Posted in Cannes Review

Rétrospective du Festival de Cannes: Melancholia, 2011 (Lars von Trier)

Prix d’interprétation féminine – Kirsten Dunst The laboring endurance, that feeling of being weighed down or held back, to a point of almost idyllic catatonia,…

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Marie Antoinette
Posted in Review

FemmeFilmFest20 Review: Marie Antoinette (Sofia Coppola)

Growing up in the shadow of a father who crafted some of the most influential and talked about films of the 20th century, would likely…

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Posted in Festival

Festival de Cannes 72 Countdown: The Beguiled, 2017

We excitedly countdown to the 72nd Festival de Cannes with a different prize winning film each day. The Beguiled, 2017 Prix de la mise en…

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Posted in Actress Women

International Women's Day: 5 Great Actress Turns That Didn't Need The Oscar Nomination To Be Timeless

Any time is a a splendid time to shout out to some of the finest performances by actresses. So for International Women’s Day it feels…

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Posted in Year in Film

Life Interrupted: The Journey to get The Virgin Suicides from Page to Screen

“I never thought I would be a film-maker. It wasn’t something I ever planned. I had so many interests but I just couldn’t find one medium…

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Posted in Director Women

Directors’ Weekend Catch-Up: The Beguiled

Sofia Coppola’s latest feature, The Beguiled, carries the theme of loneliness, which was present in her previous work like The Virgin Suicides and Lost In…

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