CODA and Don’t Look Up Win at Writers Guild of America Awards

The Writers Guild of America has announced the winners of the 74th Writers Guild of America Awards. Adam McKay and David Sirota took out Original Screenplay for Don’t Look Up, Siân Heder scored Adapted Screenplay for CODA, and Marc Shaffer won Documentary Screenplay for Exposing Muybridge.

Winners in bold below.

ORIGINAL SCREENPLAY
Being the Ricardos, Written by Aaron Sorkin; Amazon Studios
Don’t Look Up, Screenplay by Adam McKay, Story by Adam McKay & David Sirota; Netflix
The French Dispatch of the Liberty, Kansas Evening Sun, Screenplay by Wes Anderson, Story by Wes Anderson & Roman Coppola & Hugo Guinness & Jason Schwartzman; Searchlight Pictures
King Richard, Written by Zach Baylin; Warner Bros. Pictures
Licorice Pizza, Written by Paul Thomas Anderson; United Artists

ADAPTED SCREENPLAY
CODA, Screenplay by Siân Heder, Based on the Original Motion Picture La Famille Belier Directed by Eric Lartigau, Written by Victoria Bedos, Stanislas Carree de Malberg, Eric Lartigau and Thomas Bidegain; Apple
Dune, Screenplay by Jon Spaihts and Denis Villeneuve and Eric Roth, Based on the novel Dune Written by Frank Herbert; Warner Bros. Pictures
Nightmare Alley, Screenplay by Guillermo del Toro & Kim Morgan, Based on the Novel by William Lindsay Gresham; Searchlight Pictures
tick…tick…BOOM!, Screenplay by Steven Levenson, Based on the play by Jonathan Larson; Netflix
West Side Story, Screenplay by Tony Kushner, Based on the Stage Play, Book by Arthur Laurents, Music by Leonard Bernstein, Lyrics by Stephen Sondheim, Play Conceived, Directed and Choreographed by Jerome Robbins; 20th Century Studios

DOCUMENTARY SCREENPLAY
Being Cousteau, Written by Mark Monroe & Pax Wasserman; National Geographic
Exposing Muybridge, Written by Marc Shaffer; Inside Out Media
Like a Rolling Stone: The Life & Times of Ben Fong-Torres, Written by Suzanne Joe Kai; StudioLA.TV

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.