Everything Everywhere All at Once and Women Talking Win at Writers Guild of America Awards

The Writers Guild of America has announced the winners of the 75th Writers Guild of America Awards. Daniel Kwan and Daniel Scheinert took out Original Screenplay for Everything Everywhere All at Once, Sarah Polley scored Adapted Screenplay for Women Talking, and Brett Morgen won Documentary Screenplay for Moonage Daydream.

Winners in bold below.

ORIGINAL SCREENPLAY
Everything Everywhere All At Once, Written by Daniel Kwan & Daniel Scheinert; A24
The Fabelmans, Written by Steven Spielberg & Tony Kushner; Universal Pictures
The Menu, Written by Seth Reiss & Will Tracy; Searchlight Pictures
Nope, Written by Jordan Peele; Universal Pictures
TÁR, Written by Todd Field; Focus Features

ADAPTED SCREENPLAY
Black Panther: Wakanda Forever, Screenplay by Ryan Coogler & Joe Robert Cole, Story by Ryan Coogler, Based on the Marvel Comics; Walt Disney Studios Motion Pictures
Glass Onion: A Knives Out Mystery, Written by Rian Johnson; Netflix
She Said, Screenplay by Rebecca Lenkiewicz, Based on the New York Times Investigation by Jodi Kantor, Megan Twohey and Rebecca Corbett and the Book She Said by Jodi Kantor and Megan Twohey; Universal Pictures
Top Gun: Maverick, Screenplay by Ehren Kruger and Eric Warren Singer and Christopher McQuarrie, Story by Peter Craig and Justin Marks, Based on Characters Created by Jim Cash & Jack Epps, Jr.; Paramount Pictures
Women Talking, Screenplay by Sarah Polley, Based upon the Book by Miriam Toews; Orion Pictures/MGM

DOCUMENTARY SCREENPLAY
2nd Chance, Written by Ramin Bahrani; Showtime Documentary Films
Downfall: The Case Against Boeing, Written by Mark Bailey & Keven McAlester; Netflix
Last Flight Home, Written by Ondi Timoner; MTV Documentary Films
Moonage Daydream, Written by Brett Morgen; Neon
¡Viva Maestro!, Written by Theodore Braun; Greenwich Entertainment

Author: Doug Jamieson

From musicals to horror and everything in between, Doug has an eclectic taste in films. Both a champion of independent cinema and a defender of more mainstream fare, he prefers to find an equal balance between two worlds often at odds with each other. A film critic by trade but a film fan at heart, Doug also writes for his own website The Jam Report, and Australia’s the AU review.