Posted in Review

Review: Fences

Simply echoing what so many people have astutely pointed out already — this is not a well-rounded stage-to-screen adaptation. By adhering to the palcosenico’s static…

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Posted in Review

Review: The Handmaiden

I’m sure no one needs another voice in this roaring crowd echoing that this is a truly good movie. Sadly, it didn’t reach masterpiece levels…

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Posted in Oscars

7 Potential Sneaky Oscar Nominations

I don’t do nomination predictions. That’s what I always say. Sometimes I cave, sure. It’s a tough game to resist. Every single year. See Al…

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Posted in Oscars

Al Robinson's Final Oscar Predictions

Here are my Oscar predictions. This year there will be no #OscarsSoWhite problem. Best Picture Arrival Fences Hacksaw Ridge Hell or High Water La La…

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Posted in Film Honors

Film Honors: 1960

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Review

Review: Train to Busan

The hyperactive, refreshing journey that Asian cinema can sometimes take you on is exemplified by Train to Busan, from South Korea, a pulsating, edge-of-your-seat thrill-ride…

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Posted in Film Honors

Film Honors 2016: Longlists Announced

With the arrival of a new year, came the approaching closure of the film season. Here in the UK I’ve bullied my way through so…

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Posted in Review

Review: La La Land

To boot, I loved almost all the separate components of the film individually but I didn’t love the resulting bundle. Aesthetically, my eyes were gently caressed…

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Posted in Film Honors

Film Honors: 1997

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Film Honors

Film Honors: 1996

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Review

Review: Disorder

Taking a break from the apparent horrors of soldierhood, Vincent (Matthias Schoenaerts) is a brooding, guarded man, whose post-traumatic stress disorder hangs from him like…

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Posted in Film Honors

Film Honors: 1995

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Film Honors

Film Honors: 1994

My own personal choices for the year. They reflect not just necessarily what I think is the best or essential cinema, but perhaps resonate with…

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Posted in Review

Review: Chronic

The Cannes Film Festival is a real special and integral part of the movie year. Many of those films shown there to the very lucky…

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