Cinema Audio Society Nominations Unveiled

The Cinema Audio Society has unveiled their nominations for the 57th Annual CAS Awards for Outstanding Achievement in Sound Mixing in 2020.

“2020 was wrought with unprecedented challenges, yet the nominees of the 57th Annual CAS Awards display a stellar example of quality and creativity that rivals any of our previous years. This year’s celebration is a testament to the outstanding technical ingenuity and creative prowess of our sound mixing community,” said CAS President Karol Urban. “ It is with immense admiration and pride that we announce our nominees for the 57th Annual CAS Awards for Outstanding Achievement in Sound Mixing.”

The 57th Annual CAS Awards will be presented at a virtual event on April 17. On the evening of the Awards the Cinema Audio Society website will be updated in real-time as the winners are announced. Full list of nominations below.

MOTION PICTURE – LIVE ACTION

Greyhound
Production Mixer – David Wyman CAS
Re-Recording Mixer – Michael Minkler CAS
Re-Recording Mixer – Christian Minkler CAS
Re-Recording Mixer – Richard Kitting
Re-Recording Mixer – Beau Borders CAS
Scoring Mixer – Greg Hayes
Foley Mixer – George A. Lara CAS

Mank
Production Mixer – Drew Kunin
Re-Recording Mixer – Ren Klyce
Re-Recording Mixer – David Parker
Re-Recording Mixer – Nathan Nance
Scoring Mixer – Alan Meyerson CAS
ADR Mixer – Charleen Richards-Steeves
Foley Mixer – Scott Curtis

News of the World
Production Mixer – John Patrick Pritchett CAS
Re-Recording Mixer – Mike Prestwood Smith
Re-Recording Mixer – William Miller
Scoring Mixer – Shawn Murphy
ADR Mixer – Mark DeSimone CAS
Foley Mixer – Adam Fil Méndez CAS

Sound of Metal
Production Mixer – Phillip Bladh CAS
Re-Recording Mixer – Nicolas Becker
Re-Recording Mixer – Jaime Baksht
Re-Recording Mixer – Michelle Couttolenc
ADR Mixer – Carlos Cortez Navarrette
Foley Mixer – Kari Vähäkuopus

The Trial of the Chicago 7
Production Mixer – Thomas Varga CAS
Re-Recording Mixer – Julian Slater CAS
Re-Recording Mixer – Michael Babcock CAS
Scoring Mixer – Daniel Pemberton
ADR Mixer – Justin W. Walker
Foley Mixer – Kevin Schultz

MOTION PICTURE – ANIMATED

A Shaun the Sheep Movie: Farmageddon
Dialogue & ADR Mixer – Dom Boucher
Re-Recording Mixer – Chris Burdon
Re-Recording Mixer – Gilbert Lake
Re-Recording Mixer – Adrian Rhodes
Scoring Mixer – Alan Meyerson CAS
Foley Mixer – Ant Bayman

Onward
Original Dialogue Mixer – Vincent Caro CAS
Original Dialogue Mixer – Doc Kane CAS
Re-Recording Mixer – Michael Semanick CAS
Re-Recording Mixer – Juan Peralta
Scoring Mixer – Brad Haehnel
Foley Mixer – Scott Curtis

Soul
Original Dialogue Mixer – Vincent Caro CAS
Re-Recording Mixer – Ren Klyce
Re-Recording Mixer – David Parker
Scoring Mixer – Atticus Ross
Scoring Mixer – David Boucher CAS
ADR Mixer – Bobby Johanson CAS
Foley Mixer – Scott Curtis

The Croods: A New Age
Original Dialogue Mixer – Tighe Sheldon
Re-Recording Mixer – Christopher Scarabosio CAS
Re-Recording Mixer – Leff Lefferts
Scoring Mixer – Alan Meyerson CAS
Foley Mixer – Richard Duarte
Foley Mixer – Scott Curtis

Trolls World Tour
Original Dialogue Mixer – Tighe Sheldon
Re-Recording Mixer – Scott Millan CAS
Re-Recording Mixer – Paul Hackner
Scoring Mixer – Christopher Fogel CAS
Foley Mixer – Randy K. Singer CAS

MOTION PICTURE – DOCUMENTARY

David Attenborough: A Life on Our Planet
Re-Recording Mixer – Graham Wild
Scoring Mixer – Gareth Cousins CAS

My Octopus Teacher
Re-Recording Mixer – Barry Donnelly
Foley Mixer – Charl Mostert

The Bee Gees: How Can You Mend A Broken Heart
Re-Recording Mixer – Gary A. Rizzo CAS
Re-Recording Mixer – Jeff King

The Social Dilemma
Production Mixer – Mark A. Crawford
Re-Recording Mixer – Scott R. Lewis
Scoring Mixer – Mark Venezia
Foley Mixer – Jason Butler

Zappa
Production Mixer – Monty Buckles
Re-Recording Mixer – Marty Zub CAS
Re-Recording Mixer – Lon Bender


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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