Dune: Part Two Named Best Film by St Louis Film Critics Association

Denis Villeneuve’s Dune: Part Two has been named Best Film by the St. Louis Film Critics Association. The film also picked up wins for Best Director and Best Visual Effects.

Winners in bold below.

BEST FILM

Anora (runner-up)

The Brutalist

A Complete Unknown

Conclave

Dune: Part Two

Nickel Boys

The Seed of the Sacred Fig

September 5

Sing Sing

Wicked

BEST DIRECTOR

Edward Berger “Conclave”

Brady Corbet “The Brutalist”

Mohammad Rasoulof “The Seed of the Sacred Fig” (runner-up)

RaMell Ross – “Nickel Boys”

Denis Villeneuve “Dune: Part Two”

BEST ACTOR

Adrien Brody “The Brutalist” (runner-up)

Timothee Chalamet “A Complete Unknown”

Daniel Craig “Queer”

Colman Domingo “Sing Sing”

Ralph Fiennes “Conclave”

Hugh Grant “Heretic”

BEST ACTRESS

Pamela Anderson “The Last Showgirl”

Cynthia Erivo “Wicked”

Marianne Jean-Baptiste “Hard Truths” (runner-up)

Mikey Madison “Anora”

Demi Moore “The Substance”

Saoirse Ronan “The Outrun”

BEST SUPPORTING ACTOR

Kieran Culkin “A Real Pain”

Clarence Maclin “Sing Sing”

Guy Pearce “The Brutalist”

Stanley Tucci “Conclave”

Denzel Washington “Gladiator II” (runner-up)

BEST SUPPORTING ACTRESS

Monica Barbaro “A Complete Unknown”

Danielle Deadwyler “The Piano Lesson”

Aunjanue Ellis-Taylor “Nickel Boys” 

Ariana Grande “Wicked” (runner-up)

Zoe Saldana “Emilia Perez”

BEST VOCAL PERFORMANCE

Maya Hawke “Inside Out 2”  (runner-up)

Lupita Nyong’o “The Wild Robot”

Pedro Pascal “The Wild Robot” 

Amy Poehler “Inside Out 2”

Sarah Snook “Memoir of a Snail”

BEST ENSEMBLE

Conclave

Dune: Part Two

Saturday Night (runner-up)

Sing Sing

Wicked

BEST ADAPTED SCREENPLAY

Conclave 

Dune: Part Two (runner-up)

Nickel Boys 

Sing Sing 

Wicked

BEST ORIGINAL SCREENPLAY

Anora 

The Brutalist

Hard Truths (runner-up)

A Real Pain 

Saturday Night 

The Seed of the Sacred Fig

BEST CINEMATOGRAPHY

The Brutalist

Dune: Part Two (runner-up)

Maria

Nosferatu 

Nickel Boys

BEST EDITING

The Brutalist

Dune: Part Two 

Nickel Boys

Saturday Night

September 5 (runner-up)

BEST PRODUCTION DESIGN

The Brutalist

Conclave

Dune: Part Two 

Nosferatu 

Wicked (runner-up)

BEST COSTUME DESIGN

Dune: Part Two

Hundreds of Beavers 

Maria

Nosferatu (runner-up)

Wicked

BEST ORIGINAL SCORE

The Brutalist

Challengers (runner-up)

Conclave 

Dune: Part 2 

The Wild Robot

BEST MUSIC SOUNDTRACK

A Complete Unknown 

Deadpool & Wolverine 

I Saw the TV Glow

Maria

Wicked (runner-up)

BEST VISUAL EFFECTS

Alien: Romulus

Dune: Part Two 

Furiosa: A Mad Max Saga

Kingdom of the Planet of the Apes (runner-up)

Nosferatu

BEST STUNTS

Deadpool & Wolverine

The Fall Guy

Furiosa: A Mad Max Saga (runner-up)

Gladiator II

Monkey Man

BEST INTERNATIONAL FEATURE

All We Imagine As Light

Dahomey

Do Not Expect Too Much from the End of the World (runner-up)

Emilia Perez

The Seed of the Sacred Fig

BEST ACTION MOVIE

Deadpool & Wolverine

Dune Part Two (runner-up)

The Fall Guy

Furiosa: A Mad Max Saga

Monkey Man

BEST ANIMATED FEATURE

Flow

Inside Out 2 

Memoir of a Snail

Wallace & Gromit: Vengeance Most Fowl (runner-up)

The Wild Robot

BEST COMEDY

Deadpool & Wolverine (runner-up)

The Fall Guy

Hundreds of Beavers

A Real Pain

Saturday Night

BEST DOCUMENTARY

Daughters

Will & Harper 

Music by John Williams 

No Other Land 

Sugarcane

Super/Man: The Christopher Reeve Story (runner-up)

BEST HORROR

Heretic

I Saw the TV Glow

Late Night with the Devil

Longlegs

Nosferatu

The Substance (runner-up)

BEST SCENE

Civil War – “What kind of an American are you?” 

Dune: Part Two – Riding the Sandworm 

The Substance – New Year’s Eve performance

Furiosa: A Mad Max Saga: War Rig battle (runner-up)

His Three Daughters – Dad’s Chair

BEST FIRST FEATURE

Annie Baker “Janet Planet”

Anna Kendrick “Woman of the Hour”

Josh Margolin “Thelma”

Dev Patel “Monkey Man”

RaMell Ross “Nickel Boys”

Malcolm Washington “The Piano Lesson” (runner-up)


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Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.

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