It is hard to know where to begin when talking about Goodfellas, Martin Scorsese’s magnum opus. It is a crime saga that demonstrates the themes…

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Posted in Director Masterpiece

Masterpiece Memo: The Age of Innocence

Whenever asked about my favorite Martin Scorsese film, I typically went with the usual, more generally acceptable suspects across Scorsese film geeks. Movies like Goodfellas…

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Posted in Director

Alice in Wanderland: Why Alice Doesn’t Live Here Anymore is More Than Just a “Woman’s Picture.”

Despite having an impressive filmography Alice Doesn’t Live Here Anymore (1974) remains Martin Scorsese’s first and only film starring a female protagonist, but regardless of the gender…

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