No Country For Old Men
Posted in Review Year in Film

Rewind – 2007 in Film: No Country for Old Men

The quiet wind is the first sound heard, and then the wide plains open before our eyes as the sun rises over the blackness of…

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Posted in Cannes Uncategorized

Festival de Cannes 72 Countdown: Fargo, 1996

We excitedly countdown to the 72nd Festival de Cannes with a different prize winning film each day. Fargo, 1996 Prix de la mise en scène…

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Posted in Review

Festival de Cannes 72 Countdown: Barton Fink, 1991

We excitedly countdown to the 72nd Festival de Cannes with a different prize winning film each day. Barton Fink, 1991 Palme d’Or – Joel Coen,…

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Posted in Oscars Screenwriting

For Your Consideration: The Ballad of Buster Scruggs for Best Adapted Screenplay

As a piece of narrative writing, Joel and Ethan Coen’s The Ballad of Buster Scruggs ranks as one of their most challenging and provocative works….

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Posted in Director

Ranked: The Films of the Coen Brothers

Total silence, two can play at that game, pal. Remember to always put one in the brain. What’s the most you ever lost on a…

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Posted in Director

O' Brother, Where Art Thou? A Coen Brothers Odyssey

I am a man of constant sorrow, I’ve seen trouble all my day I bid farewell to old Kentucky, The place where I was born…

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Posted in Director

The Coen's get Serious… Sort of – A Serious Man Review

As filmmakers the Coen Brothers have always managed to blend broad, bright comedy with the darkness of human nature. And the same is apparent here in…

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Posted in Director

Bringing Up Baby: How the Coen Brothers Delivered a Classic Comedy with Raising Arizona

Only the Coen’s could manage to make the tale of child snatching funny. There’s so many frankly hilarious moments in Raising Arizona, that the film…

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Posted in Director

Vote: Ranking The Films of Joel and Ethan Coen

At Filmotomy the next directors we are eager to cross paths with are the Coen Brothers, Ethan and Joel. The 10 Days of the Coen…

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Posted in Oscars

100 Not Nominated For Oscars – Part 19

It is common law for many, many popular films, those loved by the moving-going public, and even professional film critics, to not make it big…

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